Summer reading: Campus Diversity

Book cover for Campus DiversityCampus Diversity: The Hidden Consensus
John M. Carey, Katie Clayton, & Yusaku Horiuchi

This book is authored by two political science luminaries, John Carey and Yusaku Horiuchi of Dartmouth, as well as one of their students who was an undergraduate herself at the time of the writing, Katie Clayton.

I can’t imagine a work of nonfiction that better addresses the theme of this year’s Summer Reading List. Campus Diversity focuses on one of the central social, political, and legal issues confronting universities: whether and how race, ethnicity, gender, and socioeconomic status should be considered in college admissions and in faculty recruitment. It takes seriously what students think about an issue on which they have direct, recent experience. It acknowledges head-on the challenges students may face in openly expressing opinions about diversity, and it shows how scholars can measure attitudes even on hot-button issues. It further shows how the academic research process can unfold, identifying a puzzle, applying an innovative method to get traction on it, and presenting results graphically, in an accessible manner that requires no prior familiarity with statistical methods. It provides historical background on demographic diversity at American universities and current context on legal and political challenges to affirmative action.

Nothing could be more timely, and the book is a model of engaging, accessible social science. Perhaps most importantly, given this year’s theme, the book unearths hidden connections among students and opens the way for more open and fruitful dialogue. I think incoming students would enjoy it and profit enormously from reading it.

M. STEVEN FISH
Professor
Political Science Department

This book is part of the 2020 Berkeley Summer Reading List. Stay tuned for more weekly posts!


Summer reading: An Unnecessary Woman

Book cover for An Unecessary WomanAn Unnecessary Woman
Rabih Alameddin

In An Unnecessary Woman, Rabih Alameddine connects the reader with an isolated, brilliant, unconventional woman living in Beirut. Her life is peopled with the characters of her beloved books, and each year — for her own pleasure — she translates one of them into Arabic. An Unnecessary Woman transports the reader to Lebanon, through great works of literature, and into the life and mind of a remarkable woman. And, as Rabih Alameddine states, the novel questions how we balance an inner life with an outer life — and how important is each?

SUSAN EDWARDS
Head, Social Sciences Division
Social Welfare Librarian & Interim African Studies Librarian

This book is part of the 2020 Berkeley Summer Reading List. Stay tuned for more weekly posts!


Read at Home: June in OverDrive

OverDrive is a UC Berkeley Library service for borrowing ebooks and audiobooks. You can access books online, download them to a device, or read them on an ereader such as Kindle. OverDrive is available to current UC Berkeley students, faculty, and staff. How it works: Simply log in with your CalNet ID, and you can start borrowing!

You can also download the Libby by OverDrive app to access OverDrive from your mobile device. For more information, visit the OverDrive help guide.

Check out some of June’s new arrivals here:



Summer reading: Where the Crawdads Sing

Book cover for Where the Crawdads SingWhere the Crawdads Sing
Delia Owens

I just finished reading Where the Crawdads Sing and thought it was excellent. It tells the story of a girl who is abandoned by her family at a young age. The novel traces her struggle to survive and her eternal longing for connection. Sadly, she is rejected by nearly all the people she comes in contact with and is treated as a “feral child.” The storytelling is superb, and the author creates a beautiful world in the marshlands where it takes place.

PETER VAHLE
Lecturer
College Writing Programs

This book is part of the 2020 Berkeley Summer Reading List. Stay tuned for more weekly posts!


Celebrate Pride Month with these LGBTQ+ Reads

June is Pride month! Immerse yourself in LGBTQ+ literature with the Library’s suggestions below as a guide, and be sure to explore additional titles of LGBTQ+ works on your own as well!

Browse these inspirational and riveting works of nonfiction:

If historical and period pieces appeal to you, don’t miss these:

Be sure to add LGBTQ+ poetry and essays to your reading list:

What books do you recommend? Let us know on Twitter!



Summer reading: All the Light We Cannot See

Book cover for all the light we cannot seeAll the Light We Cannot See
Anthony Doerr

This novel is set during World War II, tracking the lives of a French girl and a German boy. While these two characters are initially separate and unbeknownst to each other, the summit of the novel arrives when their lives intertwine as they struggle to survive the war. Anthony Doerr creates a beautiful collision of two worlds in the most detailed and unexpected of ways, providing readers with a story of light set amidst a time period riddled with darkness.

KAILEE GIFFORD
Class of 2021
English major

This book is part of the 2020 Berkeley Summer Reading List. Stay tuned for more weekly posts!


Summer reading: Meadowlark

Book cover for the meadowlarkMeadowlark
Melanie Abrams

UC Berkeley faculty member Melanie Abrams’ fantastic new novel, Meadowlark, follows Simone, a photojournalist, who escapes a strict spiritual compound as a teenager and later reconnects with the childhood friend, Aaron, she escaped with. Aaron is now the charismatic leader of a commune, Meadowlark, which holds some disturbing beliefs concerning children and their “gifts.” Despite her reservations, Simone agrees to come document Meadowlark’s story but arrives only to realize the commune is in the midst of a tense criminal investigation. A gripping novel about the sometimes inexplicable pull of connection and what it means to see and be seen.

ELISE PROULX
Director of Marketing & Partnerships
Greater Good Science Center

This book is part of the 2020 Berkeley Summer Reading List. Stay tuned for more weekly posts!


Ancient Greek

The Languages of Berkeley: An Online Exhibition

Ancient Greek
Aldus Manutius’ 1504 edition of the Odyssey

“Sing to me of the man, Muse, the man of twists and turns driven time and again off course, once he had plundered the hallowed heights of Troy.” So begins the epic tale of Odysseus, “the man of twists and turns” and king of Ithaca who, after he and his fellow Greeks achieved victory over the kingdom of Troy (a campaign recounted in the Iliad), sets off on his return voyage told in the Odyssey (“Ὀδύσσεια”).[1] That trip, which should have taken no more than a few weeks, becomes instead a journey of ten years as Odysseus and his men are confronted by storms, creatures of all kinds, and interventions by the gods. 

The fate of Odysseus’ household on the island of Ithaca, located off the western coast of Greece, is the focus of the first part of the Odyssey. In the absence of Odysseus, his house has fallen under assault by a gluttonous group of men, the “suitors”, who rival one another for the hand of his faithful wife, Penelope, as they linger day after day, taking advantage of the family’s hospitality. His son, Telemachus, on the cusp of manhood, sets out for news of Odysseus, but returns home without certain information while the suitors plot his murder.  

Well into the text, Odysseus describes the circumstances of his much delayed return. Sailing homeward from Troy, the 12 ships bearing Odysseus and his countrymen are hurled off course by a storm and a series of fantastic events begins. They survive the land of the Lotus-eaters, where they nearly succumb to forgetfulness after consuming the potent lotus plant, and then land on the island of the one-eyed Cyclopes. One Cyclops, Polyphemus, begins to devour Odysseus’ companions before the cunning Odysseus and his men take up a fiery stake and put out the creature’s single eye, escaping to their ship, and earning the wrath of Polyphemus’ father, the god Poseidon. Blown off course again, the group is attacked by the Laestrygonians, boulder-throwing giants, who destroy all of the ships but that of Odysseus and consume their crews. Odysseus’ ship next lands on the island of Circe, a sorceress who transforms Odysseus’ comrades into swine, brings Odysseus to her bed, and keeps him with her for a year. Following Circe’s release of Odysseus and his men, Odysseus makes a brief descent into the underworld, where he encounters a variety of dead including comrades who fought in the Trojan War, Heracles, his own mother, and the prophet Tiresias, who foretells his journey home. Returning to the surface and sailing onward, Odysseus has his men tie him to the ship’s mast while they plug their ears to avoid the tempting and deadly cry of the Sirens. After further events that result in the destruction of his ship and his remaining men, Odysseus reaches the island of the nymph Calypso, who holds him there as her lover for seven years.  

Finally, Odysseus returns to Ithaca, where he had last stepped foot 20 years before.  Observing the behavior of the suitors firsthand while disguised as a beggar, he crafts a plan: He blocks the doors of the hall, and with his son Telemachus at his side, assails the suitors with arrows and runs them through with spears while the goddess Athena protects him from the suitors’ weapons.  Having slaughtered the abusive lot, Odysseus and Penelope are at last reunited.    

According to ancient tradition, the Iliad and the Odyssey were both the poetic creations of a blind poet named Homer. Although Homer may be a fictitious person, these epic poems, or parts of them, must have been sung for some time by actual poets who knew them from memory at a time when writing was non-existent in Greece. Probably in the 8th century BC, the poems were written down for the first time following the Greeks’ borrowing of the Phoenician alphabet. The Iliad and the Odyssey were read throughout antiquity, and further served as a major point of reference for Greek works across genres, and, in Latin, most importantly provided a source of inspiration for the creation of the Aeneid, the epic foundation story of the founding of Rome which the poet Virgil composed in the 1st century BC.  

Along with other myths, many scenes from the Homeric epics were taken up within ancient visual culture. One of the earliest examples is the blinding of Polyphemus, painted in the 7th century BC on the well-known Eleusis Amphora, which was used as the container for a child’s burial. Much later, together with many other aspects of culture which the Romans adopted from the Greeks, the Odyssey became represented in Roman art. The finest examples include the 1st century BC Odyssey Landscapes which decorated a luxurious house in Rome, and the 1st century AD sculpture groups within a grotto at the villa of the emperor Tiberius at Sperlonga, on the coast between Rome and Naples. 

The Odyssey was copied and recopied through handwritten manuscripts in the Middle Ages, and in 1488 the first print edition was produced in Florence. As one of the classic texts of European, and indeed world literature, innumerable editions in Greek and in translation have been published since then. In the 20th century  and beyond, the story of Odysseus has continued to influence literary and popular culture, from James Joyce’s 1922 Ulysses (the Latinized form of “Odysseus”) to the 2000 film O Brother, Where Out Thou, in which George Clooney plays “Ulysses Everett McGill”. The themes of the Odyssey are enduring: U.S. military veterans returning from recent wars in the Middle East have read the Iliad and the Odyssey within discussion groups and found parallels between their experiences and that of the war veteran Odysseus.[3] In 2018, readers from around the globe voted the Odyssey to the top of the list in the BBC poll, “100 Stories that Shaped the World”.[3]  

UC Berkeley’s Bancroft Library possesses an excellent selection of early editions of the Odyssey beginning with an example printed in Venice by Aldus Manutius in 1504. In addition, seven Egyptian papyri from the 2nd century BC to the 2nd century AD in The Bancroft Library’s Center for the Tebtunis Papyri preserve handwritten fragments or quotations from the Odyssey in Ancient Greek. One, for example, from the late 1st or early 2nd century AD and recovered from a house at Tebtunis, contains a fragment from Book 11 of the Odyssey which describes Odysseus’ journey to the underworld. Aside from modern editions in Ancient Greek, the University Library owns numerous translations in English and a wide variety of other languages such as Italian, Icelandic, Russian, Turkish, and Hebrew.  

Ancient Greek, along with Latin, have been offered at UC Berkeley since the university’s founding in 1868, and originally constituted required subjects for the BA degree. Greek emerged as its own department when a departmental structure was established in 1896, eventually joining the department of Latin to form a new Classics department in 1937. Today, Homer is taught regularly within the Classics department in both Ancient Greek and in translation.[4]

Contribution by Jeremy Ott
Classics and Germanic Studies Librarian, Doe Library

Sources consulted:

  1. Homer. The Odyssey. Translated by Robert Fagles. New York: Penguin, 1996. Book One, lines 1-3.
  2. Ring, Wison. “‘Homer Can Help You’: War Veterans Use Ancient Epics to Cope,AP News (March 13, 2018) (accessed 6/8/20)
  3. Haynes, Natalie . “The Greatest Tale Ever Told?,” BBC News (May 22, 2018). (accessed 6/8/20)
  4. UC Berkeley Department of Classics – History, https://classics.berkeley.edu/about/department-history (accessed 6/8/20)

~~~~~~~~~~~~~~~
Title:
Ὀδύσσεια
Title in English: Odyssey
Author: Homer
Imprint: Venitiis : [Publisher not identified], secundo cale[n]das nouem, 1504.
Edition: 1st
Language: Ancient Greek
Language Family: Indo-European, Greek
Source: HathiTrust Digital Library (Northwestern University)
URL: https://catalog.hathitrust.org/Record/102392919

Other Online Resources:
Digitized Papyri in the Center for the Tebtunis Papyri containing fragments or quotations of the Odyssey:

  • P.Tebt.0270. Possibly a fragment of a grammar; lines 2-6 contain a quotation from the Odyssey, book 18, line 130.
  • P.Tebt.0271 Recto. Fragment of Hesiod’s Catalog of women (the Tyro passage); lines 2-3 are identical to Homer’s Odyssey, Book 2, lines 249-250.
  • P.Tebt.0696. Fragments from the Odyssey, Book 1.
  • P.Tebt.0431. Fragments of the Odyssey, Book 11.
  • P.Tebt.Suppl.01,032-01,033. Fragments of the Odyssey, Book 12.
  • P.Tebt.0432. Fragment from the Odyssey, Book 24.
  • P.Tebt.0697. Lines from Books 4 and 5 of the Odyssey.

Select print editions at Berkeley:

  • Homērou Ilias = Homeri Ilias. Venice: Aldus, 1504.

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The Languages of Berkeley is a dynamic online sequential exhibition celebrating the diversity of languages that have advanced research, teaching and learning at the University of California, Berkeley. It is made possible with support from the UC Berkeley Library and is co-sponsored by the Berkeley Language Center (BLC).

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Listening to Afrique

Without African aesthetics and ingenuity, the collective culture of the world would not be what it is today. This selection of ebooks from independent publisher Éditions L’Harmattan provides a glimpse of the richness of creative expression in Francophone Africa in particular. It has been compiled in memory of the lives of George Floyd, Ahmaud Arbery, Adama Traoré and others of African ancestry everywhere who have endured centuries of systematic and institutionalized racism and violence.

Les vies noires comptent!

 

See also:

 


Summer reading: Sula

Book cover for SulaSula
Toni Morrison

Childhood friendships are often the stuff of deep, organic, unspoken connection. Toni Morrison’s second novel, Sula (1973), traces the friendship between the title character and her friend Nel, girls who, during their childhoods in the Bottom, a segregated black neighborhood in Medallion, Ohio, were “two throats and one eye,” yet whose connection is ultimately fractured. Although they come from starkly contrasting families, Sula and Nel forge an abiding friendship and emotional connection, solidified by their holding the secret of an accidental death.

Morrison traces the path of Sula and Nel’s relationship over decades — through a deep rupture, a partial reconciliation, and the realization of how loss of connection can devastate and create “circles and circles of sorrow.” The novel challenges us to consider female friendships: their power and possibilities; how forces such as patriarchy, economics, family, and race structure and (re)strain such connections; and the price women pay for the choices they make and the agency they exercise.

LUISA GIULIANETTI
Curriculum Coordinator
Centers for Educational Equity and Excellence, CE3

This book is part of the 2020 Berkeley Summer Reading List. Stay tuned for more weekly posts!