By Adam Clemons
In early July of 1873, a soldier named John Taylor reported to the hospital at Fort Stockton, Texas complaining of illness. The fort’s doctor, Peter J.A. Cleary, refused to treat him. Instead, he sent Taylor to the guard house as punishment. Three days later John Taylor was dead. Taylor’s fellow soldiers, incensed by what they believed to be racially motivated medical neglect by Cleary, drafted a statement detailing the patterns of abusive treatment of Taylor and calling for a formal investigation into his death. The officers at Fort Stockton responded by placing twenty-one of the soldiers who signed the letter, mostly non-commissioned officers, on trial for attempted mutiny. Though the charge was ultimately downgraded to a failure to follow proper procedure, twenty out of the twenty-one charged soldiers were dishonorably discharged and sent to prison in Huntsville, Texas.
In “Sympathy for the Loss of a Comrade: Black Citizenship and the 1873 Fort Stockton ‘Mutiny’,” Nick Eskow successfully reconstructed the events at Fort Stockton using library resources such as period publications, government documents, newspapers, and archival collections. Where others have relied on the accounts of the white officers to tell this story, Eskow sought out the perspective of the black soldiers through extensive research and analysis of the historical record. Eskow’s exceptional effort earned him the prestigious 2018 Charlene Conrad Liebau Library Prize for Undergraduate Research, an annual prize awarded to students who have done high-level, course-based research while demonstrating significant use of the Library’s resources.
Eskow’s research is also the subject of the rotating Library Prize Exhibit, located on the second floor of Doe Library between Heyns Reading Room and Reference Hall. Drawing on collections held at UC Berkeley, Fort Stockton, Texas, and the National Archives in Washington, D.C., the exhibit displays some of the documents Eskow used to capture the voice of the black soldiers including a digital version of the original petition letter, which includes a few pages of soldiers’ signatures to show the “X” marks by many names. These marks, meant to stand for “his mark,” indicates that many of the soldiers, who were former slaves, could not sign their names and implies that they could neither read nor write. Other documents on display include an 1868 copy of S.V. Benet’s A Treatise on Military Law and Practice of Courts-Martial, which was repeatedly cited by the white officers at Fort Stockton to support their charge against the black soldiers as well as a detailed timeline of the events at Fort Stockton from the death of John Taylor to the sentencing of the twenty soldiers who signed the petition letter.
The Charlene Conrad Liebau Library Prize for Undergraduate Research is awarded annually to UC Berkeley undergraduates. Any course-based research projects completed at UC Berkeley during the award year are eligible. In addition to a monetary prize for winners – $750 for lower division and $1000 for upper division – award recipients as well as honorable mentions will publish their research in eScholarship, the University of California’s open access publishing platform. Two of the winners are also be featured in an exhibit in the Library.
The exhibit – which was curated by Adam Clemons, Librarian for African and African American Studies, and designed by Aisha Hamilton, Exhibits and Environmental Graphics Coordinator – will be up until November 2019.
Please join us next Friday for a public pop-up exhibit featuring maps of the US/Mexico border:
Maps of the Southern Border
Friday, October 26 | 1 – 3 PM
50 McCone Hall
Presented in conjunction with Geography 159AC: The Southern Border.
The new Romance Language Collections Instagram feed brings forth little known and new resources and services in the UC Berkeley Library. Once you start following you’ll instantly receive early notices of new books, e-resources, exhibits, readings and more through your smartphone.
“Immigration, Deportation and Citizenship, 1908-2018: Selected Resources from the IGS and Ethnic Studies Libraries” contains items from the Ethnic Studies Library and the Institute of Governmental Studies Library addressing historical attitudes and policy around immigration, deportation, and citizens’ rights, as well as monographs and ephemera relating to current events.
109 Moses Hall
Please see the accompanying Library Guide for a key to the exhibit as well as additional materials:
Immigration, Deportation and Citizenship, 1908-2018: Selected Resources from the IGS and Ethnic Studies Libraries” contains items from the Ethnic Studies Library and the Institute of Governmental Studies Library addressing historical attitudes and policy around immigration, deportation, and citizens’ rights, as well as monographs and ephemera relating to current events.
Location: IGS Library – 109 Moses Hall
Dates: Fall semester 2018
Open hours: Monday – Friday, 1pm-5pm
This Friday, March 9, the Library will open an exhibit co-sponsored by the CLAS working group, the Wallmapu Support Committee. “Vida y Resistencia en el Territorio Mapuche, Chile” (Life and Resistance in the Mapuche Territory) can be viewed on the 3rd floor of Moffitt Library from March 9 – June 30, 2018.
The opening event is scheduled Friday from 5 pm – 6:30 pm in 303 Doe Library. There will be a short musical performance and some presentations by Chilean and Mapuche community members from the Bay Area.
by Steven Black, Bancroft Acquisitions
Things fall apart; the center cannot hold;
Mere anarchy is loosed upon the world…
–William Butler Yeats, from “The Second Coming”
As they do in a teeming metropolis, connections occur naturally among collections in libraries and other repositories. These linkages may involve ideas and people, whether by description (cataloging and metadata), archival arrangement, researcher access and review, or, in the case of a new exhibit at The Bancroft Library, by time-shifted serendipity.
“The Summer of Love, from the Collections of The Bancroft Library” fortuitously brings together two representative figures who, in 1967, circled each other warily, but never met.
Joan Didion’s reportage in “Slouching Towards Bethlehem” is highlighted in a timely Bancroft exhibition along with images of the hippie scene in San Francisco taken by photographer Ted Streshinsky.
One thread running through her piece (in a reproduction of her typescript essay as submitted for later book publication) is a search for the Communication Company printer and publisher Chester Anderson.
Funded by proceeds from his cult-hit novel The Butterfly Kid (1967), Anderson arrived in the Haight district of San Francisco just as the seeds for the coming “Summer of Love” were sown. In January 1967 he purchased a state-of-the-art mimeograph machine from Gestetner “to provide quick & inexpensive printing service for the hip community.”
Among the works issued by this newest member of the Underground Press Syndicate were innumerable Diggers flyers and handbills, a chapbook by Richard Brautigan (All Watched Over By Machines of Loving Grace), revolutionary manifestos, notices for performances, the Invisible Circus, other happenings, and street level public service announcements.
In her quest, Didion describes meeting Com/Co’s co-founder, who (she writes) “says his name is Claude Hayward, but never mind that because I think of him just as The Connection.”
As she is on assignment for a mainstream publication, Didion is considered (in a Diggers phrase-du-jour) to be “a media poisoner.” The Connection urges her to dump the photographer she is with “and get out on the Street” leaving her cash (“You won’t need money”) behind.
Responding to her request to speak directly with Chester Anderson, The Connection says: “If we decide to get in touch with you at all, we’ll get in touch with you real quick.” Although she crosses paths with The Connection again that spring in the Panhandle during an agitprop intervention by the San Francisco Mime Troupe, his passive refusal to hook her up rebuts his street-inflected nickname.
Joan Didion was unable to find the oracular man who could ostensibly help her understand “the scene,” or genius loci. Despite this missed connection with Chester Anderson, by detailing her forays into the Haight-Ashbury and other hippie enclaves around San Francisco, Didion captured in prose a time in violent flux. “Slouching” became the title essay of her celebrated first book of non-fiction, securing her reputation as a caustic and insightful social seismograph.
Today their works are co-located in Bancroft’s Summer of Love retrospective: two radically different writers can be seen in a long-delayed meeting that eluded them in real life.
* * *
Joan Didion (1934-) Joan Didion’s manuscript (BANC MSS 81/140 c carton 1) came to The Bancroft Library as a gift of the author.
Chester Valentine John Anderson (1932-1991) Chester Anderson’s papers (BANC MSS 92/839 c) came to The Bancroft Library via friend and fellow underground journalist Paul Williams.
Paul Williams (1948-2013) founded Crawdaddy, the first zine of rock and roll journalism (predating Rolling Stone), authored many works of hippie (Apple Bay: or, Life on the planet) and new age journalism (Das Energi), books on Bob Dylan and Philip K. Dick (whose literary executor he was, for close to 20 years). Through his imprint Entwhistle Books, he published two books by Chester Anderson: Fox & hare : the story of a Friday night (f PS3551.N358 F6 1980 Bancroft) and Puppies (p PS3572.A395 P9 1979 Bancroft) under Anderson’s pseudonym John Valentine.
Ted Streshinsky (1923–2003) Ted Streshinsky’s photo archive (BANC PIC 2004.132) was a gift of his wife Shirley.
September 15 – December 15, 2017
Environmental Design Library – 210 Wurster Hall
In 1987 Richard Register released his first major book, Ecocity Berkeley: Building Cities for a Healthy Future, inserting “ecocity” into the urban planning lexicon. Using Berkeley as a test bed, he promoted a new vision for urban development; his ideas and drawings presaged a number of contemporary design elements, tuning architecture and urban design to nature’s and human needs and desires. This exhibit explores his inspiring vision and its international influence.
This exhibition, curated by Liladhar Pendse (East European, Eurasian and Latin American Studies Librarian), is dedicated to the centenary of the Russian Revolution that took place in October of 1917. The exhibition will take place in the Moffitt Library, from September 11, 2017 through January 8, 2018 and it will highlight several print-items from the revolutionary times.
Attendance restrictions: Access to the Moffitt Undergraduate Library is restricted and you’ll need the UC Berkeley/ Cal Card for entry.
The virtual counterpart of the exhibition is located here: http://exhibits.lib.berkeley.edu/spotlight/russian-revolution
Next week will be the last full week of the Bancroft’s New Favorites Gallery Exhibit, which closes on 1 September.
The gallery is open from 10am-4pm, Monday through Friday, excluding holidays.
For the first time in many years The Bancroft Library presents an exhibition of recent additions to its major collections. The exhibition also includes recently rediscovered masterpieces carefully collected in years past. Gold-Rush-era memoirs and advertisements, early editions of William Langland and Jane Austen, “branded” books from 18th c. Mexico, and David Johnson’s photographs of the African American community in San Francisco after World War II are but a few of the items featured. The exhibition showcases the Bancroft curators and their distinctive collecting practices, which expand the remarkable vision of library founder Hubert Howe Bancroft—documenting California as it was happening and building a library for the American West that would rival its older European antecedents.