Librarians Navigating Change at Berkeley—since 1869!

One truly exciting part of being a librarian at the UC Berkeley Library is the opportunity to do our own research.  I came to Berkeley from a background as a public health epidemiologist (very quantitative!) but was supported as I learned qualitative methods and was part of research projects that involved interviewing and analyzing qualitative data.  However, the most exciting project I’ve been part of at Berkeley is the one in which I was able to learn from the amazing UC Berkeley Library’s Oral History Center about how to be an oral historian, and I interviewed 15 long-term Berkeley librarians (one with more than 40 years of service!) about how they navigated change over their time here.   The project is called Librarians Navigating Change, and the transcripts are live!  For more about the project, this wonderful article has the details.

An unexpected and totally fascinating aspect of this project was learning more about the history of the libraries at Berkeley.  I learned quite a bit, of course, from the project’s narrators, but I also got to dig into documents and sites with information about the earlier buildings, collections, and people of the libraries.  Consider, for example, Joseph Rowell, who was UC Berkeley’s first full-time librarian, a position he held for almost 45 years (he’s in the California Library Hall of Fame!).  Consider also the magnificent Bacon Hall (originally called the Becon Art and Library Building), built in 1881 during Rowell’s tenure, the first campus building specifically allocated for use as a library.  There was a UC Berkeley library as early as the date that classes began in 1869, but it was small, and it perched in various buildings before finding a more permanent home 12 years later.  To me, Bacon Hall seems quite monumental in scale and design, even if not as elegant as Doe Library, which was completed in 1911.

Bacon Hall in 1901, a large imposing brick building.

Source: “Bacon Library, 1901”, retrieved from Calisphere

So, imagine my delight when project narrator and long-time Berkeley librarian Corliss Lee mentioned that she still had the notebook of handouts she had collated in 1991, her first year as a librarian at Berkeley, working in the Moffitt Undergraduate Library.  While I’m older myself, I didn’t graduate from library school until 2008, so this 35-year-old notebook was a treasure trove, a time capsule, and whatever other collection of historical coolness you want to call it.  I was able to scan 172 pages of it for inclusion on the “Librarians Navigating Change” project site, and at least for geeks of the history of libraries and the history of information technologies, they make fascinating reading!  Here are a few highlights…

1) Library Facts, 1989: Interestingly, there were already 2 million volumes stored off site, even then!  And, I may have to try to hunt down pictures of the Entomology Library.

Library Facts handout from 1989; available at https://tinyurl.com/LNC-Historical

2) Computerized Information:

For those of us who are a certain age, CD-ROMs and floppy disks were once a fact of life—but this handout makes us realize how very revolutionary they were compared to looking at multiple volumes of books, and hand-copying.

Computerized Information handout; PDF available at https://tinyurl.com/LNC-Historical

3) Finding Article Citations:

Finding articles using keywords has come a LONG way.  As librarians, we know that these types of commands may be called on behind the scenes of what the user sees, but even these are dying out as search algorithms become more sophisticated.  Today’s user doesn’t need to know any of these for a simple database citation search!  (But they may still help you with an advanced search—ask us librarians if you ‘d like to see how, we love this stuff.)

Finding Article Citations handout; PDF available at https://tinyurl.com/LNC-Historical

4) DialUp Access

First of all, note that there was MORE THAN ONE CATALOG.  As Corliss Lee mentioned in her interview for the project, “At some point we had Telnet GLADIS [and] Telnet MELVYL. I think [the web versions were called] Pathfinder and Web MELVYL… we couldn’t even agree how many catalogs we had! Did we have two catalogs each with two interfaces? Did we have three catalogs because the MELVYL’s [two platforms] were more alike than GLADIS and Pathfinder were? Or do we have four catalogs? And I think that’s a bad sign. Your staff can’t figure out how many catalogs you have. But those were the days, man.”

Secondly, even I can’t remember what a baud is, and that’s fine with me, but I do remember that to dial into the service, you had to use a long cord to connect a phone that looked like the one in the picture on the upper left, to a specialized outlet, or jack, in your wall.  Like ethernet is now, but WAY WAY WAY slower.

DialUp Access handout; PDF available at https://tinyurl.com/LNC-Historical

5) GLADIS Journal Search Result

The thing that strikes me about this diagram is how similar it is to the record you might look at today!  All of the essential categories and organizational guiding numbers and characters are still how we make sure our items are findable!  If you go to lib.berkeley.edu and do a journal search (by using the drop down menu to the right of the search box), you’ll find this record, and scrolling through, you’ll see it has similar information, similarly arranged!  The difference is that now we have online access, we aren’t tracking the locations of print volumes of the journal anymore.  Which is OK overall.

GLADIS Journal Search Result handout; PDF available at https://tinyurl.com/LNC-Historical

6) Moffitt Library Newsletter (back in the day!)

While we aren’t disseminating news in paper format anymore (for the most part), the message of welcome and support for undergraduate students remains the same.

Moffitt Library Newsletter; PDF available at https://tinyurl.com/LNC-Historical

7) Asian American Oral Histories

The UC Berkeley Library’s Oral History Center (formerly known as the Regional Oral History Office ) has collected a large and robust range of oral histories, many of which are now available online.  The important part here, in my opinion, is to note that oral histories can serve as “a starting point for research on a variety of subjects.”  And now that they are available online and therefore are searchable, it’s much easier to explore!

Asian American Oral History handout; PDF available at https://tinyurl.com/LNC-Historical

8) Campus Map

I love looking at old maps, and this one is no exception.  There are so many buildings that have gone up since the early ‘90s!  Most notable to me is the C.V. Starr East Asian Library, the one you can now see from Memorial Glade, with the façade that I think looks like stained glass.  Also, note that at this time, the Main Stacks which run underneath Memorial Glade, hadn’t even been built yet (the rectangles labeled T-4 through T-9 were temporary buildings built during World War II).  And you could take buses from campus to Davis, Stanford, Santa Cruz and SF.

Campus Map; PDF available at https://tinyurl.com/LNC-Historical

I hope you’ve enjoyed this trip down (institutional) memory lane!  Next up for this project—a presentation at the annual Oral History Association Conference in October, in Portland, Oregon, titled “ ‘Adventures You Can’t Even Begin to Imagine’: The Librarians Navigating Change Oral History Project”.  Onward!


Publisher Highlight: Transit Books

Collage of Transit Books covers and logo

In 2015, Adam Z. Levy and Ashley Nelson Levy founded Transit Books in the East Bay. In their decade of existence, they have released almost a hundred titles, ranging from beautiful translations of award-winning titles to adorably illustrated children’s picture books. The two came together when attending a graduate program in Columbia University. The two discovered a mutual interest in translation and, after work in translation and writing themselves, moved to California and founded the press. Under the banner of not-for-profit Transit Books, the two publishers started releasing stunning translations of fictional literature from around the world. Recently, they’ve added English fiction as well as non-fiction/essays as a series of “Undelivered Lectures.”[1]

The press has been highly successful, allowing the move from a home office to a space in the Strawberry Creek Design Center. They are now able to hold events even as they release more than a dozen books a year. Readers can follow Transit Books’ events through their social media accounts including Instagram and following their books on their webpage.

I, as someone who adores illustrations, am excited to read Jaque Jours’ children’s book The Muéganos (available in both English and Spanish) at the end of July.

Books at UC Berkeley

Notes

[1] “About,” Transit Books, accessed June 29, 2026, https://www.transitbooks.org/about; Joanne Furio, “The Indie Berkeley Book Publisher with a Worldwide View,” Berkeleyside, January 2, 2025, https://www.berkeleyside.org/2025/01/02/the-indie-berkeley-publisher-with-a-worldwide-view.


Publisher Highlight: Tebot Bach

Collage Tebot Bach logo and covers

Tebot Bach, the little teapot publisher of Orange County (located in Huntington Beach), came into existence in 1993, publishing Spillway Magazine. In 1999, founding members Mifanwy Kaiser and Mark Bergendahl chose to incorporate as a not-for-profit publisher in 1999. For almost three decades, the press published lovely books of poetry and fiction as well as organized local events, including poetry readings. Those events were held throughout their local area, in cafes and theaters as well as homeless shelters and nursing homes. Like their little Welsh teapot (tebot) namesake, they wanted to promote a spirit of community.

While little news has been published about their current status and the press is currently in “good standing” as a Nonprofit Corporation – CA – Public Benefit, evidence suggests that Tebot Bach has been winding down since 2021. They do not currently have any calls for proposals, their Facebook page is rather quiet, and their appearance in most bookstores is limited to older publications. To add to the impression, this Library appreciated Moon Tide Press (in Whittier, CA) picking up the excellent Spillway Magazine in 2023.

If the impression is accurate, we at Doe Library thank the members of and writers for Tebot Bach and wish them the best in their future endeavors.

Books from the Press

Notes

[1] “Tebot Bach,” SparkOC.Com – The Happening Place for Arts Happenings in the O.C., n.d., accessed June 22, 2026, https://sparkoc.com/organization/tebot-bach/; “About Tebot Bach,” Tebot Bach, accessed June 22, 2026, https://tebotbach.org/about.html.

[2] “Business Search,” California Secretary of State, accessed June 22, 2026, https://bizfileonline.sos.ca.gov/search/business.

[3] “Spillway,” Mood Tide Press, accessed June 22, 2026, https://www.moontidepress.com/spillway; “Los Ángeles Literary Journals,” Los Angeles Literature, April 20, 2015, https://losangelesliterature.com/the-literature/los-angeles-literary-journals/.


Mildred Howard: Memory and Oral History

This Juneteenth, there are quite a few celebrations in Oakland, and the Oral History Center today celebrates artist Mildred Howard, whose retrospective Mildred Howard: Poetics of Memory has just opened at the Oakland Museum of California. Howard has garnered a lot of attention recently, from articles about the Bancroft Library’s recent acquisition of Howard’s papers to an article in the Guardian about the OMCA exhibit.

 

Artist Mildred Howard leaning over artwork with pen in hand in a studio.
Mildred Howard at Magnolia Editions, photo by Don Farnsworth, c. 2013.

In 2021, the Oral History Center teamed up with the Getty Research Institute to co-conduct an in-depth life history with Howard, Mildred Howard: Testimonies on Art, Blackness, and Community as part of the African American Art History Initiative. She describes in her own words her upbringing and family background, and the context and meaning behind many of her most significant exhibitions and pieces over the decades. I strongly recommend that those who plan to see the current exhibit at OMCA check out the seven hours-worth of transcripts with Mildred Howard, Bridget Cooks, Professor of African American Studies at UC Irvine, and Amanda Tewes, oral historian with the OHC at the time of the interviews.

Some of Howard’s best-known work appears in The Poetics of Memory, including: Crossings from 1997/2006, Blackbird in a Red Sky (aka Fall of the Blood House) from 2002, and 024426458 from 1993. She discussed these pieces and others at length in her oral history. Beyond these works, Howard explores a varied and impactful life, from childhood experiences to her training in textile arts and experience as a fashion designer, to her public art such as her bottle houses, to her many installations and multiple exhibitions, international travel and work in Egypt and Morocco, along with her reflections on the art world, collectors, galleries, museums, and the meanings of her life’s work.

Even if you are unable to see the exhibition, exploring Howard’s oral history will deepen your appreciation of her apotheosis in American art over the past half century. Mildred Howard: Poetics of Memory runs at OMCA through October 18, 2026.


Publisher Highlight: Sapphire Books

Sapphire Books banner with cover collage

Christine Svendsen founded Sapphire Books Publishing in 2010 in Salinas, California as a one-person press. Her goal was to provide a lesbian-run publishing house for lesbian writers to tell their own stories. Over the years, the house has grown.

Today, 16 years later, the press has released dozens of titles in literary fiction, memoirs, genres including mystery, and non-fiction. In particular, they highlight their romances. Titles range from deeply personal to light, fluffy comfort reads.

Readers can follow Sapphire Books developments on their Facebook page or on their website.

Titles at UC Berkeley

Notes

[1] CURVE Staff, “Sapphire Books, A Cut Above,” CURVE, November 5, 2020, https://www.curvemag.com/blog/literature/sapphire-books-a-cut-above/.

[2] “Sapphire Books,” Duotrope, accessed June 9, 2026, https://duotrope.com//publisher/sapphire-books-36288.


Publisher Highlight: Inlandia Books

Collage of Inlandia book covers and logo

Inlandia Institute became an independent, not-for-profit organization in 2009 with Inlandia Books “founded circa 2011.” It has existed, however, since 2007, when it was spun into existence as a collaboration between Heyday Books and the Riverside Public Library. It grew out of Heyday’s wonderful, 2006 anthology, Inlandia: a Literary Journey Through California’s Inland Empire (link to UC Search record). Since then, (and continuing since incorporation), the Institute has embraced its mission of “deepen[ing] people’s awareness” of the Inland Empire and expanding knowledge of the area’s “unique, complex[,] and creativ[e]” vibrancy.[1]

Inlandia Books releases a variety of material, ranging from yearly anthologies, to poetry, novels, memoirs, essays, children’s books, and more. With uniformly attractive covers, the books build a beautiful picture of the Inland Empire the House has set out to capture.

Inlandia is an incredibly active Institute. Readers can follow their activities through their social media presence on Instagram and other platforms. Their website is one of the best places to follow their book releases.

Titles at UC Berkeley

Notes

[1] “Inlandia Institute,” Wikipedia, November 28, 2025, https://en.wikipedia.org/w/index.php?title=Inlandia_Institute&oldid=1324624111; “About Us,” Inlandia Institute, accessed June 2, 2026, https://inlandiainstitute.org/about-us/.


New Faculty Publication from Atreyee Gupta

Check out Art History faculty Atreyee Gupta’s new publication Non-Aligned: Art, Decolonization, and the Third World Project in India. (Yale University Press, 2025) 

Non-Aligned
Art, Decolonization, and the Third World Project in India Book Cover

From Yale University Press:

“A revelatory look at modernism in India, exploring art’s role in decolonization and aesthetic discourse across the Global South

Modernism’s peak in the interwar and postwar decades coincided with the eruption of antifascist and decolonization movements globally, including the League against Imperialism, the Bandung Asian-African Conference, and the Non-Aligned Movement. Viewing artistic practices through the lens of the radical intellectual possibilities that these epoch-making events prompted, Atreyee Gupta uncovers a modernist internationalism incongruous with Westernist cultural hegemonies. Modernism, she shows, cannot be separated from concepts of freedom and autonomy generated by Third World political struggles. Gupta mobilizes concepts including liberation, anti-imperialism, development, and modernization as essential analytic categories for art history, reorienting our understanding of both global modernism and Indian art.

Intertwining stories of art and liberation, aesthetics and decolonization, and intellectual practices and political revolution in the Third World, or what is now known as the Global South, Non-Aligned follows the far-flung interwar and postwar networks in which Indian artists and intellectuals such as Mulk Raj Anand, Dhanraj Bhagat, Francis N. Souza, Jagdish Swaminathan, and Abanindranath and Gaganendranath Tagore participated alongside interlocutors like W. E. B. Du Bois, Richard Wright, Octavio Paz, André Malraux, and Le Corbusier in Asia, Africa, Europe, and the Americas. This riveting account is beautifully illustrated with rarely published artworks.”


Publisher Highlight: Rare Bird Books

Tyson Cornell founded Rare Bird Books in 2010 in Los Angeles. While starting life in the Midwest, Cornell attended UCLA. In Los Angeles, they ended up working at the legendary, independent bookstore Book Soup. Interested in ethnography, Cornell initially worked in the newsstand, but increasingly supported events and worked with authors and publishers.[1]

Those experiences led Cornell to found Rare Bird in 2010 and have influenced the press’ focus since. The publisher’s more than 100 titles often serve as partial ethnographies, with heavy emphasis on lived experience through memoirs and “operat[ing] from a shadowy locus between Northeast LA and epistemological collapse.”[2]

Readers can follow Rare Bird and their website or through their Instagram page.

Recent Titles

Notes

[1] Joey Claudio, “Founder of Rare Bird Books Tyson Cornell Provides Insight Into His Sources of Inspiration and How He Maintains a Permanent Sense of Creativity,” Thrive Global, September 29, 2021, https://community.thriveglobal.com/founder-of-rare-bird-books-tyson-cornell-provides-insight-into-his-sources-of-inspiration-and-how-he-maintains-a-permanent-sense-of-creativity/.

[2] “About Rare Bird,” Rare Bird: Publisher of the Great & Infamous, accessed May 26, 2026, https://rarebirdlit.com/about-rare-bird/.


Publisher Highlight: Hat & Beard Press

Collage of Hat and Beard covers

J.C. Gabel and Brian Roettinger founded Hat & Beard in Los Angeles in 2016.[1] This publisher and print production house focuses on nonfiction literary and artistic output. They are heavily interested in the visual arts and, alongside poetry and essays, publish artist monographs in collaboration with artists and museums. Their stated goal is to produce works of “pop-culture and historical significance” [2].

This House produces beautiful material objects as well as fascinating works of poetry. Interested in design, these books are works of art in and of themselves. Frequently hardback with high-quality materials, these volumes are as much about the object as about the content.

For more information about their titles and their activities, check out their website or Instagram page.

Titles at UC Berkeley

More in the UC Libraries

Take a look at additional titles in the UC library systems using the Advanced UC Library Search.

Notes

[1] “About Us,” Hat & Beard Press, accessed May 19, 2026, https://hatandbeard.com/pages/about-us.

[2] Scott Timberg, “J.C. Gabel’s Indie Press Gamble, Hat & Beard,” Los Angeles Times, August 23, 2018, https://www.latimes.com/books/la-ca-jc-hat-and-beard-20180823-story.html.

[3] Dan Fox, “Is Art Publishing on the Rise?,” Frieze, September 23, 2016, http://www.frieze.com/article/art-publishing-rise.


May 2026 – Asian American and Pacific Islander Heritage Month

May 2026 Asian American and Pacific Islander Heritage Month

Celebrate Asian American and Pacific Islander Heritage Month this May with our featured collection of books by AAPI authors.