Born in New Orleans, Victor Séjour (1817-1874) was a Creole writer who moved to France at the age of 19 to continue his education, find work, and flee the racial oppression of Louisiana. His short story “Le Mulâtre” (“The Mulatto”) was first published in the abolitionist journal Révue des Colonies (March 1837) not long after his arrival in Paris and is now freely available through Gallica—the digital library of the Bibliothèque nationale de France. It is the first work of fiction written by an African American author. Set in Saint Domingue before the Haitian Revolution, Séjour’s work centers on the injustice and cruelty of slavery. According to Marlene Daut and David O’Connell in her article “Sons of White Fathers: Mulatto Vengeance and the Haitian Revolution in Victor Séjour’s ‘The Mulatto'” published in Nineteenth-Century Literature 65:1 (June 2010), the tale was “not simply a blow . . . struck for the cause of abolition in the French colonies, but [was] . . . also one of the first manifestations of a ‘literature of combat’ written by an American black.””
A full English translation of “The Mulatto” was published more than one hundred years after his death in The Norton Anthology of African American Literature, edited by Henry Louis Gates Jr. and Nellie Y. McKay (New York: W. W. Norton and Co., 1997). Remembered as one of the first black writers of both the African American and French literary traditions, Victor Séjour enjoyed a period of success as a playwright, was naturalized as a French citizen, and is buried in the Père-Lachaise Cemetery in Paris. The Library has reprints in French and a few English translations of his works in the Main Stacks while The Bancroft Library houses two rare first editions – La madone des roses : drame en cinq actes, en prose (1869) and La tireuse de cartes; drame en cinq actes et un prologue, en prose (1860) in its African American Writers collection.
This post has been shared as part of a UC Berkeley initiative announced by Chancellor Carol Christ to mark the 400th anniversary of the forced arrival of enslaved Africans in the English colonies.
Yoruba, a tonal language, is spoken by nearly 40 million of the 185 million people living in Nigeria (2016 World Bank estimates). Some two hundred thousand Yoruba speakers also live in neighboring Benin and Togo. In Nigeria, Yoruba claims the second most speakers nationwide behind only English, the former language of colonial British Nigeria. In turn, Yoruba along with the two other national indigenous languages (Ibo and Hausa) are hegemonizing smaller, local languages throughout the country. Yoruba is part of the Yoruboid branch of the Niger-Congo language family, of which there are some 1,500 other languages. It includes numerous loanwords from English and as a result of the slave trade was important in Brazil, Cuba and other American countries.
Published in Lagos, Nigeria in 1885, Iwe Alọ is a collection of nearly 200 riddles and puzzles written in Yoruba. The author, Nigerian born David Brown Vincent, changed his name to Mojola Agbebi and preferred African to European fashion, due largely to his anti-colonial sentiment. After his ordination as a Baptist minister in Liberia in 1894, he summed-up his feelings: “I believe every African bearing a foreign name to be like a ship sailing under foreign colours and every African wearing a foreign dress is like the jackdaw in peacock feathers.” The print edition of Iwe Alọ, housed in the Bancroft Library, is part of the renowned Yoruba collection of William and Berta Bascom, which comprises some 470 volumes with plenty of examples of similarly early Yoruba language publications. The digitized edition of the Iwe Alọ is freely available through the HathiTrust Digital Library.
Contribution by Adam Clemons
Librarian for African and African American Studies, Doe Library
Title: Iwe Alọ
Title in English: [Booklet]
Author: Agbebi, Mojola, 1860-1917. (David Brown Vincent)
Imprint: Lagos: General Printing Press, 1885.
Edition: 1st edition
Language Family: Niger-Congo
Source: HathiTrust Digial Library (UCLA)
Select print editions at Berkeley:
- Iwe Alọ. Foreward by D.B. Vincent. Lagos: General Printing Press, 1885.
The Languages of Berkeley is a dynamic online sequential exhibition celebrating the diversity of languages that have advanced research, teaching and learning at the University of California, Berkeley. It is made possible with support from the UC Berkeley Library and is co-sponsored by the Berkeley Language Center (BLC).
From the OHC Director…
Berkeley students and researchers from around the country reach out to us, especially during Black History Month, interested in our oral histories with African Americans. We always point people in the direction of our African American Faculty and Senior Staff oral history project, otherwise known as The Originals. And there is a good reason we do that: this project features seventeen lengthy and substantive oral histories with leading and pioneering UC Berkeley scholars and administrators (more on this below). But limiting our reference to this single project does service neither to OHC’s full collection nor to the amazing and accomplished individuals interviewed for other projects or simply based on their own merits. In preparation for this month’s column, I spent a day digging into our collection in an effort to uncover a host of hidden gems — in this case, interviews with African Americans whose living memories date to the early 20th century (at least) and offer first-person insights into the life of a Tuskegee airman, the contours of the West Coast jazz scene, the role of women in the Black Panthers, and much more.
The migration of African Americans from the American South to the industrial centers of Northern California in World War II changed those who moved, along with the places they moved to. Drawn to jobs in places like the Kaiser Shipyards in Richmond, California, these migrants set down their roots in the Bay Area. In some interviews from the Rosie the Riveter / World War Two Home Front oral history project, Black “Rosies” tell about their lives in Jim Crow South, about the migration north and the hope for a better life, and about their experiences working in wartime industries and experiencing both greater opportunity but still discrimination based on race. Of the 197 Rosie project oral history, about a quarter are with African American women and men. It is likely folly to pull out one interview from this group, but I’m certain people will be interested in the story of Betty Reid Soskin, who not only worked in Richmond during the war but decades later became a ranger with the National Park Service at the Rosie the Riveter National Historic Site. Reid Soskin continues to work at the park today — at the ripe young age of 98!
One chapter in the Second World War that tragically demonstrated the enduring power of racism was the Port Chicago Disaster of 1944. The majority of the 320 killed and 340 injured in this accidental munitions explosion were African American. The eight oral histories of the Port Chicago project were recorded in the late 1970s and early 1980s by UC Berkeley scholar Robert Allen (whose life history interview we will be released this spring).
Our documentation of the African American experience in the Bay Area continues well past World War II. In a few major projects, Black East Bay residents — and their neighbors — offer accounts of not only the transformation during war but the important decades that followed. The On the Waterfront project follows several narrators through these decades. In the Oakland Army Base project, we hear from several African Americans (Charles Snipes, Cleophas Williams, Davetta Thibeaux, Ellen Wyrick-Parkinson, Elois Thornton, George Bolton, George Cobbs, Gordon Coleman, Grant Davis, Leo Robinson, Louis Harris, Margaret Gordon, Michael Thomas, Monsa Nitoto, Queen Thurston, and Robert Taylor) about their interactions with base, whether as a member of the military service, an employee of the Department of Defense, or as a resident of the nearby community of West Oakland.
The Civil Rights Movement is documented in our collection (though, admittedly, many more oral histories can be found elsewhere, such as at the Library of Congress), particularly as it
manifest in the San Francisco Bay Area in organizations that likely deserve more attention from researchers. Frances Mary Albrier was elected in the 1930s to the local Democratic Party Central Committee (and was welder during the war) and Terea Pittman became a leader of the NAACP (and many other organizations) in the earliest years of the Civil Rights Movement. The Council for Civic Unity, in addition, was established in the 1940s and was an important precursor to the California Fair Employment Practices Commission; Charles Patterson, in his interview, tells about the organization for which he was an intern before becoming a major figure in the foundation world (along with Ira DeVoyd Hall, who was a leader of the San Francisco Foundation). Orville Luster, who was interviewed in 1975, recalled his leadership of the unique Youth for Service organization which taught disadvantaged youth the skills necessary to be successful at work. And there is always a good deal of interest in the interview we hold with Ericka Huggins of the Black Panthers, which was donated to us by Fiona Thompson.
African Americans, not surprisingly, have played key roles in social justice work beyond the 1960s Civil Rights Movement. Henry Clark and Ahmadia Thomas and Carl Anthony were interviewed for their groundbreaking work in the area of environmental justice, while Michael Crawford and John Newsome were interviewed for our large project on Freedom to Marry, or the fight to win marriage equality. For our major project documenting the history of the Disability Rights and Independent Living Movements, we interviewed Chester Finn, Victor Robinson, and others.
Movement politics and protest is one way to force change, building institutions and running for elected office are other avenues pursued by African Americans we’ve interviewed over the years. I encourage you to read through two very interesting oral histories with three influential elected officials, Oakland Mayor Lionel Wilson and California State Assemblymen William Byron Rumford and Willie Brown (the second part of Brown’s oral history, covering his terms as San Francisco Mayor, will be released this spring). African Americans have made signal contributions to the law, as well: Cecil Poole, the first African American appointed as a United States Attorney in 1961, later became a distinguished federal judge; Allen Broussard rose up through the ranks of city and county courts, eventually joining the California State Supreme Court in 1981 as an associate justice; and to this day, US District Court Judge Thelton Henderson plays an outsized role in the area of law and civil rights.
Law and politics are only two venues in which an individual can make an impact as the ethos of public service runs through many other institutional domains. Born just over 120 years ago, C.L. Dellums led a life of public service through many offices, perhaps most notably as through his decades as Vice President and then President of the Brotherhood of Sleeping Car Porters. After he had already done important work integrating the department, Robert Demmons was appointed the first African American Chief of the San Francisco Fire Department by Willie Brown in 1996. Everett Brandon might be little remembered today, but as a young man, he was a leader in San Francisco’s War on Poverty programs which brought services and employment to thousands of in the city. In recent decades, Joseph Marshall has continued the work of Brandon and others through his Omega Boys Club / Alive and Free service organization in San Francisco. The spirit of public service thrives in the private sector too. Our interviews with Ron Knox and Amanda Brown reveal how one of the largest private health care providers in the country have fought to improve health outcomes for African Americans.
The Oral History Center has long been committed to documenting our culture well beyond politics, law, and public service — we are deeply interested in the arts and the people who create them. Longtime OHC historian Caroline Crawford held an ongoing interest in documenting African American contributions to the arts, particularly music. Her interviews with Allen Smith (jazz trumpeter), Earl Watkins (jazz drummer), Gildo Mahones (jazz composer and pianist), John Handy (saxophonist, composer, and bandleader), and Jimmy McCracklin (blues singer and pianist).
Finally, I want to bring this back around to education, as this is the root of all good things (dare I say) and I think it is essential for a university to document its role in improving society and creating new possibilities. I very much encourage you to take a deep dive into the African American Faculty and Senior Staff project, perhaps beginning with a 20 minute video we produced a few years back. This project, however, was years in the making and while we refer to this group of early faculty and staff as “the Originals,” the truth is that they weren’t the first. Our interview with Archie Williams is a true hidden gem of the collection. Williams attended Berkeley between 1935 and 1939, which was punctuated by an appearance at the infamous 1936 Olympics in Berlin at which he won a gold medal. Although too old to serve in a combat role in World War II, as a certified pilot he trained the Tuskegee airmen! He went on to a career as a respected educator. Marvin Poston was a student at Berkeley at the same time as Williams and eventually became a widely respected optometrist. In 1958, Robert Gibson was the first African American to earn a doctorate in pharmacy at UCSF, where he became a distinguished member of the faculty. Born in 1920, Emmett Rice earned his doctorate in economics at Berkeley in 1954, before being named to the Federal Reserve Board of Governors in 1979; it is worth noting that Rice’s daughter is Susan Rice, who served as UN Ambassador and National Security Advisor in the Obama Administration. A graduate of UC Berkeley and San Diego State, Del Anderson Handy had a distinguished career in education, culminating with a term as chancellor of San Francisco City College.
These oral histories represent a meaningful slice of OHC’s interviews with African Americans, but surely not the entirety of the collection. The Oral History Center encourages you to not only explore the interviews listed above, but dig even deeper into our collection, honoring the voices of those African Americans we interviewed by reading their words and absorbing their ideas and experiences.
Martin Meeker, Charles B. Faulhaber Director
by Taylor Follett
February 2019 marks the celebration of Black History Month in the United States, and the perfect opportunity to read recently published works by Black authors! 2018 (and the beginning of 2019) saw some wonderful novels, poetry collections, memoirs and more. Check out some of the major works published in the past year from the library below.
The famous abolitionist Frederick Douglass never knew his birth date, but he choose to celebrate it on February 14th. This year will mark his 200th birthday, and we invite you to commemorate the occasion by reading his works at the library:
In honor of the bicentennial of Douglass’s birth, the digital humanities Colored Conventions Project (CCP) will host a Douglass Day transcribe-a-thon, in which participants from all over the country can help transcribe the Freedmen’s Bureau Papers, documents that provide insight into the lives of recently freed people. The event will be hosted in conjunction with the Smithsonian Transcription Center and the National Museum of African American Culture. Join them from 9am to 12pm PST to help celebrate and memorialize African American history!
by Taylor Follett
February is Black History Month! We’ve compiled a small sample of the incredible literary work African American poets, novelists, essayists, and thinkers have penned. Enjoy!
Explore novels by African American authors that came out within the past year: