Ukraine Fights On: One Year Later
Ukrainian Publishers and Literary Critics Speak
In this second event, women publishers and literary critics from Ukraine will update us on the current state of publishing, the different strategies they are using to mitigate the tragic circumstances of their war, and how publishing has evolved since the Russian invasion of Ukraine.
Date: Mar 21, 2023
Time: 9:30 am PDT /12: 30 pm EDT/ 19:30 Kyiv Time
Duration: 1 hr. 15 min.
Language of Event: English.
All are welcome with prior registration.
Link for event registration: http://ucblib.link/ukrainefightson2
- Iryna Baturevych co-founded the Chytomo media project (NGO), the largest independent media covering publishing and contemporary literary and cultural processes in Ukraine.
- Anastasia Bilousova is an editor and project manager at the RODOVID Press publishing house in Kyiv.
- Lidia Lykhach is the executive editor and founder of RODOVID Press.
Aglaya Glebova is an Associate Professor in the History of Art at the University of California, Berkeley.
Organizer: Dr. Liladhar R. Pendse, Librarian for Slavic, East European, and Eurasian Studies
Wisconsin Slavic Conference
March 24-25, 2023
University of Wisconsin-Madison
Abstracts for 20-minute papers on any aspect of Slavic literatures, cultures (including film, music, and the visual arts), linguistics, and history are invited for the annual Wisconsin Slavic Conference. Comparative topics and interdisciplinary approaches are welcome and encouraged. The conference will be held in person at the University of Wisconsin-Madison on Friday and Saturday, March 24 and 25, 2023. Recent conference programs are available on the Wisconsin Slavic Conference website at https://gns.wisc.edu/2022/04/19/wisconsin-slavic-conference-2022/
This year’s keynote lecture will be delivered by Professor Yuliya Ilchuk (Stanford University).
To present a paper at the Wisconsin Slavic Conference, please submit a proposal by February 19, 2023.
A complete proposal consists of the following:
1. Author’s contact information (name, affiliation, postal address, telephone, and email).
2. Paper title
3. 300-500 word abstract
4. Equipment request (if necessary)
Email to send proposals: Jesse Kruschke email@example.com and Isabella Palange firstname.lastname@example.org.
Jesse Kruschke, Co-Chair of Wisconsin Slavic Conference, University of Wisconsin-Madison
Isabella Palange, Co-Chair of Wisconsin Slavic Conference, University of Wisconsin-Madison
Yekaterina Pak, Secretary of Wisconsin Slavic Conference, University of Wisconsin-Madison
As a courtesy from our vendor East View, I was glad to inform you that we have set up a 30 day trial of a Russian periodical of literary importance- 30 Dnei. Below links provide access information and publisher-provided description.
Founded in 1925 in Moscow and in continuous print until its closure in 1941, 30 Dnei was an illustrated Soviet literary journal most famous for the serialized publications of such Soviet literary sensations as Il’f and Petrov’s The Twelve Chairs and The Golden Calf. Praised and supported by none other than Maxim Gorky the journal was conceived by its publisher as a platform for the publication of short form literature, both original and translated, and was geared towards the emerging generation of writers and the intelligentsia. Apart from helping launch and shape the literary careers of a slew of Soviet writers the journal was instrumental in introducing acclaimed works of short fiction, essays, and poetry by foreign authors as well. Some of the most important Soviet and foreign writers whose works have appeared on the pages of 30 Dnei were Vasily Grossman, Vladimir Mayakovsky, Boris Pasternak, Ernest Hemingway, Langston Hughes, Paul Valery and others. Falling into disfavor with the central government in later years, with periodical criticisms of the editorial direction of the journal appearing in Pravda and Literaturnaia gazeta, the journal would cease publication soon after Nazi Germany’s invasion of the USSR in June of 1941.
30 Dnei Digital Archive contains the complete run of the popular literary monthly journal and represents an important resource for researchers of Soviet history and literature in its formative period.
On the eve of “old” Russian New Year, I would like to extend a warm welcome to all who are interested in exploring with us both print and e-culture of the Slavic, East European, and Eurasian Studies collections. Often, we are questioned what Eurasia is? While there are multiple answers to the nuanced question, I will focus on Eurasian from the perspective of the often “forgotten” part of Asia- the Caucasus and Central Asia. An article on Russian culture in Luxembourg Times provides information on Russian Christmas. A brief overview of the Old and New Russian New Year is provided here.
While the New Year is here upon many in Russia, we must continue with our teaching and research under constraints imposed by the COVID-19 pandemic. I leave you to explore openly accessible books of the Institut Vostokovedeniia RAN (1818- ). The Institute of Oriental Studies of the Russian Academy of Sciences. The about section of the IV RAN‘s website provides information on the institute’s history and mission. The section of publications has basic bibliographic information on the items and provides access through the PDF. Happy Exploring!
For example, if one clicks on the PDF icon as shown in the image, one can access the full-text of Istoricheskie, kulʹturnye, mezhnat︠s︡ionalʹnye, religioznye i politicheskie svi︠a︡zi Kryma so Sredizemnomorskim regionom i stranami Vostoka : IV mezhdunarodnai︠a︡ nauchnai︠a︡ konferent︠s︡ii︠a︡ (Sevastopolʹ, 6-10 okti︠a︡bri︠a︡ 2020 g.) : materialy konferent︠s︡ii, as shown below:
Until the next time, keep exploring!