Please join us next Friday for a public pop-up exhibit featuring maps of the US/Mexico border:
Maps of the Southern Border
Friday, October 26 | 1 – 3 PM
50 McCone Hall
Presented in conjunction with Geography 159AC: The Southern Border.
The new Romance Language Collections Instagram feed brings forth little known and new resources and services in the UC Berkeley Library. Once you start following you’ll instantly receive early notices of new books, e-resources, exhibits, readings and more through your smartphone.
“Immigration, Deportation and Citizenship, 1908-2018: Selected Resources from the IGS and Ethnic Studies Libraries” contains items from the Ethnic Studies Library and the Institute of Governmental Studies Library addressing historical attitudes and policy around immigration, deportation, and citizens’ rights, as well as monographs and ephemera relating to current events.
109 Moses Hall
Please see the accompanying Library Guide for a key to the exhibit as well as additional materials:
Immigration, Deportation and Citizenship, 1908-2018: Selected Resources from the IGS and Ethnic Studies Libraries” contains items from the Ethnic Studies Library and the Institute of Governmental Studies Library addressing historical attitudes and policy around immigration, deportation, and citizens’ rights, as well as monographs and ephemera relating to current events.
Location: IGS Library – 109 Moses Hall
Dates: Fall semester 2018
Open hours: Monday – Friday, 1pm-5pm
This Friday, March 9, the Library will open an exhibit co-sponsored by the CLAS working group, the Wallmapu Support Committee. “Vida y Resistencia en el Territorio Mapuche, Chile” (Life and Resistance in the Mapuche Territory) can be viewed on the 3rd floor of Moffitt Library from March 9 – June 30, 2018.
The opening event is scheduled Friday from 5 pm – 6:30 pm in 303 Doe Library. There will be a short musical performance and some presentations by Chilean and Mapuche community members from the Bay Area.
by Steven Black, Bancroft Acquisitions
Things fall apart; the center cannot hold;
Mere anarchy is loosed upon the world…
–William Butler Yeats, from “The Second Coming”
As they do in a teeming metropolis, connections occur naturally among collections in libraries and other repositories. These linkages may involve ideas and people, whether by description (cataloging and metadata), archival arrangement, researcher access and review, or, in the case of a new exhibit at The Bancroft Library, by time-shifted serendipity.
“The Summer of Love, from the Collections of The Bancroft Library” fortuitously brings together two representative figures who, in 1967, circled each other warily, but never met.
Joan Didion’s reportage in “Slouching Towards Bethlehem” is highlighted in a timely Bancroft exhibition along with images of the hippie scene in San Francisco taken by photographer Ted Streshinsky.
One thread running through her piece (in a reproduction of her typescript essay as submitted for later book publication) is a search for the Communication Company printer and publisher Chester Anderson.
Funded by proceeds from his cult-hit novel The Butterfly Kid (1967), Anderson arrived in the Haight district of San Francisco just as the seeds for the coming “Summer of Love” were sown. In January 1967 he purchased a state-of-the-art mimeograph machine from Gestetner “to provide quick & inexpensive printing service for the hip community.”
Among the works issued by this newest member of the Underground Press Syndicate were innumerable Diggers flyers and handbills, a chapbook by Richard Brautigan (All Watched Over By Machines of Loving Grace), revolutionary manifestos, notices for performances, the Invisible Circus, other happenings, and street level public service announcements.
In her quest, Didion describes meeting Com/Co’s co-founder, who (she writes) “says his name is Claude Hayward, but never mind that because I think of him just as The Connection.”
As she is on assignment for a mainstream publication, Didion is considered (in a Diggers phrase-du-jour) to be “a media poisoner.” The Connection urges her to dump the photographer she is with “and get out on the Street” leaving her cash (“You won’t need money”) behind.
Responding to her request to speak directly with Chester Anderson, The Connection says: “If we decide to get in touch with you at all, we’ll get in touch with you real quick.” Although she crosses paths with The Connection again that spring in the Panhandle during an agitprop intervention by the San Francisco Mime Troupe, his passive refusal to hook her up rebuts his street-inflected nickname.
Joan Didion was unable to find the oracular man who could ostensibly help her understand “the scene,” or genius loci. Despite this missed connection with Chester Anderson, by detailing her forays into the Haight-Ashbury and other hippie enclaves around San Francisco, Didion captured in prose a time in violent flux. “Slouching” became the title essay of her celebrated first book of non-fiction, securing her reputation as a caustic and insightful social seismograph.
Today their works are co-located in Bancroft’s Summer of Love retrospective: two radically different writers can be seen in a long-delayed meeting that eluded them in real life.
* * *
Joan Didion (1934-) Joan Didion’s manuscript (BANC MSS 81/140 c carton 1) came to The Bancroft Library as a gift of the author.
Chester Valentine John Anderson (1932-1991) Chester Anderson’s papers (BANC MSS 92/839 c) came to The Bancroft Library via friend and fellow underground journalist Paul Williams.
Paul Williams (1948-2013) founded Crawdaddy, the first zine of rock and roll journalism (predating Rolling Stone), authored many works of hippie (Apple Bay: or, Life on the planet) and new age journalism (Das Energi), books on Bob Dylan and Philip K. Dick (whose literary executor he was, for close to 20 years). Through his imprint Entwhistle Books, he published two books by Chester Anderson: Fox & hare : the story of a Friday night (f PS3551.N358 F6 1980 Bancroft) and Puppies (p PS3572.A395 P9 1979 Bancroft) under Anderson’s pseudonym John Valentine.
Ted Streshinsky (1923–2003) Ted Streshinsky’s photo archive (BANC PIC 2004.132) was a gift of his wife Shirley.
September 15 – December 15, 2017
Environmental Design Library – 210 Wurster Hall
In 1987 Richard Register released his first major book, Ecocity Berkeley: Building Cities for a Healthy Future, inserting “ecocity” into the urban planning lexicon. Using Berkeley as a test bed, he promoted a new vision for urban development; his ideas and drawings presaged a number of contemporary design elements, tuning architecture and urban design to nature’s and human needs and desires. This exhibit explores his inspiring vision and its international influence.
This exhibition, curated by Liladhar Pendse (East European, Eurasian and Latin American Studies Librarian), is dedicated to the centenary of the Russian Revolution that took place in October of 1917. The exhibition will take place in the Moffitt Library, from September 11, 2017 through January 8, 2018 and it will highlight several print-items from the revolutionary times.
Attendance restrictions: Access to the Moffitt Undergraduate Library is restricted and you’ll need the UC Berkeley/ Cal Card for entry.
The virtual counterpart of the exhibition is located here: http://exhibits.lib.berkeley.edu/spotlight/russian-revolution
Next week will be the last full week of the Bancroft’s New Favorites Gallery Exhibit, which closes on 1 September.
The gallery is open from 10am-4pm, Monday through Friday, excluding holidays.
For the first time in many years The Bancroft Library presents an exhibition of recent additions to its major collections. The exhibition also includes recently rediscovered masterpieces carefully collected in years past. Gold-Rush-era memoirs and advertisements, early editions of William Langland and Jane Austen, “branded” books from 18th c. Mexico, and David Johnson’s photographs of the African American community in San Francisco after World War II are but a few of the items featured. The exhibition showcases the Bancroft curators and their distinctive collecting practices, which expand the remarkable vision of library founder Hubert Howe Bancroft—documenting California as it was happening and building a library for the American West that would rival its older European antecedents.
Marking the 50th anniversary of the Summer of Love, an exhibit in the corridor between Doe Library and The Bancroft Library features Bancroft’s rare and unique collections documenting the world-famous Bay Area counterculture of 1967.
Presented are images from the Bay Area alternative press, psychedelic rock posters and mailers, documentary photographs of the Haight-Ashbury scene and major rock concerts, material from the papers of poet Michael McClure, and text from Joan Didion’s “Slouching Towards Bethlehem,” drawn from her papers and paired, for the first time since publication in the Saturday Evening Post, with photographs taken to accompany her essay.
Photographs by Ted Streshinsky, Michelle Vignes, Larry Keenan, and Stephen Shames are featured, as well as psychedelic art by Wilfried Sätty, Wes Wilson, Victor Moscoso, Rick Griffin, Alton Kelley, Stanley “Mouse” Miller, Lee Conklin, Bonnie MacLean, David Singer, and others. Publications and leaflets of the Underground Press Syndicate are also highlighted, with examples such as the Berkeley Barb, the Oracle, and the Communication Company as well as fliers from the Sexual Freedom League.
This exhibit, prepared by Chris McDonald and James Eason of the Bancroft Library Pictorial Unit will be on view through Fall 2017.