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Lampooning Presidents through Words, Images and Scholarship [repost]

Posted on by Claude Potts
comic strip of Trump and Macron
From Macron, L’an I: pardon de vous le dire par Zef, Kak, and Degreff (Paris: Florent Massot, 2018.)

Recent acts of censorship of late night television talk show hosts Stephen Colbert and Jimmy Kimmel have spurred interest in not only reposting this ever pertinent blog post originally published on November 27, 2018 but also updating it with some relevant books acquired since then. With or without humor, we find both presidents still (or again) in power and in the satirical spotlight. Enjoy! Amusez-vous!

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Lithgow, John. Dumpty : The Age of Trump in Verse. San Francisco: Chronicle Prism, an imprint of Chronicle Books, 2019.As two of the oldest modern democracies, France and the United States share a long tradition of freedom of speech and of the press (and at times governmental censorship). The two societies have found catharsis in the mockery of their highest elected officials through caricatures, cartoons, and critical writings. Here are a few recent library acquisitions, in English and in French, from both sides of the Atlantic in this category of political critique:

Baldwin, Alec and Kurt Andersen. You Can’t Spell America Without Me: The Really Tremendous Inside Story of My Fantastic First Year As President Donald J. Trump (a So-Called Parody). New York: Penguin Press, 2017.

Battistella, Edwin L. Dangerous Crooked Scoundrels: Insulting the President, from Washington to Trump. 1st ed. United Kingdom: Oxford University Press, 2020.

Bourhis, Hervé and Rudy Spiessert. Trump de A à Z. Bruxelles: Casterman, 2017.

Burrell, Ginger R. Un[Hood]ed. Morgan Hill, CA: Midnight Moon Press, 2017.

Campion, Étienne. Le président toxique : enquête sur le véritable Emmanuel Macron. Paris: Robert Laffont, 2025.

Cole, David, and Melanie W. Stinnett. Rules for Resistance: Advice from Around the Globe for the Age of Trump. New York: The New Press, 2017.

Merchet, Jean-Dominique. Macron Bonaparte: Essai. Paris: Stock, 2017.Collard, Susan P., ed. Revolution Revisited : Emmanuel Macron and the Limits of Political Change in France. Abingdon, Oxon ; Routledge, 2025.

Connolly, William E. Aspirational Fascism: The Struggle for Multifaceted Democracy Under Trumpism. Minneapolis: University of Minnesota Press, 2017.

Daniel, Jean-Marc. Macron: La valse folle de Jupiter. Paris: l’Archipel, 2018.

Darmon, Michaël. Les secrets d’un règne : dans les coulisses d’un quinquennat de crises. Paris: L’Archipel, 2021.

Dolez, Bernard et al., eds. L’entreprise Macron à l’épreuve du pouvoir. Fontaine: PUG, 2022.

Dosse, François. Macron, ou, Les illusions perdues : les larmes de Paul Ricoeur. Paris: Le Passeur éditeur, 2022.

Être postmoderne / Michel Maffesoli; postface de Hélène Strohl: Emmanuel Macron, icône ou fake de la postmodernité? Paris: Les Éditions du Cerf, 2018.

Filoche, Gérard. Macron, ou, la casse sociale. Paris: l’Archipel, 2018.

Fottorino, Éric and Joep Bertrams. Détrumpez-vous!, Paris: Gallimard, 2017.

Fourquet, Jérôme. Le nouveau clivage: mondialisation, libre-échange, métropolisation, flux migratoires : état des démocraties occidentales. Paris: Les éditions du Cerf, 2018.

Drezner, Daniel W. The Toddler in Chief : What Donald Trump Teaches Us about the Modern Presidency. Chicago: University of Chicago Press, 2020.Drezner, Daniel W. The Toddler in Chief : What Donald Trump Teaches Us about the Modern Presidency. Chicago: University of Chicago Press, 2020.

Genté, Régis. Notre homme à Washington : Trump dans la main des Russes. Paris: Bernard Grasset, 2024.

Christopher J. Gilbert. Caricature and National Character: The United States at War. Penn State University Press, 2021.

Giroux, Henry A. The Public in Peril: Trump and the Menace of American Authoritarianism. New York, NY: Routledge, 2018.

Hamming, Grant, and Natalie E. Phillips, eds. Interrogating The Visual Culture Of Trumpism. New York, NY: Routledge, 2025.

Johnston, David C. It’s Even Worse Than You Think: What the Trump Administration Is Doing to America. New York: Simon & Schuster, 2018.

Joly, Marc. La pensée perverse au pouvoir. Paris: Anamosa, 2024.

Toulouse, Anne. L’art de “trumper”, ou, Comment la politique de Donald Trump a contaminé le monde. Monaco: Éditions du Rocher, 2024.Lee, Bandy X. The Dangerous Case of Donald Trump: 27 Psychiatrists and Mental Health Experts Assess a President. New York: St. Martin’s Press, 2017.

Lithgow, John. Dumpty : The Age of Trump in Verse. San Francisco: Chronicle Prism, an imprint of Chronicle Books, 2019.

Mayaffre, Damon. Macron, ou, Le mystère du verbe : ses discours décryptés par la machine. La Tour d’Aigues: Éditions de l’Aube, 2021.

Merchet, Jean-Dominique. Macron Bonaparte: Essai. Paris: Stock, 2017.

Mielczarek, Natalia. The Trump Presidency in Editorial Cartoons . 1st ed. Lanham: Lexington Books, 2023.

Mongin, Olivier, and Lucile Schmid. Emmanuel Macron à contretemps. Montrouge: Bayard, 2022.

Nanos, Nik. The Age of Voter Rage. London: Eyewear Publishing, 2018.

Ngono, Emmanuel. Sacré Macron : une aventure qui a vraiment bousculé le fonctionnement institutionnel français / Emmanuel Ngono. Morancez (France): Éditions Cana, 2023.Ngono, Emmanuel. Sacré Macron : une aventure qui a vraiment bousculé le fonctionnement institutionnel français / Emmanuel Ngono. Morancez (France): Éditions Cana, 2023.

Taguieff, Pierre-André. Macron: miracle ou mirage? Paris: Éditions de l’Observatoire, 2017.

Toulouse, Anne. Dans la tête de Donald Trump. Paris: Stock, 2016.

Toulouse, Anne. L’art de “trumper”, ou, Comment la politique de Donald Trump a contaminé le monde. Monaco: Éditions du Rocher, 2024.

Trudeau, G. B. Day One Dictator: More Doonesbury in the Time of Trumpism. 1st ed. Cork: Andrews McMeel, 2024.

Trumpism: The Politics Of Gender in a Post-Propitious America / edited by Laura Finley and Matthew Johnson. Newcastle upon Tyne, UK; Cambridge Scholars Publishing, 2018.

Willem. Macron: L’amour fou. Bordeaux: Les Requins marteaux, 2018.

Zef, Kak and Degreff. Macron, L’an I: pardon de vous le dire. Paris: Florent Massot, 2018.

Zef, Kak, and Degreff. Macron, L'an I: pardon de vous le dire. Paris: Florent Massot, 2018.
Zef, Kak, and Degreff. Macron, L’an I: pardon de vous le dire. Paris: Florent Massot, 2018.

Dispatches from The Bancroft Library’s DCU

Posted on by Christina Fidler
Elevated wooden balcony decorated with hanging glass lanterns, plants in ceramic vessels, and ornately carved relief panels overlooking Dupont Street with multi-level buildings in the background.
Balcony of the Chinese Restaurant, Dupont Street, San Francisco, Chinese in California, 1850-1925, BANC PIC 1905.06485:044–PIC, The Bancroft Library, University of California, Berkeley.

Closing the Loop

It has been almost a year since Leah Sylva joined the Digital Collections Unit (DCU) at The Bancroft Library as the Digital Collections and Metadata Librarian. In that time, she has provided crucial technical services support, moving the program forward by building on its past successes. With Christina Velazquez Fidler at its head, the DCU has largely focused on how to “close the loop” in regards to descriptions of digital materials. This process of “closing the loop” refers to an integration of the data points created at various stages of representing the archival material in our care. In the Bancroft context, this translates to ensuring that digitized materials are represented in the records of their originating collections whenever possible.

Underscoring this issue is the iterative nature of archival description, especially in the digital context. As we work with digital materials, we hold in mind the goals of maintaining archival context and improving access and discovery. These goals can only be accomplished by strategic decision-making to guide processes of observation, evaluation, and action. This often requires returning to past projects to ensure that they are meeting current standards and needs of library users. One example of this is the DCU’s newly completed The Bancroft Library Archived Websites LibGuide which preserves and provides context to past digital projects that are no longer hosted on the Library website. 

As archival material passes through discrete stages of arrangement and description, new data points are created: 

  • Archival material is acquired and accessioned → creation of catalog record
  • Archival material is arranged and described → creation of finding aid
  • Archival material is digitized -> creation of digital object and Digital Collections record

Since these processes can be completed years apart, there are often overlapping fragments of metadata existing in different platforms without reference to one another. With limited resources and staff capacity, we are always making choices about what to prioritize and what to leave for another day, creating backlogs and technical debt that future generations must repay with effort and creative problem solving. With migrations between systems, changing accessibility standards, and shifts in the direction of our work, we understand that the digital landscape is ephemeral and in need of attention, maintenance, and augmentation. Digital projects offer new pathways for access and discovery alongside significant technical challenges that must be resolved as part of a process of quality control. 

“Closing the Loop” case study: Moving Images from Environmental Movements in the West, 1920-2000

These recordings, comprising 130 videos from 8 distinct collections, were digitized under a Council on Library and Information Resources (CLIR) grant to preserve audiovisual material in need of reformatting.

At the end of the project, the recordings were added to the  Berkeley Library Digital Collections, but there were many inconsistencies and a lack of archival context for these materials. This necessitated a careful review of the digital objects and archival collection information to note what information existed in each system and where there were discrepancies. 

  • Catalog
    • Problem
      • Catalog records did not include digital material
      • Some material did not have item-level catalog records
    • Solution
      • Updated collection level records and item-level records to reflect digital material
  • Finding aid
    • Problem
      • Some audiovisual material was separated from original collections or appeared in multiple resource records
      • Some recordings did not have archival objects
    • Solution
      • Archival objects confirmed, moved, or created in ArchivesSpace
      • Digital objects created in ArchivesSpace linking out to Digital Collections records
  • Digital Collections
    • Problem
      • Objects had incorrect collection names in some cases
      • Many items did not have links to their catalog records or finding aids
    • Solution
      • Reviewed and resolved metadata issues
      • Added links in Digital Collections to connect digital object with catalog record and finding aid

This project is a prime example of “closing the loop” – circling back to the system of record, augmenting metadata, and ensuring that the various systems we employ connect to one another. It is only at the closing of this loop that we can truly consider a digitization project complete.

Delivering Archives and Digital Objects: A Conceptual Model (DadoCM)

This approach is supported by the emerging Delivering Archives and Digital Objects: A Conceptual Model (DadoCM). This model acknowledges that while digital repositories are largely designed for managing single discrete objects, archival principles are focused on efficiently describing materials in the aggregate. This model is centered on facilitating access and provides a framework which aims to resolve the inherent tensions in archival description of digital collections through a series of guiding principles and technical structures. UC Berkeley Library’s maría a. matienzo, Head of the Application Development Services Department, is a contributor to the DadoCM and she has been a helpful resource in conceptualizing DadoCM.

Two core ideas of DadoCM that we can apply to our work:

  • The meaning of an individual record becomes impoverished when it is removed from its context.
  • Information may be displayed in multiple places, but it must only be created and updated in one, canonical system of record.

The DCU’s focus on “closing the loop” lays down the foundation of DadoCM by keeping materials described within the context of their collections as well as maintaining connections through our canonical system of record, ArchivesSpace. We hope to continue implementing the DadoCM framework in our practices.

Completed Loops

During FY 2024/2025, Leah added 891 digital objects to ArchivesSpace. The following finding aids were republished by Leah to include newly added digital objects from ArchivesSpace.

Looking ahead, we are excited to build on this momentum, and we are exploring how emerging technologies can enhance discovery and access to our collections. We are also continuing to learn from and contribute to our vibrant digital archives community. Our collaboration with our campus stakeholders is the cornerstone of this work, and we are eager to continue this journey together. 

Post written by Christina Velazquez Fidler and Leah Sylva

New Acquisitions in Catalan Language and Literature

Posted on by Claude Potts

Please find this selection of books in Catalan recently received and cataloged for your reading pleasure. Catalan is a Western Romance language and is the official language of Andorra, and the official language of three autonomous communities in eastern Spain: Catalonia, the Balearic Islands and the Valencian Community, where it is called Valencian.

Catalan is considered a Less Commonly Taught Language (LCTL) in Europe and has received special support from the U.S. Department of Education under the auspices of Title VI of the Higher Education Act of 1965. Other languages of interest to research and teaching at Berkeley and historically supported by this program administered by the Institute of European Studies include Dutch, Portuguese, Modern Greek, Occitan, Yiddish, Galician, Danish, Finnish, Swedish, Norwegian, Icelandic, and more.

 

 

 

 

 

 

 

 

 

 

 

Documenting Italian-American Communities in California

Posted on by Claude Potts

 

 

Italians reading war news, North Beach, San Francisco
Photo by Harold Ellwood. Italians reading war news, North Beach, 1935. Fang family San Francisco Examiner Photograph Archive Negative Files. The Bancroft Library. UC Berkeley. BANC PIC 2006.029–NEG box 625, sleeve 092981_01

The UC Berkeley Library has rich collections pertaining to Italian-American communities in California. An online exhibition Italian Americans in California created in 2007 imparts little known facts about centuries of immigrants to the Golden State and is now archived on the Internet Archive’s Wayback Machine. Here are just a few from this marvelously researched exhibit:

  • Though small in number, Italians were some of the first European explorers and settlers of California. From 1687 to 1711, Father Eusebio Chino (probably pronounced Kee–no) traveled in northern Mexico and Lower California. He was the first person to prove that  Lower California was a peninsula, not an island. Other early Italian visitors to the shores of California were sailors and fishermen.
  • Though we often associate Italians in California with San Francisco, the initial Italian settlers established themselves in such diverse communities as Monterey, Stockton, and San Diego during the years of Spanish Rule. While the majority of Italians settled in the urban centers of the east, many, especially northern Italians came out west. As late as 1890, there were more Italian immigrants on the Pacific coast than in New England.
  • As early as the 1840s, settlers from Genoa began to arrive in the valleys of northern and central California after hearing their Ligurian (the region that includes Genoa) sailing relatives talk about how ideal the valleys were for vinting. Despite the fact that Liguria is not a major wine producing region in Italy, the wine industry in California was mostly built by Genoese.
  • The first significant wave of Italian immigrants came to California during the Gold Rush. Those who came quickly moved to buy land or work in service industries, rather than stay in the mines.
  • The majority of these Italian immigrants to California came from northern Italy. They began building communities, introduced Italian Opera to California in 1851, and founded an Italian language newspaper in San Francisco as early as 1859. Amadeo Giannini founded what became the Bank of America, first known as the Bank of Italy, in 1904 as a way for Italian immigrants to save and borrow small amounts, but the genius of his bank was the first use of branches put in locations closer to his customers.
  • The aftermath of the Gold Rush brought even more northern Italians to California. The ostentatious wealth of those who succeeded during the Gold Rush years brought with it a demand for stone and marble cutters from Italy to work on the mansions of the newly rich. The fishing grounds and warm climate began to attract Sicilian fishermen, especially in the Bay Area and San Diego.
  • San Francisco’s Little Italy bounced back from the 1906 earthquake in better shape than ever. At the same time, Italian immigrants had established themselves as the primary fishermen in the San Francisco Bay, and as a major agricultural force as well. Some children of the first wave of immigrants were coming of age in the 1900s to the 1930s, and these achieved greater success than their parents in law, politics, business, and agriculture, especially wine. 
  • The cultural contributions of generations of Italian Americans in San Francisco in particular is impressive. Writers such as Lawrence Ferlinghetti, Gregory Corso, Diane di Prima, Philip Lamantia and others fostered the Beat movement in the post-World War II years, rebelling against the conventions of mainstream American life (consumerism, racism, homophobia, etc.).

From Doe Library’s collection in the Main Stacks and NRLF, here are some noteworthy publications:

At the play [portraits of prominent San Franciscans, California]
Garibaldi, C. G. (active ca. ). At the Play [Portraits of Prominent San Franciscans, California]. Robert B. Honeyman, Jr. Collection of Early Californian and Western American Pictorial Material. The Bancroft Library. UC Berkeley. BANC PIC 1963.002:0501–E
Select Finding Aids from The Bancroft Library

Early California Italian-American Newspapers in The UC Berkeley Library

  • ll Corriere del Popolo. San Francisco, CA: Pedretti Bros., 1914-1943, 1948-1967 (lacks issues)
  • L’Eco d’Italia. San Francisco, CA: Pierino Mori, 1966-1980.
  • L’Italo-Americano. Los Angeles, CA: Scalabrini Fathers, 1985-2016. Online archive for 2012-present available via UCB only. Former titles: Eco d’Italia and Italo-Americano di Los Angeles
  • La Voce del Popolo. San Francisco, CA, 1868-1939.
Italian fisherman with no crabs at Fisherman's Wharf.
Italian fisherman with no crabs at Fisherman’s Wharf. Fang family San Francisco Examiner Photograph Archive Negative Files. The Bancroft Library. UC Berkeley. BANC PIC 2006.029–NEG box 644, sleeve 093662_02

See also the website for the Museo Italo Americano in San Francisco.

Art for the Asking: Check-Out Art From The Graphic Arts Loan Collection At The Morrison Library August 25 to 28

Posted on by Jennifer Osgood
A bright poster advertising the GALC open house from August 25th through 28th, in the Morrison Library.

The Graphic Arts Loan Collection (GALC) at the Morrison Library has been checking out art to UC Berkeley students, staff, and faculty since 1958 and it is back again this year!

The purpose of the GALC since its inception has been to put art in the hands of UC Berkeley students (and the best way to appreciate art is to live with it!), so on August 25 and 26, from noon to 4 p.m., and August 27 and 28, from 10 a.m. to 4 p.m., UC Berkeley students can come to the Morrison Library (101 Doe Library) and check-out up to two pieces of art from the GALC’s collection to take home and hang on their walls for the academic year. The prints will be available to students on a first come, first served basis. We will also have our newest prints available, including art by Dave Eggers and Annie Owens.

If you would like to see what we have before you come to the Morrison Library, all the prints are available to browse online at the Graphic Arts Loan Collection website. Not everything in the collection will be available at the Morrison Library on these days, but much of the collection will. Please note that the Graphic Arts Loan Collection will not be available to staff and faculty members during this time, but only available to UC Berkeley students. Starting September 2nd students can reserve prints from the collection through the GALC website, and on September 15th, faculty and staff can begin reserving prints. Any questions about the GALC can be directed to graphicarts-library@berkeley.edu.

The Passenger: An Unconventional Travel Guide

Posted on by Claude Potts

Published by Europa Editions, The Passenger series offers an unconventional take on typical travel guides with new writing, original photography, art, and reportage from around the world. The series was first launched in 2018 by the independent Italian publisher Iperborea, and was brought into English by Europa in 2020. It has also been translated into Spanish, Portuguese, and Korean.

The book-magazine travels far and wide to bring back the best writing from the places it visits. It assembles not only reportage, but also long-form journalism and narrative essays with the aim of telling stories of the contemporary life of a place and its inhabitants: “It takes readers beyond the familiar stereotypes to portray the shifting culture and identity of a place, its public debates, the sensibilities of its people, its burning issues, its pleasures and its pain.”

An Author Recommends section provides cultural tips on books, films, music and more from contemporary authors such as Valeria Luisell (Mexico), Banana Yoshimoto (Japan), Enrique Vila-Matas (Barcelona), Pitchaya Sudbanthad (Thailand), Paolo Macry (Naples), Chimamanda Ngozi Adichie (Nigeria) and more. Digging Deeper provides short bibliographies for further reading, and The Playlist links to curated Spotify playlists of music from the featured city, country, or region. To date there have been eighteen volumes published in English, and all are shelved in Morrison Library’s travel section, waiting for their next trip.

 

Recent Shipment of Lusophone African Literature

Posted on by Claude Potts
Map of Luso-African Literary Publishers by City
Map of Luso-African Literary Publishers by City generated by Bee Lehman

More than 80 works of literature from Angola, Cabo Verde, and Mozambique arrived in Doe Library last week. This selection of poetry, short stories, and novels in Portuguese was made possible through a generous 3-year grant from the Fundação para a Ciência e a Tecnologia (FCT) in Lisbon. The absence of Lusophone African literature from mainstream African literary studies (mostly in English and French) has been noted by contemporary scholars. These new works of post-colonial fiction and verse listed below are held by few academic libraries and reflect the UC Berkeley Library’s longstanding commitment to collect and make accessible underrepresented voices from across the world in more than 400 distinct languages. Please enjoy this curated list by book dealer Susanne Bach Books which provides a snapshot of the rich literary output from Lusophone Africa over the past three years:

100 poemas para Neto / Poetas da União dos Escritores Angolanos. Luanda, Angola: EAL – Edições de Angola, 2022.

A greve das palavras: contos juvenis / Celso Celestino Cossa. Cidade da Beira, Moçambique : Editorial Fundza, 2024.

A intimidade das sementes: narrativas / Amílcar Armando Raja. Maputo, Moçambique: Gala-Gala Edições, 2024.

A queda do Macombe Chipapata: tramas e revoltas /  Celestino Joanguete. Maputo, Moçambique: Ethale Publishing, 2024.

Almas em tácitas / Lino Mukurruza. Maputo, Moçambique: Alcance Editores, 2023.

Amei para me amar / Nyeleti. Inhambene do Céu, Moçambique: Massinhane Edições, 2024.

Amores da província: 3 novelas / Benjamim Pedro João. Maputo, Moçambique: Edições Tarymba, 2022.

Amores e outras cores / Armindo António. Maputo, Moçambique: Catalogus, 2024.

Antologia mulheres e seus destinos / vol. IV :coord., org. Lena Marçal. Cidade da Praia, Cabo Verde :[s.n.], 2024.

As coisas do morto / Francisco Guita Jr. Maputo, Moçambique: Gala-Gala Edições, 2024.

As peripécias de Caia: I volume da trilogia / Benjamim Pedro João. Maputo, Mozambique: Edições Tarymba, 2024.

Até depois da solidão: o diário de Ricardo / Nunes Cristovão; Osvaldo dos Anjos (Exilado). Maputo, Moçambique: Ntxuva Editora, 2023.

Boleia à chave da felicidade / Roberto Savanguanni. Cidade da Beira, Moçambique:Editorial Fundza, 2023.

Canção de setembro para Zamuzaria Maria / Rafael da Câmara. Maputo, Moçambique:Gala-Gala edições, 2023.

Criação do fogo / Álvaro Fausto Taruma.Maputo, Moçambique: Alcance Editores, 2024.

De neve e de bruma = Di nevi i di serason / José Luiz Tavares; ilustrações de Yuran Henrique.Kabuverdi: Gongon Cartoneira, 2022.

Dedicatória: as minhas experiências mais gratificantes e as que não me orgulho / Abilito O Negro. Chimoio, Moçambique: Sguerra DEsign, 2022.

Deixa-me escrever-te / Timóteo Papel. Cidade da Beira, Moçambique: Fundza, 2023.

Delírios matinais / Emerson D’ Oliveira.Maputo, Moçambique: Edição de autor, 2022.

Dias rasgados ao meio / Jorge de Oliveira. Maputo, Moçambique: Alcance Editores, 2023.

Dicionário de pequenas solidões /  Ronaldo Cagiano. Maputo, Moçambique: Catalogus, 2024.

Escritores emergentes de Moçambique (antologia) / Benjamim Pedro João. Maputo, Moçambique: Edições Tarymba, 2022.

Estórias trazidas pela ventania / Adelino Albano Luís. Cidade da Beira, Moçambique: Editorial Fundza, 2023.

Eterno cacimbo / Mavu Keyambata. Luanda: Palavra e arte, 2023.

Eu te amo, tu és linda!  Josina Costa Viegas. Maputo, Moçambique: Alcance Editores; Clube de Leitura de Qualimane, 2024.

Filosofar dos Corpos / Atanásio Mutoropa. Beira: Fundza, 2024.

Fui para dentro de mim e não voltei / Mauro da Silva. 2ª ed. Inhambene-Céu, Moçambique: Massinhane Edições, 2024.

Geba: onde o Tâmega desaguou no Índico / Miguel César. Maputo, Moçambique: Fundação Fernando Leite Couto, 2022.

Ginástica nictofóbica da terra / Wilton dos Zicas. Maputo, Moçambique: Alcance Editores, 2023.

Há exorcismos em Njofane / Vitorino Ubisse Oliveira. Inhambane, Mozambique: Massinhane, 2023.

Incêndios à margem do sono / Óscar Fanheiro. Maputo, Moçambique: Fundação Fernando Couto, 2023.

Kwashala blues / Jessemusse Cacinda. Maputo, Moçambique: Ethale, 2023.

Lesões da memória / Ernesto Maluleque Júnior. Maputo, Moçambique: Ethale Publishing, 2024.

Makhalelo: cocktail de crónicas / Adriano Félix. Maputo, Moçambique: Editorial Fundza, 2022.

Mandume: o rei de Oukwanyama / Cigano Satyohamba. Luanda, Angola: Edição do autor, 2021.

Masika: o intuitivo / A’mosi Just A Label. Luanda, Angola: Konono Soul Books, 2023.

Masingita ou a subtileza do incesto / Juvenal Bucuane. Cidade da Beira, Moçambique: Editorial Fundza, 2022.

Memória subterrânea / Mudungazi. Maputo: Editora Kulera, 2024.

Meninas do crepúsculo Leste / Cecília António Moreira. Luanda, Angola: Editora Acácias,2024.

Mulher e marido / Manuel Rui. Luanda, Angola: Mayamba Editora, 2024.

Mutiladas / Eduardo Quive. Maputo, Mozambique: Editora Catalogus, 2024.

Nas areias do tempo / Luís Cezerilo. Maputo, Moçambique: Editora Lithangu, 2024.

Navegar. Amor. Café. /Ruben Morgado. Maputo, Moçambique: Catalogus, 2024.

Névoa na sala/ Mélio Tinga. Maputo, Moçambique: Catalogus Editora, 2024.

Novas vozes, novas estórias / Abrahama Zacarias Noé. Maputo, Moçambique: Catalogus, 2024.

Nunca me abandones / Alcides Simões. Praia, Cabo Verde: Livraria Pedro Cardoso, 2023.

O amor de uma prostituta / Flora Salvador. Luanda, Angola: É Sobre Nós Editora, 2023.

O Amor que há em ti / Larsan Mendes Beira: Editorial Fundza. 2022.

O amor, o gato preto e outras insónias / José Pedro Pinto Lobo. Maputo, Moçambique: Alcance Editores, 2024.

O descalço dos murmúrios / Gibson João. Maputo, Moçambique: Fundação Fernando Leite Couto, 2023.

O endereço para dentro do segredo / Baptista Américo. Cidade da Beira, Moçambique: Editorial Fundza, 2024.

O galo cantou na baía… :(e outros contos cabo-verdeanos) / Manuel Lopes. Praia, Cabo Verde: Instituto da Biblioteca Nacional de Cabo Verde, 2023.

O Inventário da Memória: Ensaios/ José dos Remédios (org). Beira, Moçambique: Fundza, 2024.

O lado sujo da metáfora / Jeconias Mocumbe. Maputo, Moçambique: GalaGala Edições, 2024.

O louco que habita em nós: perversão por detrás da aparência / Catarino Luamba. Luanda: Kilunji, 2024.

O manual das mãos / Eduardo White. Maputo, Moçambique: Alcance, 2022.

O retrato dos demónios / Naji Sacaúnha.Inhambene-Céu, Moçambique: Massinhane Edições, 2024.

Observador de sonhos / Bruno Morgado. Maputo, Moçambique: Catalogus, 2024.

Orera: um conto de amor e honestidade / Hélder Tsemba. Cidade da Beira, Moçambique: Editora Fundza, 2023.

Os bichos têm dono: estórias verídicas / Almiro Lobo. Maputo, Moçambique: Alcance Editores, 2024.

Os funerais de Manguituka, o terrível bandido e outros mambos / Albino Carlos.Luanda, Angola: Editora Acácias, 2023.

Os heróis que não sabiam voar /Honório Quimbuari. Luanda, Angola: Imprensa Nacional, 2023.

Os lobos não podem esperar / Natacha Magalhães. Praia, Cabo Verde: Pedro Cardoso Livraria,2022.

Os pores-do-sol / Lahissane. Maputo, Moçambique: Ethale Publishing, 2022.

Os últimos animais / Whaskety Fernando. idade da Beira, Moçambique: Editora Fundza, 2023.

Pedaços da eternidade / Piedade Manuel. Benguela, Angola: Editora Shalom, 2024.

Peneiras de poalha / Humberto Santos. Cidade da Praia, Cabo Verde: Livraria Pedro Cardoso, 2023.

Pétalas negras: ou a sombra do inanimado / Belmiro Mouzinho. Cidade da Beira, Moçambique: Fundza, 2022.

Pita kufa: o leito da morte / Carlos Paradona Rufino Roque. Maputo, Moçambique: Alcance Editores, 2024.

Poemas de infância e o reencontro com o passado – presente / Joaquim Nhampoca.Maputo, Moçambique: Edição de Autor, 2022.

Poemas do breve / Lex Mucache. Beira; Fundza, 2024.

Quando os mochos piam: contos / Geremias Mendoso. Maputo, Moçambique: Fundação Fernando Leite Couto, 2022.

Quarentena /Jorge Ferrão.  Maputo, Moçambique: Alcance editores, 2024.

Raízes e gritos / Lorna Zita. Maputo, Moçambique: Editora Kulera,2023.

Saudades do ventre da minha mãe / Márcio Batalha. Luanda, Angola: Editora Acácias, 2022.

Siavuma 100 anos / org. Ricardo Santos. Maputo: Alcance editores, 2024.

Singularidades IV: estudos africanos / Lourenço Rosário. Maputo, Moçambique: Alcance Editores, 2024.

Sonata de uma nação vagabunda / Mudungazi.Maputo, Moçambique: Editora Kulera, 2024.

Sopro / Nelson Lineu. Maputo, Moçambique: TPC Editora, 2023.

Tanto amor / Kaya M. Maputo, Moçambique: Editora Kulera, 2023.

Te amo mecanicamente / Marco Lole de Andrade. Songo, Moçambique: Soletra Editora, 2022.

Uma onça na cidade / Deusa D’África. Maputo, Moçambique: Alcance editores, 2024.

Verdades dos mitos / Hélder Muteia. Maputo, Moçambique: Alcance Editores, 2023.

Yolela / Zaki Wamai. Luanda, Angola: É Sobre Nós Editora, 2024.

Zero sobre zero: o espião que veio de Kigali / Aurélio Furdela. Maputo, Moçambique: Alcance Editores, 2024.

Zeus, quando é cão / Francisco Muianga. Beira, Moçambique. Editorial Fundza 2022.

flowerVisit the Iberian Studies library research guide for more books about Luso-African Literature and Criticism.

New Library Guide for Iberian Literatures

Posted on by Claude Potts

Iberian Literatures

Today, we are launching a new library research guide for Iberian Literatures & Criticism. The new guide will improve navigation and discovery in UC Berkeley’s vast literature collection in Romance languages, mostly found in a classification commonly known as the PQs. Over the course of the past year, we have critically reviewed the former guides, weeded outdated resources, and replaced them with more current content with links to digital resources when available.

This literary research guide, like the others for Italian and French & Francophone literatures launched last year, is now benefiting from the LibGuides platform, which makes it much easier to revise than the former PDFs. The guide is structured by sections for article databases, general guides and literary histories, reference tools, poetry, theater & performance, and literary periods. In addition to literature in Spanish and Portuguese, it also includes less commonly taught literatures and languages such as Catalan, Galician, Basque, Arabic, Ladino, and more. There is also a new section for Luso-African and Hispano-African literature.

The online guide also interfaces seamlessly with related guides published by the UC Berkeley Library. For example, on the home page, there is a prominent link to the online list of recently acquired publications on the general Spanish & Portuguese guide, making it even easier to stay current on new books in all of the call number ranges.

Because the guides are much easier to update, they encourage user interaction and invite community suggestions for inclusion (or deletion).

When you have time, please take a look at this new resource and let us know what you think.

Claude Potts, Romance Languages Librarian
Cameron Flynn, RLL Doctoral Candidate

Meeting of Library’s Global & Area Studies Interest Group

Posted on by Claude Potts
United Nations: For all children a safe tomorrow-IF you do your part
United Nations: For All Children a Safe Tomorrow-IF You Do Your Part. Issued by United Nations, Department of Public Information. United Nations poster collection, circa 1940s. The Bancroft Library. University of California, Berkeley. BANC PIC 2005.010:002–D

On Wednesday, January 15, members of the newly formed Global & Area Studies Interest Group (GASIG) convened via Zoom to discuss new directions and topics of interest for librarians and staff working on international issues and themes at UC Berkeley. The knowledge sharing group provides a forum for Library employees to address issues related to supporting teaching, learning and research about specific world regions and countries, as well as international and global studies broadly. Relevant topics include, but are not limited to: collection development, collection management, digitization, metadata and discovery issues, campus partnerships, and fundraising.

Since its founding in 1868, students and faculty at UC Berkeley have concerned themselves with a breathtaking range of languages. In support of teaching and research, the University Library, which collects and preserves materials in all languages, now boasts a collection of nearly fourteen million volumes. It is among the largest academic libraries in the U.S. with more than one third of its print resources in more than 400 non-English languages, and even more in digital formats. Over a dozen Berkeley departments offer instruction in more than sixty languages.

The group will meet once or twice per semester, communicate via a group email list, and endeavors to host a series of educational events such as a library resource showcase featuring both hidden and well-known collections. Membership is open to all interested UC Berkeley Library employees across units, functions, and classifications. José Adrián Barragán-Álvarez (Bancroft Library) and Claude Potts (Arts & Humanities Division) are co-facilitators for the first two years. For more information or to join the group, please either one of us directly.

 

UC Berkeley Library’s Dataverse

Posted on by Anna Sackmann

artistic logo and text that reads Data and Digital Scholarship Services UC Berkeley Library

Library IT and the Library Data Services Program are thrilled to announce the launch of the UC Berkeley Library Dataverse, a new platform designed to streamline access to data licensed by the UC Berkeley Library. This initiative addresses the challenges users have faced in finding and managing data for research, teaching, and learning.

With Dataverse, we have simplified the data acquisition process and created a central hub where users can easily locate datasets and understand their terms of use. Dataverse is an open-source platform managed by Harvard’s Institute for Quantitative Social Science, and was selected for its robust features that enhance the user experience.

All licensed data, whether locally stored or vendor-managed, will now be available in Dataverse. While metadata is publicly accessible, users will need to log in to download datasets. This platform is the result of a collaborative effort to support both library staff and users. Anna Sackmann, our Data Services Librarian, will continue to assist with the acquisition process, while Library IT oversees the platform’s maintenance. We are also committed to helping researchers publish their data by guiding them toward the best repository options.

Access the UC Berkeley Library Dataverse via the Library’s website under Data + Digital Scholarship Services. Please email librarydataservices@berkeley.edu with questions.