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Daylet Domínguez is an Associate Professor of Caribbean and Latin American literatures and cultures in UC Berkeley’s Department of Spanish & Portuguese. Her new book, Ficciones etnográficas: literatura ciencias sociales y proyectos nacionales en el Caribe hispano del siglo XIX (Iberoamericana Vervuert, 2021), deals with the importance of literature for the constitution of the social sciences as a modern practice and discourse in the Hispanic Caribbean. She proposes that anthropology and its related subjects began to build a place of enunciation at the end of the 19th and the beginning of the 20th century, in close relationship with travel literature, the “cuadro de costumbres,” and the novel. It is at the intersection with these literary genres that the emerging disciplines shaped a large part of their tropology and discursive genealogy; although, once institutionalized, they disavowed its epistemological validity. In the process of textual and institutional differentiation, the social sciences became one of the most effective ways to consolidate national projects, organize the transition to modern citizenships and undermine the postulates of racial and climatic degeneration associated with the region.
[translated from publisher’s site]
Ficciones etnográficas: literatura ciencias sociales y proyectos nacionales en el Caribe hispano del siglo XIX. Madrid : Iberoamericana; Frankfurt am Main: Vervuert,, 2021.
From its beginnings on the artistic fringe during the Hispanic Civil Rights Movement to its current status as the oldest and most accomplished publisher of contemporary and recovered literature by US Hispanic authors, Arte Público Press and its imprint, Piñata Books, have become a showcase for Hispanic literary creativity, arts and culture.
The original publishers of Sandra Cisneros’ seminal The House on Mango Street, Arte Público’s other well-known authors include Obie-award-winning playwright and filmmaker Luis Valdez, playwright Miguel Piñero and best-selling authors Nicholasa Mohr, Victor Villaseñor, and Helena María Viramontes. As part of the ongoing efforts to bring Hispanic literature to mainstream audiences, Arte Público Press launched the Recovering the US Hispanic Literary Heritage Program in 1992. This program represents the first nationally coordinated attempt to recover, index and publish lost Latino writings that date from the American colonial period through 1960. [from the publisher’s web site].
From children’s books and contemporary fiction to critical social history, the UC Berkeley Library is proud to hold most of Arte Púbico Press’ bilingual catalog of publications in the Main (Gardner) Stacks, the Ethnic Studies Library, and The Bancroft Library. In recent years, the Library has also acquired many of its publications in digital form through Digitalia Hispánica, Latino Literature, and other ebook platforms such as OverDrive. These can be discovered in UC Library Search with keyword phrase “arte publico press” and limiting to online through UC Berkeley.
Through La Fábrica—the Madrid-based publishing house he also directs, journalist Alberto Arnaut aims to incite a cultural debate in Matador, or in his own words a “campo de batalla” (battlefield) for ideas in all genres. The work of painters, sculptors, photographers, novelists, poets, playwrights, essayists, philosophers, architects, filmmakers, actors, chefs, musicians, fashion designers, and more adorn the pages of the lavish folio-size issues. Published annually since 1995 beginning with the letter A, the publishers are committed to completing 28 issues in 2022 when they reach the letter Z.
It is difficult to describe what takes place in Matador until you put your hands on an issue. Other than the dimensions, no issue is alike and each takes on a distinct theme. The magazine is predominantly visual with an emphasis on creators from the Iberoamerican world such as artists Miguel Barceló, Luis Gordillo and Eduardo Chillida; photographers Francesc Català-Roca, Xavier Miserachs, Ramón Masats; and filmmakers Bigas Luna and Gonzalo Suárez. However, contributions from all the continents establish an international dialogue. The words of contemporary fiction writers such as Javier Marías, Juan Goytisolo, Elena Poniatowska, and Juan Villoro engage with the deceased such as Rafael Alberti, Clarice Lispector, José Saramago and others. The texts of French theoreticians Hélène Cixous and Paul Virilio and the Department of Spanish Portuguese’s own Alex-Saum Pascual can also be encountered in Matador.
This year, the Art History/Classic Library was able to acquire all issues to date (A-T) as a joint purchase with the Romance Languages Librarian and is now one of only three libraries in California with a full-run and subscription.