Ukraine War Maps: A picture speaks thousand words!

As the war in Ukraine is now in its third year of current military conflict (excluding the takeover of Crimea), it becomes vital for us to provide resources to our students related to the actual war and its progress. For this reason, I wanted to focus on two different platforms that currently offer updates from the field as it evolves on the ground. I hope that the readers of these maps will find them helpful to make their own assessment of the current state of affairs. The first resource is the Deepstate map.

The interface is pretty intuitive, and the map can be displayed in both English and Ukrainian legends. Below is the screenshot that shows the map as of 11:05 am PST on August 25, 2025.

Below is the screenshot of a map of Ukraine that was taken on August 25th at 11 am on the site called deepstate live.

The deepstate live has several different partners that sponsor the project. One of them is Brave1.

Also, there is a blog that is associated with DeepState Live, which can be accessed here.

The second source is hosted by the Institute for the Study of War, which can be accessed here. The resource provides an assessment of the Russian offensive in Ukraine with a cutoff date of August 24, 2025.


Library Trial of Russian Imperial Era Periodicals: a Bibliography and Reference Guide (ImPressDB)

The library has set up a trial of a bibliographic database on Russian Imperial Era periodicals, which will run through the end of this month. The trial can be accessed here:
Upon accessing the database, one will see the landing page. A login button will be in the top right-hand corner of the screen. Please click on it, as no password is required. You will be able to test the database and assess its utility.
Please reach out to your Slavic Studies Librarian with your valuable feedback.
Russian Imperial Era Periodicals: a Bibliography and Reference Guide (ImPressDB) is a comprehensive research database of periodicals and serials from the time of the Russian Empire, published between 1702 and 1917. It includes publications from within the Russian Empire itself, across its diverse linguistic and cultural regions, as well as from some territories under its influence, and from the Austrian Empire (Austria-Hungary), Germany and other countries. The database also covers periodicals published by the empire’s diaspora in various parts of the world, including those by émigrés, political exiles, and immigrant communities, offering a broad, transnational perspective on the era’s printed media.
Russian Imperial Era Periodicals: a Bibliography and Reference Guide (ImPressDB) is a comprehensive research database of periodicals and serials from the time of the Russian Empire, published between 1702 and 1917. It includes publications from within the Russian Empire, across its diverse linguistic and cultural regions, and from some territories under its influence, including the Austrian Empire (Austria-Hungary), Germany, and other countries. The database also covers periodicals published by the empire’s diaspora in various parts of the world, including those by émigrés, political exiles, and immigrant communities, offering a broad, transnational perspective on the era’s printed media.

 

"Czołem!" Publication type one-off newspaper Publication dates 1906, July 1 Locality Warsaw Region Warsaw Governorate Country Russian Empire ; Congress Poland Language Polish ID A001391 Persistent URL https://rpdb.impressdb.com/item/A001391
A bibliographic entry for Czołem

UC Berkeley Library’s Online Exhibition: Capturing Struggle: Ukraine Through American and Ukrainian Lenses

Introducing Capturing Struggle: Ukraine Through American and Ukrainian Lenses,” an exhibition dedicated to documenting the invasion of Ukraine by Russia. This online exhibition features powerful images captured by American and Ukrainian photojournalists, marking the third year of the war against Ukraine, which began on February 24, 2022.


The exhibition not only commemorates the unprovoked Russian aggression but also sheds light on the ongoing struggle of Ukrainians amidst civilian deaths, assaults on infrastructure, and human rights violations. It offers a glimpse into the daily lives of Ukrainians through compelling photographs. We are grateful to Brendan Hoffman (USA), Serhii Korovayny, Oksana Parfeniuk, and Serhiy Mykhalchuk (Ukraine) for generously allowing us to showcase their impactful work. Also, We want to thank Svidok and AI for Good Foundation for helping us with additional photos.

Special thanks to Professors Anastassia FedykYuriy Gorodnichenko, and Nataliia Goshylyk of the University of California Berkeley, and Professor Monica Eppinger of St. Louis University’s School of Law for their unwavering support in organizing this online exhibition and related events. These events aim to highlight the resilience of Ukrainian archivists, librarians, human rights lawyers, and publishers. We also have featured recommended readings from UC Berkeley Library’s collections based on the faculty input (In English, In Ukrainian).

The idea for bringing this exhibition to the library originated at Fulbright Ukraine and Institute of International Education Kyiv, of which the Director of both these institutions, Dr. Jessica Zychowicz, is a UC Berkeley Alumna (English, ’04). Deputy Director Inna Barysh, Communications Officer Marian Luniv, and Program Officer Mariia Kravchenko envisioned the first exhibit which took place in Vynnitsia, Ukraine, and continue to co-curate all iterations. The photographs provided by Serhii Korovayny and Serihy M. were not part of the original Fullbright exhibition and were a later curatorial addition. Fulbright Ukraine has held exhibitions at several U.S. and European universities and museums, including in locations in Berlin, Czech Republic, and Bulgaria attended by U.S. Ambassadors.

Explore the exhibition here: Capturing Struggle: Ukraine Through American and Ukrainian Lenses.

Capturing Struggle: Ukraine Through American and Ukrainian Lenses is an exhibition featuring images captured by American and Ukrainian photojournalists who are documenting the invasion of their country by Russia. The Russian military invasion of Ukraine began on 24th February 2022. This year, on February 24th, the war against Ukraine will enter its third year. This exhibition is dedicated to marking not only the milestone of unprovoked all-out Russian aggression against Ukraine but also the ongoing struggle of Ukrainians in light of civilian deaths, constant assaults on the civilian infrastructure, and human rights violations. It is also dedicated to the daily lives of Ukrainians, as documented through photographs. The curator remains highly grateful to Brendan Hoffman (USA), Serhii Korovayny (Ukraine), Oksana Parfeniuk (Ukraine), and Serhiy Mykhalchuk (Ukraine), who kindly agreed to provide us with permission to re-use the photos that they have taken throughout the Russian-Ukrainian war. Also, a special note of thanks goes to Professors Anastassia Fedyk, Yuriy Gorodnichenko, and Nataliia Goshylyk of the University of California Berkeley and Professor Monica Eppinger of St. Louis University's School of Law for steadfastly supporting a series of library-based events as well as the idea of this online exhibition we organized and their help with this virtual exhibition. These events were organized to highlight the difficult work of Ukrainian archivists, librarians, human rights lawyers, and publishers.

Svidok: A Story From Every Ukrainian

As the Russian invasion of Ukraine continues without a meaningful resolution in sight, Ukrainians continue to document the stories of Russian aggression in their country. One such project is Svidok. Svidok (свідок) means witness. The bilingual multimedia website allows Ukrainians to record their stories associated with Russian aggression. The purpose of recording is not only documenting their everyday lives but also to bear witness to history as it unfolds in their independent nation-state.

Below is a three-part screenshot of the Svidok’s website. The website also has a memorial board for the fallen heroes and the civilian victims.

The landing page of Svidok's website, part 1Part 2 of the landing page of Ukrainian website: Svidok

Svidok’s self-description is below,

Svidok is your personal war journal. Where you can safely and securely store your experiences of living through the Russian invasion of Ukraine, and collect evidence of all the atrocities and war crimes that were committed by the Russians.

Svidok has been built by Ukraine’s proud citizens and friends in partnership with the AI for Good Foundation to ensure the truth of this war is accurately documented.

Про Свідок
Свідок – це ваш особистий щоденник війни. Ви можете безпечно та надійно зберігати свій досвід життя під час російського вторгнення в Україну та збирати докази всіх звірств та військових злочинів, які були скоєні росіянами.

Свідок був створений щирими громадянами та друзями України у партнерстві з Фундацією AI for Good, щоб гарантувати, що правда цієї війни буде точно задокументована.

 

An interactive map of Ukraine on the Svidok's website.


Library Trial: Znamia Digital Archive (Soviet-era periodical)

At the library, we have set up a thirty-day trial of Znamia Digital Archive through November 18, 2023.

The extensive archive of Znamia (Знамя, Banner), a highly regarded Soviet/Russian “thick journal” (tolstyi zhurnal), covers more than nine decades and is a rich source of intellectual and artistic contributions. This monthly publication has been a vibrant platform for literature, critical analysis, philosophy, and, at times, political commentary.

Originally introduced in January 1931 as LOKAF (Локаф), an acronym for the Literary Association of the Red Army and Navy, the journal officially adopted the name Znamia, which translates to “Banner” in English, in 1933. Throughout its history, Znamia has played a crucial role in presenting the works of renowned authors such as Anna Akhmatova, Alexander Tvardovsky, Yevgeny Yevtushenko, Konstantin Paustovsky, Yuri Kazakov, and Yuri Trifonov.

During the era of Perestroika, starting in 1986, Znamia underwent a significant transformation and became one of Russia’s most widely read literary journals, serving as a herald of the Perestroika movement.

The comprehensive archive of Znamia, an esteemed Soviet/Russian "thick journal," spans over nine decades and serves as a treasure trove of intellectual and artistic contributions. This monthly publication has been a vibrant platform for literature, critical analysis, philosophy, and at times, political commentary. Originally launched in January 1931 under the name LOKAF, an acronym for the Literary Association of the Red Army and Navy, the journal was officially rebranded as Znamia—which translates to 'Banner' in English—in 1933. In 1948, several members of the editorial staff were ousted for their perceived failure to adequately combat "cosmopolitanism." Throughout its history, Znamia has been a pivotal venue for showcasing the works of preeminent authors such as Anna Akhmatova, Alexander Tvardovsky, Yevgeny Yevtushenko, Konstantin Paustovsky, Yuri Kazakov, and Yuri Trifonov. In the era of Perestroika, beginning in 1986, Znamia underwent a significant transformation, evolving into one of Russia's most widely-read literary journals and serving as a herald of the Perestroika movement.
a photo of the landing page of Znamia Digital Archive

An issue of Znamia for December 1947

 

 

Access Link: https://libproxy.berkeley.edu/login?qurl=https%3A%2F%2Fdlib.eastview.com%2Fbrowse%2Fudb%2F6250


Primary sources: Russian language historical ebook collections

This post highlights some of the Library’s acquisitions of Russian-language historical ebook collections that may have escaped your notice.

Anti-religious alphabet bookSoviet Anti-Religious Propaganda ebook collection

East View has digitized a collection of 280 e-books that are most emblematic of Soviet anti-religious fervor. They were published mainly in the 1920s and 1930s on a variety of atheist or anti-religious topics, with titles including Christianity versus Communism, Church versus Democracy, and The Trial of God.

Early Soviet Cinema

Another collection from East View of 116 ebooks, originally published from 1928 to 1948, relating to the golden age of Soviet Cinema.

Russian Avant-garde Online

An ebook collection of 778 works from Brill Online. It represents works of all Russian literary avant-garde schools, most published betwen 1910-1940. According to the publisher, “the strength of this collection is in its sheer range. It contains many rare and intriguingly obscure books, as well as well-known and critically acclaimed texts, almanacs, periodicals, literary manifests. This makes it a gold mine for art historians and literary scholars alike. Represented in it are more than 30 literary groups without which the history of twentieth-century Russian literature would have been very different. Among the groups included are the Ego-Futurists and Cubo-Futurists, the Imaginists, the Constructivists, the Biocosmists, and the infamous nichevoki – who, in their most radical manifestoes, professed complete abstinence from literary creation.”