A back issue of an award-winning bilingual cultural journal from Portugal was brought to our attention earlier this week. Usually librarians only become involved with journal receipts when they haven’t been arriving regularly, prices have increased or formats have changed but this special issue of Egoísta was like no other I had seen before. It came with a small bag of hard red candies and the cover was designed to hold them them in place. Clearly there was a connection between the issue’s theme on doce (sweet) but can you imagine the environmental risks that might ensue if we left the candies attached to the journal and housed them with the rest of the print resources in the Main Stacks? Happy Valentine’s Day!
Librarian for Romance Language Collections
If you haven’t yet read last week’s post by Scholarly Communication Officer Rachael Samberg on Public Domain Day 2019 or the featured story about the 50 works digitized by the UC Berkeley Library in anticipation of this big event, you might enjoy taking a look at those. This blog post calls attention to the thousands of other books, journals and other materials in the romance languages that are no longer protected under U.S. copyright since January 1, 2019 and now available to all through the HathiTrust Digital Library. This collaborative digital repository has assembled an impressive collection of more than 53,000 digitized items published in 1923 that can easily be searched and that includes the literary works highlighted below, many from Berkeley’s print collection:
- Aleramo, Sibilla (née Rina Faccio). Endimione: poema drammatico in tre atti. Roma: A. Stock, 1923.
- Apollinaire, Guillaume and Matthew Josephson. The Poet Assassinated. New York: The Broom publishing co., 1923.
- Baroja, Pío. El amor, el dandysmo y la intriga: novela. 2. ed. Madrid: Caro Raggio, 1923.
- Billy, André. Apollinaire vivant. Paris: Éditions de la Sirène, 1923.
- Boto, António. Motivos de belleza. Lisboa: Portugalia, 1923.
- Cansinos Assens, Rafael. El pecado pretérito: novela. Madrid: Sucesores Rivadeneyra, 1923.
- Colette. Le blé en herbe: roman. Paris: E. Flammarion, 1923.
- Colette. Rêverie de nouvel an. Paris: Stock, 1923.
- Colette and Léopold Marchand. La vagabonde: comédie en quatre actes tirée du roman de Mme. Colette … représentée pour la première fois, le 20 février, 1923, au Théâtre de la Renaissance … Paris: Impr. de l’Illustration, 1923.
- Cocteau, Jean, 1889-1963. Le grand écart: roman. Paris: Editions Stock, 1923.
- Duhamel, Georges. Le miracle: suivi de la chambre de l’horloge. Paris: Stock, 1923.
- Espanca, Florbela. Livro de “Soror saudade”. Lisboa: Edicao da Autora, 1923.
- Fogazzaro, Antonio. Idillii spezzati: racconti brevi. Milano: Baldini & Castoldi, 1923.
- Gómez de la Serna, Ramón. El chalet de las rosas: (novela Grande). Valencia: Sempere, 1923.
- Gómez de la Serna, Ramón. Cinelandia: novela grande. Valencia: Editorial Sempere, 1923.
- Govoni, Corrad. La strada sull ‘acqua: romanzo. Milano: Fratelli Treves, 1923.
- Guitry, Sacha, 1885-1957. Un sujet de roman: pièce en quatre acts. Paris: Impr. de l’Illustration, 1923.
- Insúa, Alberto. El mejor de los tres: novela. Madrid: Sucesores de Rivadeneyra, 1923.
- Junqueiro, Guerra. Altar. Lisboa: Imprensa L. da Silva, 1923.
- Junqueiro, Guerra. A torre de babel. Porto: s.n., 1923.
- López-Picó, Josep Maria. J.M. López-Picó. Barcelona: Edicions Lira, 1923.
- Martín de la Cámara, Eduardo. Parnaso filipino. Barcelona: Casa editorial Maucci, 1923.
- Ors, Eugenio d’. Los diálogos de la pasión meditabunda. Madrid: Caro Raggio, 1923.
- Ors, Eugenio d’. U-turn-it. Madrid: Caro Raggio, 1923.
- Pirandello, Luigi. La mosca. Firenze: R. Bemporad, 1923.
- Riba, Carles. Carles Riba. Proleg de M. De Montoliu. Barcelona: Edicions Lira, 1923.
- Sem. La ronde de nuit. Paris: A. Fayard & cie, 1923.
- Soupault, Philippe. A la dérive. Paris: J. Ferenczi et fils, 1923.
- Valle-Inclán, Ramón del. Cara de plata: comedia bárbara, dividida en tres jornadas. Madrid: Renacimiento, 1923.
As two of the oldest modern democracies, France and the United States share a long tradition of freedom of speech and of the press (and at times governmental censorship). The two societies have found catharsis in the mockery of their highest elected officials through caricatures, cartoons, and critical writings. Here are a few recent library acquisitions, in English and in French, from both sides of the Atlantic in this category of political critique:
Baldwin, Alec and Kurt Andersen. You Can’t Spell America Without Me: The Really Tremendous Inside Story of My Fantastic First Year As President Donald J. Trump (a So-Called Parody). New York: Penguin Press, 2017.
Bourhis, Hervé and Rudy Spiessert. Trump de A à Z. Bruxelles: Casterman, 2017.
Burrell, Ginger R. Un[Hood]ed. Morgan Hill, CA: Midnight Moon Press, 2017.
Cole, David, and Melanie W. Stinnett. Rules for Resistance: Advice from Around the Globe for the Age of Trump. New York: The New Press, 2017.
Connolly, William E. Aspirational Fascism: The Struggle for Multifaceted Democracy Under Trumpism. Minneapolis: University of Minnesota Press, 2017.
Daniel, Jean-Marc. Macron: La valse folle de Jupiter. Paris: l’Archipel, 2018.
Être postmoderne / Michel Maffesoli; postface de Hélène Strohl: Emmanuel Macron, icône ou fake de la postmodernité? Paris: Les Éditions du Cerf, 2018.
Filoche, Gérard. Macron, ou, la casse sociale. Paris: l’Archipel, 2018.
Fottorino, Éric and Joep Bertrams. Détrumpez-vous!, Paris: Gallimard, 2017.
Fourquet, Jérôme. Le nouveau clivage: mondialisation, libre-échange, métropolisation, flux migratoires : état des démocraties occidentales. Paris: Les éditions du Cerf, 2018.
Giroux, Henry A. The Public in Peril: Trump and the Menace of American Authoritarianism. New York, NY: Routledge, 2018.
Johnston, David C. It’s Even Worse Than You Think: What the Trump Administration Is Doing to America. New York: Simon & Schuster, 2018.
Lee, Bandy X. The Dangerous Case of Donald Trump: 27 Psychiatrists and Mental Health Experts Assess a President. New York: St. Martin’s Press, 2017.
Merchet, Jean-Dominique. Macron Bonaparte: Essai. Paris: Stock, 2017.
Nanos, Nik. The Age of Voter Rage. London: Eyewear Publishing, 2018.
Taguieff, Pierre-André. Macron: miracle ou mirage? Paris: Éditions de l’Observatoire, 2017.
Toulouse, Anne. Dans la tête de Donald Trump. Paris: Stock, 2016.
Trumpism: The Politics Of Gender in a Post-Propitious America / edited by Laura Finley and Matthew Johnson. Newcastle upon Tyne, UK; Cambridge Scholars Publishing, 2018.
Willem. Macron: L’amour fou. Bordeaux: Les Requins marteaux, 2018.
Zef, Kak and Degreff. Macron, L’an I: pardon de vous le dire. Paris: Florent Massot, 2018.
Please join us next Friday for a public pop-up exhibit featuring maps of the US/Mexico border:
Maps of the Southern Border
Friday, October 26 | 1 – 3 PM
50 McCone Hall
Presented in conjunction with Geography 159AC: The Southern Border.
Tsuchiya, Ayako 土屋斐子 b. 1759 . Izumi nikki 和泉日記 [Diary in Izumi Province].
Hand-written manuscript, after 1809. From Japanese Manuscripts Collection.
Since 2006, the Art Research Center, Ritsumeikan University (Kyoto, Japan) and the C. V. Starr East Asian Library have been engaged in collaboration to digitize parts of the Library’s Japanese special collections. Today we are pleased to introduce a portal website for these digital collections, which provides free access to digital surrogates of the following UC Berkeley’s rare and historical sources related to Japan for research, teaching, and exploration. In addition, the portal also provides access to digital images provided by other research institutions (see Berkeley Joint Project, Rare Book Database, which includes over 90,000 titles of Japanese rare books).
Old and Rare Books 古典籍: A small selection from the Library’s Edo printed books and manuscripts collections, mostly from the Mitsui collection acquired in 1950. The collection includes the links to digital images of 760 titles in the Database of Pre-Modern Japanese Works provided by the National Institute’s Japanese Literature.
Copperplate Prints 銅版画: Consists of ca. 2,400 individual prints produced in Japan between 1855 and 1920, distributed in various formats. The collection originally owned by Mitsui Takakata (1867-1945).
Sugoroku Sheets 双六: Consists of ca. 150 sugoroku sheets produced in Japan in the Edo through the Taisho periods. The collection originally owned by Mitsui Takakata (1867-1945).
Fine Art Auction Catalogs 美術品入札目録: A small selection from the Library’s art auction catalog collection printed during the Meiji through the Showa periods, mostly from the Mitsui collection.
To browse all the digital surrogates, click “search” or “検索” button in any of the above mentioned databases. New materials are added periodically.
For any questions, contact Toshie Marra at firstname.lastname@example.org.
The new Romance Language Collections Instagram feed brings forth little known and new resources and services in the UC Berkeley Library. Once you start following you’ll instantly receive early notices of new books, e-resources, exhibits, readings and more through your smartphone.
Welcome back to campus everyone! The Fall 2018 Newsletter provides a snap-shot of library services and new scholarly resources added in the past year with a focus on the Romance languages and southern European studies in particular. It includes new electronic resources; journals; workshops, instruction and library tours; recently digitized works; scholarly communication services; graphic novels; and newly acquired books from France, Italy, Portugal, and Spain.
Librarian for Romance Language Collections
Here’s a fairly complete list of most of the graphic novels acquired by the Library in the romance languages from southern Europe over the past two years. Some are critical or reference works, and a few English translations have been included as well.
- Cette machine tue les fascistes / Jean-Pierre Pécau, Senad Mavric. Paris : Futuropolis, 2016.
- Fissa, papa… : de la cité au bled, du bled à la cité / Amazing Améziane. Vanves : Marabout, 2017.
- Freezer / Veronica “Veci” Carratello. Milano : Bao publishing, 2016.
- Fuga de la muerte / Fidel Martínez. Castalla (Alicante) : Edicions de Ponent, 2016.
- Fun / written and illustrated by Paolo Bacilieri ; translated from Italian by Jamie Richards. London : SelfMadeHero, 2017.
List continues on the library research guide for European Comics & Graphic Novels—>
In the 19th century and owing to advances in printing technologies, illustrated journals proliferated. The satirical press was among the most graphic and visual engaging genres with their bold caricatures and humorous editorial cartoons. Though difficult to track down in our library’s discovery systems unless you know an exact title, the UC Berkeley Library has a rich collection of these published in Europe and the Americas. Charivari is a weekly from Portugal whose name was probably inspired by the Parisian weekly Le Charivari (1832 to 1937) with the same name. It was published in Porto towards the end of the decade by two illustrators José de Almeida and Joaquim Maria Pinto Silva and provides a critical perspective on the political, economic and cultural reality of Portugal and the world in general. We recently digitized our copy of Charivari and all issues are available through the HathiTrust.
If you like the work in this publication, you’ll enjoy the work of their contemporary Rafael Bordalo Pinheiro too. He is considered Portugal’s greatest caricaturist, and directed several other satirical magazines such as Almanach de caricaturas para ..., O Antonio Maria, and Parodia that have been digitized by the National Library of Portugal and are also held in print in The Bancroft Library.
Through La Fábrica—the Madrid-based publishing house he also directs, journalist Alberto Arnaut aims to incite a cultural debate in Matador, or in his own words a “campo de batalla” (battlefield) for ideas in all genres. The work of painters, sculptors, photographers, novelists, poets, playwrights, essayists, philosophers, architects, filmmakers, actors, chefs, musicians, fashion designers, and more adorn the pages of the lavish folio-size issues. Published annually since 1995 beginning with the letter A, the publishers are committed to completing 28 issues in 2022 when they reach the letter Z.
It is difficult to describe what takes place in Matador until you put your hands on an issue. Other than the dimensions, no issue is alike and each takes on a distinct theme. The magazine is predominantly visual with an emphasis on creators from the Iberoamerican world such as artists Miguel Barceló, Luis Gordillo and Eduardo Chillida; photographers Francesc Català-Roca, Xavier Miserachs, Ramón Masats; and filmmakers Bigas Luna and Gonzalo Suárez. However, contributions from all the continents establish an international dialogue. The words of contemporary fiction writers such as Javier Marías, Juan Goytisolo, Elena Poniatowska, and Juan Villoro engage with the deceased such as Rafael Alberti, Clarice Lispector, José Saramago and others. The texts of French theoreticians Hélène Cixous and Paul Virilio and the Department of Spanish Portuguese’s own Alex-Saum Pascual can also be encountered in Matador.
This year, the Art History/Classic Library was able to acquire all issues to date (A-T) as a joint purchase with the Romance Languages Librarian and is now one of only three libraries in California with a full-run and subscription.