Concrete art and poetry—a radical avant-garde movement where the visual and spatial arrangement of words on the page carries as much weight as their literal meaning—emerged in Brazil during the 1950s, a time of rapid and transformative modernization. Professor Nathaniel Wolfson (Spanish & Portuguese) challenges the notion that concretism was socially passive, as some scholars have claimed. Instead, he presents it as the defining literary genre of the early information age.
Concrete Encoded: Poetry, Design, and the Cybernetic Imaginary in Brazil (Texas, 2025) examines how Brazilian poets, artists, and designers engaged with the rise of digital capitalism, forging a distinct cybernetic vision. Wolfson’s study reinterprets concretism—not just as Brazil’s most internationally influential artistic movement, but as a network connecting both prominent and overlooked figures. By mapping these creative exchanges, the book reveals broader, transnational conversations about technology and its critical possibilities.
From Macron, L’an I: pardon de vous le dire par Zef, Kak, and Degreff (Paris: Florent Massot, 2018.)
Recent acts of censorship of late night television talk show hosts Stephen Colbert and Jimmy Kimmel have spurred interest in not only reposting this ever pertinent blog post originally published on November 27, 2018 but also updating it with some relevant books acquired since then. With or without humor, we find both presidents still (or again) in power and in the satirical spotlight. Enjoy! Amusez-vous!
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As two of the oldest modern democracies, France and the United States share a long tradition of freedom of speech and of the press (and at times governmental censorship). The two societies have found catharsis in the mockery of their highest elected officials through caricatures, cartoons, and critical writings. Here are a few recent library acquisitions, in English and in French, from both sides of the Atlantic in this category of political critique:
Please find this selection of books in Catalan recently received and cataloged for your reading pleasure. Catalan is a Western Romance language and is the official language of Andorra, and the official language of three autonomous communities in eastern Spain: Catalonia, the Balearic Islands and the Valencian Community, where it is called Valencian.
Catalan is considered a Less Commonly Taught Language (LCTL) in Europe and has received special support from the U.S. Department of Education under the auspices of Title VI of the Higher Education Act of 1965. Other languages of interest to research and teaching at Berkeley and historically supported by this program administered by the Institute of European Studies include Dutch, Portuguese, Modern Greek, Occitan, Yiddish, Galician, Danish, Finnish, Swedish, Norwegian, Icelandic, and more.
Photo by Harold Ellwood. Italians reading war news, North Beach, 1935. Fang family San Francisco Examiner Photograph Archive Negative Files. The Bancroft Library. UC Berkeley. BANC PIC 2006.029–NEG box 625, sleeve 092981_01
The UC Berkeley Library has rich collections pertaining to Italian-American communities in California. An online exhibition Italian Americans in California created in 2007 imparts little known facts about centuries of immigrants to the Golden State and is now archived on the Internet Archive’s Wayback Machine. Here are just a few from this marvelously researched exhibit:
Though small in number, Italians were some of the first European explorers and settlers of California. From 1687 to 1711, Father Eusebio Chino (probably pronounced Kee–no) traveled in northern Mexico and Lower California. He was the first person to prove that Lower California was a peninsula, not an island. Other early Italian visitors to the shores of California were sailors and fishermen.
Though we often associate Italians in California with San Francisco, the initial Italian settlers established themselves in such diverse communities as Monterey, Stockton, and San Diego during the years of Spanish Rule. While the majority of Italians settled in the urban centers of the east, many, especially northern Italians came out west. As late as 1890, there were more Italian immigrants on the Pacific coast than in New England.
As early as the 1840s, settlers from Genoa began to arrive in the valleys of northern and central California after hearing their Ligurian (the region that includes Genoa) sailing relatives talk about how ideal the valleys were for vinting. Despite the fact that Liguria is not a major wine producing region in Italy, the wine industry in California was mostly built by Genoese.
The first significant wave of Italian immigrants came to California during the Gold Rush. Those who came quickly moved to buy land or work in service industries, rather than stay in the mines.
The majority of these Italian immigrants to California came from northern Italy. They began building communities, introduced Italian Opera to California in 1851, and founded an Italian language newspaper in San Francisco as early as 1859. Amadeo Giannini founded what became the Bank of America, first known as the Bank of Italy, in 1904 as a way for Italian immigrants to save and borrow small amounts, but the genius of his bank was the first use of branches put in locations closer to his customers.
The aftermath of the Gold Rush brought even more northern Italians to California. The ostentatious wealth of those who succeeded during the Gold Rush years brought with it a demand for stone and marble cutters from Italy to work on the mansions of the newly rich. The fishing grounds and warm climate began to attract Sicilian fishermen, especially in the Bay Area and San Diego.
San Francisco’s Little Italy bounced back from the 1906 earthquake in better shape than ever. At the same time, Italian immigrants had established themselves as the primary fishermen in the San Francisco Bay, and as a major agricultural force as well. Some children of the first wave of immigrants were coming of age in the 1900s to the 1930s, and these achieved greater success than their parents in law, politics, business, and agriculture, especially wine.
The cultural contributions of generations of Italian Americans in San Francisco in particular is impressive. Writers such as Lawrence Ferlinghetti, Gregory Corso, Diane di Prima, Philip Lamantia and others fostered the Beat movement in the post-World War II years, rebelling against the conventions of mainstream American life (consumerism, racism, homophobia, etc.).
From Doe Library’s collection in the Main Stacks and NRLF, here are some noteworthy publications:
Garibaldi, C. G. (active ca. ). At the Play [Portraits of Prominent San Franciscans, California]. Robert B. Honeyman, Jr. Collection of Early Californian and Western American Pictorial Material. The Bancroft Library. UC Berkeley. BANC PIC 1963.002:0501–ESelect Finding Aids from The Bancroft Library
Early California Italian-American Newspapers in The UC Berkeley Library
ll Corriere del Popolo. San Francisco, CA: Pedretti Bros., 1914-1943, 1948-1967 (lacks issues)
L’Eco d’Italia. San Francisco, CA: Pierino Mori, 1966-1980.
L’Italo-Americano. Los Angeles, CA: Scalabrini Fathers, 1985-2016. Online archive for 2012-present available via UCB only. Former titles: Eco d’Italia and Italo-Americano di Los Angeles
Italian fisherman with no crabs at Fisherman’s Wharf. Fang family San Francisco Examiner Photograph Archive Negative Files. The Bancroft Library. UC Berkeley. BANC PIC 2006.029–NEG box 644, sleeve 093662_02
Published by Europa Editions, The Passenger series offers an unconventional take on typical travel guides with new writing, original photography, art, and reportage from around the world. The series was first launched in 2018 by the independent Italian publisher Iperborea, and was brought into English by Europa in 2020. It has also been translated into Spanish, Portuguese, and Korean.
The book-magazine travels far and wide to bring back the best writing from the places it visits. It assembles not only reportage, but also long-form journalism and narrative essays with the aim of telling stories of the contemporary life of a place and its inhabitants: “It takes readers beyond the familiar stereotypes to portray the shifting culture and identity of a place, its public debates, the sensibilities of its people, its burning issues, its pleasures and its pain.”
An Author Recommends section provides cultural tips on books, films, music and more from contemporary authors such as Valeria Luisell (Mexico), Banana Yoshimoto (Japan), Enrique Vila-Matas (Barcelona), Pitchaya Sudbanthad (Thailand), Paolo Macry (Naples), Chimamanda Ngozi Adichie (Nigeria) and more. Digging Deeper provides short bibliographies for further reading, and The Playlist links to curated Spotify playlists of music from the featured city, country, or region. To date there have been eighteen volumes published in English, and all are shelved in Morrison Library’s travel section, waiting for their next trip.
Map of Luso-African Literary Publishers by City generated by Bee Lehman
More than 80 works of literature from Angola, Cabo Verde, and Mozambique arrived in Doe Library last week. This selection of poetry, short stories, and novels in Portuguese was made possible through a generous 3-year grant from the Fundação para a Ciência e a Tecnologia (FCT) in Lisbon. The absence of Lusophone African literature from mainstream African literary studies (mostly in English and French) has been noted by contemporary scholars. These new works of post-colonial fiction and verse listed below are held by few academic libraries and reflect the UC Berkeley Library’s longstanding commitment to collect and make accessible underrepresented voices from across the world in more than 400 distinct languages. Please enjoy this curated list by book dealer Susanne Bach Books which provides a snapshot of the rich literary output from Lusophone Africa over the past three years:
100 poemas para Neto / Poetas da União dos Escritores Angolanos. Luanda, Angola: EAL – Edições de Angola, 2022.
Just in time for the end of the semester, a couple hundred ebooks have recently flown in from from Spain from publishers like Akal, CSIC, Prensas Universitarias de Zaragoza, Ediciones Universidad de Cantabria, Plaza y Valdés, Dickinson, Editorial Egales, Trotta Editorial, Ediciones Complutense and the Universitat Oberta de Catalunya. All are available through the Digitalia Hispánica platform. Below are some highlighted from Iberoamericana Editorial Vervuert available to you wherever you may find yourselves this summer:
Originally part (from 1894) of the quarterly issues of the Revue d’Histoire littéraire de la France (RHLF), and since 2002, it has been an annual volume published in special editions. It gathers together references of French and Francophone literatures from the 16th century to the present day. The BLF was first published by Armand Colin until 1997; then by the Presses Universitaires de France; and since 2017 by Classiques Garnier.
Since 1996, the BLF has been the result of the joint work of a team at the Bibliothèque nationale de France, who is in charge of the indexing, and the Société d’histoire littéraire de France. The digital publisher of the BLF, Classiques Garnier Numérique, ensures the technical management and updates of the database.
The BLF is updated daily, as soon as new publications are indexed. Thanks to this, it constitutes a unique tool for researchers, teachers, students, and all those who are seeking to inform themselves about French literature, writers, subjects or periods. More than 200,000 detailed records from 1998 to the present day are currently online, including 105,000+ book chapters; 75,000+ journal articles; and 28,000+ reviews.
Today, we are launching a new library research guide for Iberian Literatures & Criticism. The new guide will improve navigation and discovery in UC Berkeley’s vast literature collection in Romance languages, mostly found in a classification commonly known as the PQs. Over the course of the past year, we have critically reviewed the former guides, weeded outdated resources, and replaced them with more current content with links to digital resources when available.
This literary research guide, like the others for Italian and French & Francophone literatures launched last year, is now benefiting from the LibGuides platform, which makes it much easier to revise than the former PDFs. The guide is structured by sections for article databases, general guides and literary histories, reference tools, poetry, theater & performance, and literary periods. In addition to literature in Spanish and Portuguese, it also includes less commonly taught literatures and languages such as Catalan, Galician, Basque, Arabic, Ladino, and more. There is also a new section for Luso-African and Hispano-African literature.
The online guide also interfaces seamlessly with related guides published by the UC Berkeley Library. For example, on the home page, there is a prominent link to the online list of recently acquired publications on the general Spanish & Portuguese guide, making it even easier to stay current on new books in all of the call number ranges.
Because the guides are much easier to update, they encourage user interaction and invite community suggestions for inclusion (or deletion).
When you have time, please take a look at this new resource and let us know what you think.
La semana pasada colgué las versiones últimas y finales de BETA, BITECA y BITAGAP en la web de PhiloBiblon de la Universitat Pompeu Fabra. Desde este momento no habrá más cambios en los datos presentados allí. Dentro de unos meses, un PhiloBiblon nuevo y renovado aparecerá en FactGrid:PhiloBiblon en la universidad alemana de Jena, donde compartirá espacio virtual con otros cuarenta proyectos históricos, desde los estudios cuneiformes hasta la época nazi en Alemania.
Es el final de un largo periplo que empezó en 1975 con el proyecto Dictionary of the Old Spanish Language de la University of Wisconsin, encabezado por Lloyd Kasten, con quien había estudiado yo ecdótica unos diez años antes. Fue el primer proyecto de humanidades digitales en el ámbito hispanico. Kasten fue secundado por su joven colega John Nitti, el arquitecto del entorno informático del proyecto. Para garantizar la autenticidad del corpus de español antiguo, se necesitaba un repertorio de manuscritos españoles escritos antes de 1501. Tal repertorio no existió y pusieron a ayudantes de investigación a vaciar dos obras, el Catálogo de los manuscritos castellanos de la Real Biblioteca de El Escorial, del benemérito, y martirizado, padre Julián Zarco Cuevas; y la Bibliografía de la literatura hispánica del igualmente benemérito José Simón Díaz. Identificaron 966 obras y Kasten y Nitti imprimieron el resultado como Bibliography of Old Spanish Texts en 1975. Siguió una segunda edición en 1977, con 1869 fichas. Al año siguiente yo me encontraba en la Hispanic Society, redactando su catálogo de manuscritos medievales y enviando adiciones y correcciones a BOOST. En 1981 Kasten y Nitti me ofrecieron la dirección de BOOST como proyecto autónomo, y lo demás, como dicen, es historia.
Pronto tuve un colaborador, un jovencísimo Ángel Gómez Moreno (UCM), que acababa de pasar un año de estudios de posgrado en Wisconsin. Al volver a España se lanzó con entusiasmo a la tarea de repasar los ficheros y catálogos (en papel, por supuesto), de la BNE, la Biblioteca de Palacio, la RAE y la RAH, siempre en busca de nuevos manuscritos para BOOST. En los años 80 estudiantes de carrera y posgrado sirvieron como ayudantes de investigación, primero María Morrás (UPF), y en los 90 Ángela Moll Dexeus y Antonio Cortijo (UC Santa Barbara), durante su paso por las aulas de Berkeley. Ya desde 1993 BOOST era BETA, la Bibliografía Española de Textos Antiguos en CD-ROM y en la red en 1997. En 2000 Ángel me mandó como becario por dos años a Óscar Perea Rodríguez; y desde entonces Óscar ha sido mi mano derecha en el proyecto, organizando los seminarios de PhiloBiblon, primero en San Millán de la Cogolla y luego en Madrid. Más recientemente ha trabajado como ayudante en Berkeley Heather Bamford (George Washington University), mientras que, en España, en la UCM, Álvaro Bustos ha participado en varias campañas de investigación conmigo y ha reclutado nuevos miembros del equipo de BETA.
Kasten y Nitti fueron responsables también de la Bibliography of Old Catalan Texts(BOOCT, 1985), base de datos gemela a BOOST, compilada por Beatrice Concheff (†), antigua alumna de la University of Wisconsin y que, en aquel tiempo, ejercía como profesora de inglés en una escuela de lenguas de Barcelona. Era una aficionada a la literatura catalana, pero no era experta en ella en términos académicos; por ello, la inmensa mayoría de sus citas a obras y manuscritos medievales provenía de fuentes secundarias. Y además, en el año de 1989, por desgracia, Concheff se encontraba con una salud muy delicada y era consciente de que no podría dedicarse a la compilación de una segunda edición de BOOCT.
En una de las sesiones de trabajo del congreso de la Asociación Internacional de Hispanistas de Barcelona de 1989, mi amigo Francisco Marcos Marín me presentó a Vicenç Beltrán. Expuesto el caso a Vicenç, vio inmediatamente la importancia de seguir adelante con BOOCT. En seguida Vicenç embarcó en el proyecto a su jovencísima alumna, doctoranda en aquel entonces, Gemma Avenoza i Vera (†). Fue Gemma la que enseguida quedó al cargo del mismo. Era ya una codicóloga consumada, como se puede comprobar en su tesis doctoral, Repertori dels manuscrits en llengües romàniques conservats a biblioteques barcelonines. Además, Gemma era de los escasos expertos en filología de la época que sabía manejar un ordenador, habilidad absolutamente necesaria para trabajar con PhiloBiblon. Ambos, Gemma y Vicenç, romanistas al estilo antiguo y expertos no sólo en las literaturas medievales ibéricas, sino también en las de Francia e Italia, comprobaron la utilidad del (entonces recién bautizado) PhiloBiblon, pues podría facilitar la tarea de catalogación y descripción de los textos y testimonios del corpus de literatura medieval ibérica en lenguas castellana, catalana, portuguesa y gallego-portuguesa.
A los pocos meses de ese primer encuentro en Barcelona, en el otoño de 1989 Gemma ya pudo visitarme en Berkeley para adentrarse en el arcano mundo de PhiloBiblon y encargarse, junto con Vicenç, de BOOCT, que pronto cambiaría su nombre en BITECA (Bibliografia de Textos Catalans Antics), de forma paralela a BETA. Desde entonces hasta su demasiado temprana muerte en 2021, Gemma fue la mano directriz de BITECA, pronto secundada por Lourdes Soriano, alumna tanto de Gemma como de Vicenç. Durante casi 20 años, pues, Gemma, Lourdes y yo estuvimos en contacto constante. Las dos supieron atraer a más de medio centenar de colaboradores y ayudantes de investigacíon. Los miembros actuales del equipo de BITECA son Joan Mahiques Climent (Universitat Jaume I), Joan M. Perujo (Universitat d’Alacant), Helena Rovira Cerdà (Universidad de Murcia), Glòria Sabaté (Universitat de Barcelona) y Ferran Triadó Sales, (Universitat de Barcelona), todos ellos alumnos o antiguos alumnos de Gemma y Lourdes.
Ya por la misma época, en 1988, entablé discusiones con mi querido colega y vis-à-vis (literalmente) en el departamento de español y portugués de Berkeley, Arthur Askins, sobre la posibilidad de crear una base de datos paralalela a BOOST y BOOCT. Se llamaría Bibliography of Old Portuguese Texts (BOOPT) y formaría un nuevo tomo en la “Bibliographic Series” de la Hispanic Seminary of Medieval Studies. Pero ya la época de publicación en papel había pasado. Con una subvención de la Sociedad Estatal del Quinto Centenario, BETA, BITECA y el recien bautizado BITAP (Bibliografia de Textos Antigos Portugueses) saldría en disco CD-ROM en 1993. Más tarde, el nombre BITAP se cambiaría en BITAGAP (Bibliografia de Textos Antigos Galegos e Portugueses).
Arthur había sido testigo ocular de mis investigaciones con BOOST desde 1981 y se había dado cuenta de la utilidad de las bases de datos en sus propias investigaciones sobre la biblioteca de Fernando Colón. Estaba intrigado, pero se dio cuenta desde el principio que esto tendría que ser un proyecto de equipo. Reclutó a sus amigos y antiguos compañeros de estudios de Berkeley, Harvey Sharrer (†), profesor en la University of California, Santa Bárbara, y Martha E. Schaffer, en aquel entonces profesora la University of Chicago y actualmente en la University of San Francisco.
Iniciados sus viajes de investigación anuales en Portugal, muy pronto los tres persuadieron a Aida Fernanda Dias (†), profesora de la Universidade de Coimbra, que se uniera al equipo. Luego, comenzando en 2008, se incorporaron Pedro Pinto (Universidade Nova de Lisboa), con su olfato extraordinario para encontrar manuscritos de interés, Cristina Sobral (Universidade de Lisboa), Filipe Alves Moreira (Universidade do Porto, actualmente Universidade Aberta), Maria de Lurdes Rosa (Universidade Nova de Lisboa), Ricardo Pichel Gotérrez (Universidade de Santiago y actualmente Universidad de Educación a Distancia), Mariña Arbor (Universidade de Santiago y Diana Fontão (Universidade de Porto / Universidad de Salamanca).
Como en los casos de BETA y BITECA, el equipo de BITAGAP ha contado con al menos una centena de buenos colaboradores, entre estudiantes y colegas del mundo entero.
PhiloBiblon no sólo ha sido creación de las personas mencionadas aquí, sino de todos aquellos colegas que nos han escrito pidiendo u ofreciendo información sobre tal o cual texto, manuscrito o persona. Por y para ellos hemos dedicado tanto esfuerzo durante más de cuarenta años, el mismo esfuerzo precisamente que todos los miembros del equipo vamos a continuar haciendo en esta nueva etapa que se abre ante nosotros.
Charles B. Faulhaber University of California, Berkeley
As two of the oldest modern democracies, France and the United States share a long tradition of freedom of speech and of the press (and at times governmental censorship). The two societies have found catharsis in the mockery of their highest elected officials through caricatures, cartoons, and critical writings. Here are a few recent library acquisitions, in English and in French, from both sides of the Atlantic in this category of political critique:
Collard, Susan P., ed. 
Drezner, Daniel W. 
Lee, Bandy X. 
Ngono, Emmanuel. 
![At the play [portraits of prominent San Franciscans, California]](https://update.lib.berkeley.edu/wp-content/uploads/2025/08/at-the-play.png)
