The Oral History Center has been conducting a series of interviews about SLATE, a student political party at UC Berkeley from 1958 to 1966 – which means SLATE pre-dates even the Free Speech Movement. The newest additions to this project include two women who joined SLATE in the early 1960s at a tumultuous time at UC Berkeley: Susan Griffin and Julianne Morris.
Susan Griffin is an accomplished writer, and was a member of the UC Berkeley student political organization SLATE in the early 1960s. Griffin grew up in Los Angeles, California. She attended UC Berkeley, where she became active in SLATE, attending protests and engaging in political discussions. Griffin left Berkeley in 1963, but continued to work as a writer in the San Francisco Bay Area, producing many works, including Woman and Nature: The Roaring Inside Her. Over the years, Griffin remained active in causes of social justice, including the women’s movement and anti war protests.
Julianne Morris is a former social worker and mediator, and was a member of the UC Berkeley student political organization SLATE in the early 1960s. Morris grew up in Compton, California, and attended UC Los Angeles, where she helped found the student political group PLATFORM based on discussions with SLATE members. She then transferred to UC Berkeley, where she became active in SLATE, attending protests and running for ASUC student representative. Morris stayed at UC Berkeley to earn her master’s in social work. She then moved to New York City in 1964 and was a social worker for many years, where she helped start women’s centers, rape crisis programs, and became a part of the women’s movement. She returned to Berkeley in the early nineties and reconnected with former SLATE friends through reunions and an ongoing political discussion group.
Griffin and Morris were among the second generation of SLATE activists and joined the group around the same time in 1960 – after the famous HUAC protest in May of 1960 and before the Free Speech Movement in 1964. They also have similar upbringings in Jewish (adoptive family, in Griffin’s case) and politically left families who feared encroaching McCarthyism. These backgrounds helped ignite a political consciousness in both women that led them to SLATE.
Griffin and Morris’s oral histories build on an archive of SLATE history, but they also speak specifically to their experiences as women in this group. Both recount instances of feeling marginalized as women, of being left to do the “scut work” like mimeographing and cooking for hungry activists. They even recount tensions at a 1984 SLATE reunion in which those newly empowered by feminism expressed displeasure with the way they had been treated; many of the men denied this discrimination, but others took it to heart and sincerely apologized. And yet, Griffin and Morris both were encouraged to run for ASUC office in the early 1960s, campaigning on the SLATE platform and often pushing their own boundaries of what they thought was possible. Despite the challenges of being a woman in this campus political group, there were still opportunities to grow as individuals and as leaders.
Listen as Susan Griffin and Julianne Morris share their memories of running for ASUC on the SLATE ticket at UC Berkeley:
Even though both Griffin and Morris had decreased participation in SLATE or left campus by 1964, their experiences in the organization clearly shaped their perspectives about politics and activism, particularly as they both became involved with the women’s movement. Griffin explained, “The guys may not have known it, but they were training feminist activists in all that period.”
Most importantly, by recalling their times with SLATE and later political work, both Griffin and Morris emphasized the importance of building and sustaining community in activist groups. For Morris, joining SLATE helped her find a place where she belonged. Griffin pointed to organizations of politically like-minded individuals as ways to create belonging and “joy” through an almost spiritual experience of protest.
Listen as Julianne Morris reflects on SLATE’s impact on the Free Speech Movement:
Today we are excited to release the oral history interview of Rick Laubscher. Born in 1949, Rick came of age amid the bustle of Market Street at the family’s business, Laubschers’ Delicatessen. It was in these early years that he developed a fascination in transportation, and a special love of streetcars; the “iron monsters” that rumbled through the streets of San Francisco and past the family’s delicatessen. He spent countless hours as a child drawing city maps (to scale) for his collection of Matchbox trams and buses. And during the age of lava lamps and flower power, his dorm room walls at U.C. Santa Cruz were adorned with transportation maps. Indeed, Rick had what he called “the transportation bug,” a condition that would only grow in time.
On the campus of U.C. Santa Cruz, however, Rick also developed an interest in journalism. He created the University’s first radio station, albeit unregistered with the FCC, and upon graduation headed to New York to study at the Columbia School of Journalism, where he was awarded the Pulitzer Fellowship. Returning to California, he started his career as a broadcast journalist with KGTV in San Diego. Here he helped pioneer live reporting in the Southern California market, and won two “Golden Mike” awards for his work. In 1977, Rick returned home to San Francisco as a reporter for KRON-TV. If Herb Caen was the voice of San Francisco, Rick Laubscher was certainly seen by some as the dandy of the city’s television news. Immaculately dressed in a three-piece suit, Rick reported on a number of historic events, most notably the assassination of Mayor George Moscone and Supervisor Harvey Milk. Rick knew both the victims and the killer, and his coverage of the tragedy won him an Emmy Award.
In 1980, Rick left broadcast journalism to embark on a new career as a public-relations executive with the Bechtel Group in San Francisco. Over the next two decades, he worked around the world on behalf of Bechtel, crafting communication programs for both the company and their international clients. In the process, he helped mend relations between San Francisco and its business community, fostering a network of associates that would open the door for a dual career in civic service.
Rick’s affinity for streetcars is matched only by his love for San Francisco. And for nearly forty years, while working for Bechtel and later in private practice, he undertook numerous projects to give back to the City by the Bay. He served on the executive boards of the Chamber of Commerce, SPUR, and the JASON Foundation for Education, and was the founding Chairman of the City Club of San Francisco, one of the first fully open business and civic organizations in the City’s financial district. Above all, he revamped Market Street Railway, the nonprofit that brought vintage streetcars back to San Francisco. What started with an idea among likeminded enthusiasts—Rick calls it a “Mickey Rooney / Julie Garland Moment” of “Why don’t we get the kids together and put on a show”—finally took root in the summer of 1983 with San Francisco’s Historic Trolley Festival. Its popularity and international acclaim quickly made the festival an annual event. And by 1995, streetcars once again became permanent fixtures on the City streets. As President and CEO of Market Street Railway, Rick guided this effort with unrelenting energy. He assembled a diverse cast of supporters, searched around the world to secure additional streetcars, and skillfully navigated the city bureaucracy to make his vision of permanent streetcar lines to San Francisco a reality. For the fourth-generation San Franciscan who excitedly watched the “iron monsters” rumble down Market Street as a kid, it was simply a labor of love.
This oral history offers a look at San Francisco through the eyes of one of its remarkable residents. From journalism to business and an astonishing array of civic endeavors, Rick Laubscher helped shape the city he called home.