In this hands-on workshop, we will learn how to create web graphics for your digital publishing projects and websites. We will cover topics such as: image editing tools in Photoshop; image resolution for the web; sources for free public domain and Creative Commons images; and image upload to publishing tools such as WordPress. If possible, please bring a laptop with Photoshop installed. All UCB faculty and students can receive a free Adobe Creative Suite license. Register at bit.ly/dp-berk
Upcoming Workshops in this Series 2018-2019:
Publish Digital Books & Open Educational Resources with Pressbooks
An English stage showing Sir John Falstaff and Mrs. Quickly, ca. 1662
DH+LIB: BUILDING AND PRESERVING COLLECTIONS FOR DIGITAL HUMANITIES RESEARCH
Wednesday, April 17th, 9:30 – 11:00 AM
Doe 180
This session will feature panelists building collections and tools for local digital humanities projects. Kathryn Stine, manager for digital content development and strategy at the California Digital Library, will talk about building web archive collections through collaboration, preparing these collections for discovery and use, and tapping the research potential of the resulting captured content and data. Mary Elings, Head of Technical Services for The Bancroft Library, will talk about the role libraries can play in developing research-ready digital collections to facilitate emerging research methods. And Gisèle Tanasse, Film & Media Services Librarian at the Library, will discuss her role in Shakespeare’s Staging, a DH project to help digitize, preserve, and make accessible Shakespeare performances from UC Berkeley students.
If you are working on a computational text analysis project and have wondered how to legally acquire, use, and publish text and data, this workshop is for you! We will teach you 5 legal literacies (copyright, contracts, privacy, ethics, and special use cases) that will empower you to make well-informed decisions about compiling, using, and sharing your corpus. By the end of this workshop, and with a useful checklist in hand, you will be able to confidently design lawful text analysis projects or be well positioned to help others design such projects. Consider taking alongside Copyright and Fair Use for Digital Projects. Register at bit.ly/dp-berk
Upcoming Workshops in this Series 2018-2019:
By Design: Graphics & Images Basics
Publish Digital Books & Open Educational Resources with Pressbooks
This training will help you navigate the copyright, fair use, and usage rights of including third-party content in your digital project. Whether you seek to embed video from other sources for analysis, post material you scanned from a visit to the archives, add images, upload documents, or more, understanding the basics of copyright and discovering a workflow for answering copyright-related digital scholarship questions will make you more confident in your publication. We will also provide an overview of your intellectual property rights as a creator and ways to license your own work. Register at bit.ly/dp-berk
Upcoming Workshops in this Series 2018-2019:
Text Data Mining and Publishing
By Design: Graphics & Images Basics
Publish Digital Books & Open Educational Resources with Pressbooks
If you’ve tinkered in WordPress, Google Sites, or other web publishing tools, chances are you’ve wanted more control over the placement and appearance of your content. With a little HTML and CSS under your belt, you’ll know how to edit “under the hood” so you can place an image exactly where you want it, customize the formatting of text, or troubleshoot copy & paste issues. By the end of this workshop, interested learners will be well prepared for a deeper dive into the world of web design. Please bring a laptop if possible. Register at bit.ly/dp-berk
You’ve invested a lot of work in creating a digital project, but how do you ensure it has staying power? We’ll look at choices you can make at the beginning of project development to influence sustainability, best practices for documentation and asset management, and how to sunset your project in a way that ensures long-term access for future researchers. Register at bit.ly/dp-berk
If you’re looking to self-publish work of any length and want an easy-to-use tool that offers a high degree of customization, allows flexibility with publishing formats (EPUB, MOBI, PDF), and provides web-hosting options, Pressbooks may be great for you. Pressbooks is often the tool of choice for academics creating digital books, open textbooks, and open educational resources, since you can license your materials for reuse however you desire. Learn why and how to use Pressbooks for publishing your original books or course materials. You’ll leave the workshop with a project already under way! Register at bit.ly/dp-berk
Upcoming Workshops in this Series 2018-2019:
The Long Haul: Best Practices for Making Your Digital Project Last
How do you go about publishing a digital book, a multimedia project, a digital exhibit, or another kind of digital project? In this workshop, we’ll take a look at use cases for common open-source web platforms like WordPress, Drupal, Omeka, and Scalar, and we’ll talk about hosting, storage, and asset management. There will be time for hands-on work in the platform most suited to your needs. No coding experience is necessary. Please bring a laptop if possible. Register at bit.ly/dp-berk
Upcoming Workshops in this Series:
Publish Digital Books & Open Educational Resources with Pressbooks
The Long Haul: Best Practices for Making Your Digital Project Last
The famous abolitionist Frederick Douglass never knew his birth date, but he choose to celebrate it on February 14th. This year will mark his 200th birthday, and we invite you to commemorate the occasion by reading his works at the library:
In honor of the bicentennial of Douglass’s birth, the digital humanities Colored Conventions Project (CCP) will host a Douglass Day transcribe-a-thon, in which participants from all over the country can help transcribe the Freedmen’s Bureau Papers, documents that provide insight into the lives of recently freed people. The event will be hosted in conjunction with the Smithsonian Transcription Center and the National Museum of African American Culture. Join them from 9am to 12pm PST to help celebrate and memorialize African American history!
The world of firefighting is much more than masked people in uniforms running into burning buildings and rescuing scared cats from trees. While the bravery of firefighters can’t be overestimated, they also work in a complex system that requires constant training and education, a cohesive partnership with local government, extensive procedures and protocols, managerial oversight, effective communication within departments and to the public, acute familiarity with the local and regional environment, and a whole lot of administrative work. The San Francisco Fire Department (SFFD) is a shining example of how people make a civil service operation run and keep people safe. All of these elements, as well as the historic and cultural aspects of the department, are why we chose it as our focus for our California Fire Departments Oral History Project.
The project was originally conceived by Sarah Wheelock, an independent researcher. She wanted to explore several major thematic areas of firefighting in California and she worked with the Oral History Center to do just that. With great sadness we learned that Sarah passed away in 2014 and thus she was unable to see the project through to completion. Taking over the project in 2016, I wanted to honor her original plan and cover the themes that she had outlined. So, I decided to embark on interviews within one department – the SFFD – to document the ways in which they have handled urban fire, climate change, diversity, technological change, and changing demographics.
The SFFD was founded in 1849 and was run by volunteers. It became a paid department, officially integrated into city government, in 1866. The 150th anniversary of the paid department was in 2016, when I was conducting interviews. Given my budget for the project, I was able to interview six people who worked with the SFFD in different capacities. I wanted to include multiple perspectives to understand the organizational, cultural, geographic, economic, and political systems of one of the oldest departments in the country.
These interviews work in concert to illustrate day-to-day operations in the stations, administrative duties, how the city of San Francisco and the department work together, the relationship between paramedics and the department, training, equipment, fire science school, the role of unions, the challenges and triumphs of integrating the departments, the public perception of the department, the role of innovation and changing technology, cultural changes in the department, challenges in fire safety particular to the geography of San Francisco, and the hopes for the future of the SFFD.
It is with great excitement that we present the California / San Francisco Fire Departments Oral History Project. I want to give a special thanks to all of the narrators for sharing their stories with me and helping me to document one of the most historically significant fire departments in our country.
This project is dedicated to the memory of Sarah Wheelock. Her California Firefighter oral histories from the 2000s will be released in early 2018.