“Painting the Inhabited Landscape is an American art history that in its depth of research and its absolute assurance in method and goals matches or surpasses anything done by any global modernist art historian today. It is a significant contribution to the study of nineteenth-century world history in visual and material studies, and will be of interest to anyone looking at the formation of global modernism, technologies, and capital markets.”—Bruce Robertson, coauthor of Georgia O’Keeffe: Abstraction
“Painting the Inhabited Landscape is by far the most insightful study of Lane and his art to date. Margaretta Lovell’s close examination of Lane’s life, art, and the historical contexts within which he worked represents not only a quantum leap for our understanding of Lane and his world but also a new standard of scholarship for the field of American art.”—Alan Wallach, author of Exhibiting Contradiction: Essays on the Art Museum in the United States
Starting September 15th, Hispanic Heritage Month begins as we celebrate and commend the great works and achievements made by the Latinx community. Find inspiring and excellent recommendations by Latinx authors below and look for more in the UC Berkeley Library’s collection on Overdrive.
Video clip from Carolyn Merchant’s oral history on the 1970s social contexts for her book The Death of Nature
Professor Carolyn Merchant at UC Berkeley. (Photograph by Robert Holmgren.)
Carolyn Merchant is a Distinguished Professor Emerita of Environmental History, Philosophy, and Ethics at UC Berkeley. Her extensive research and teaching at Cal explored historical relationships between humanity, nature, and science with an ecofeminist focus on Western culture’s domination of nature and women. Throughout her academic career, Merchant published numerous peer-reviewed articles and wrote eleven books, as well as four edited volumes. Her genre-shaping publications—including The Death of Nature: Women, Ecology, and the Scientific Revolution (1980); Ecological Revolutions: Nature, Gender, and Science in New England (1989); Radical Ecology: The Search for a Livable World (1992), among others—influenced various academic fields from Women’s Studies to the History of Science, and from Ethics to Environmental History.
Merchant and I video-recorded seven hours of her oral history over four interview sessions in the spring of 2022. Those recordings resulted in a 132-page transcript that includes an appendix with photographs. Merchant’s full-life oral history not only explored her intellectual and academic career, but also recorded lesser known details from her female-centered childhood, her educational mentors, her personal relationships, and her social activism, all of which shaped her academic research and teaching at UC Berkeley.
Carolyn Merchant in her senior year in Vassar College, Poughkeepsie, New York, 1958.
Merchant was born in 1936, in Rochester, New York, where she and her younger sister were raised by their mother, grandmother, and aunt. Merchant recalled how sharing a home with five strong women taught her that “women could do anything. …That gave me a role model unconsciously to know that I could do anything I wanted to.” As a high school senior in 1954, Merchant became a national top ten finalist in the Westinghouse Science Talent Search. She earned her AB in Chemistry from Vassar College in 1958, studied physics for a year at the University of Pennsylvania, and then, at the University of Wisconsin, Madison, she earned her MA in 1962 and her PhD in 1967 in the History of Science. Her graduate research explored the Vis Visa controversy in the seventeenth and eighteenth centuries over a “living force” in nature, from Gottfried Wilhelm Leibniz to Jean-Baptiste le Rond D’Alembert.
Video clip from Carolyn Merchant’s oral history on learning and teaching the history of science, 1960s and 1970s
During graduate school in Wisconsin, Merchant met and married botanist Hugh Iltis, with whom she had two sons, both of whom later graduated from UC Berkeley. Merchant also began her environmental activism during graduate school, which included lighting Wisconsin prairies on fire as a means to restore native plants and animal habitat. At that time, Merchant first read Betty Friedan’s The Feminine Mystique and Rachel Carson’s Silent Spring, which affected both her life and academic trajectories. In the late 1960s, upon completing her PhD thesis and her divorce from Iltis, Merchant and her sons moved from Wisconsin to Berkeley, California.
Carolyn Merchant in Honolulu, Hawaii, 1967.
Merchant’s life on the west coast provided new opportunities and realizations. While teaching the History of Science as a Visiting Lecturer at Oregon State University, Merchant lived on a Corvallis farm where the runner-up Dairy Queen of the state of Oregon taught her how to milk goats and cows. Merchant’s back-to-the-land experiences would shape her later analysis on utopias and what she described as the “organic society,” from John Salisbury’s organic concept of the state in 1159, to Francis Bacon’s The New Atlantis in 1627. To support herself and her family back in Berkeley, Merchant worked as an adjunct instructor, which she eventually parlayed into a fulltime position. She taught as a Lecturer at the University of San Francisco, where by 1976 she became an Assistant Professor, and she also taught in the innovative, interdisciplinary, yet short-lived Strawberry Creek College program at UC Berkeley.
Throughout the 1970s in the Bay Area, Merchant engaged in feminist, environmental, anti-war, and anti-capitalist politics, which is how she first met UC Berkeley historian Charles Sellers, whom she later married. Over many decades together, Merchant and Sellers advocated for social justice and shared adventures traversing the United States in a camper van while searching for rare birds and visiting far flung archival collections. On the road, Merchant used some of the first laptop computers to draft her eventual publications. Back in the Bay Area, Merchant connected with intellectuals like Theodore Roszak and became a visiting scholar at Stanford’s Center for Advanced Study in Behavioral Sciences. Around that time, Merchant learned from a USF colleague that UC Berkeley planned to hire a professor to work in the then-nascent field of environmental history. “I can do that,” she said to herself, and walked up the hill from her house to campus to submit her application. As she recalled, “when I was interviewed, I was from Stanford, and I was not a local yokel four blocks away in Berkeley where my house actually was.”
Video clip from Carolyn Merchant’s oral history on her hiring at UC Berkeley’s College of Natural Resources, 1980
Carolyn Merchant at her home in Berkeley, California, July 1984.
Women played a central role in Merchant’s research, as well as with her hiring at UC Berkeley in 1979. Merchant applied to the College of Natural Resources for a position in a new department then called Conservation and Resource Studies, which later became the Department of Environmental Science, Policy, and Management. On the hiring committee were five male faculty members and five female undergraduates. Many women took courses in the college, yet the faculty of the College of Natural Resources were still mostly men. After her on-campus interview, Merchant recalled “the students wanted a woman, and they lobbied. …They wanted to understand what role women had played in the environment, and how they used the environment, and how they developed as scientists and environmental scientists. And they liked me because I was interested in pursuing those topics and finding out by digging into the archives who the women were and what they had done.” The first three hires for the new department were all women. In 1980, one year after Merchant joined the faculty at UC Berkeley, she published The Death of Nature: Women, Ecology, and the Scientific Revolution, which remains in print today and has been translated into numerous languages. As Merchant recalled, when the book appeared, “there was a column in Newsweek, and then it was brought up at a congressional hearing. It [my book] was a criticism of what mechanistic science alone would do to the environment if it wasn’t associated with an ethic and some restraints and understanding of what the consequences were. So it was very gratifying to see that reception.”
The majority of Carolyn Merchant’s oral history explores her career as a Professor of Environmental History, Philosophy, and Ethics at UC Berkeley. The topics we discussed ranged from the evolution of Merchant’s research and teaching to her reflections on how the College of Natural Resources has changed over time. Generally, Merchant’s research and teaching examined the history and ethics of science and the environment through the lens of gender. As she noted during her oral history, “gender is so important and so central. Because most of human history, and most of even environmental history and the history of science, has been concerned with the roles that men play. And I want to make the roles that women play and the importance of gender as an equal thing, so that the roles of women are not obscured—and that women and men are equal partners not only in an existing political economy and a social economy, but they are equal partners in every aspect of trying to work together as partners to make the whole planet continue to live on.”
Video clip from Carolyn Merchant’s oral history ongendered reproduction
In her oral history, Merchant also addressed some of the specific, interrelated research themes that she developed throughout her career. One of those themes focused on science and domination, especially Merchant’s attention to impacts on nature as both a mental construct and a physical reality when institutions of science emerged within a patriarchal society. She also spoke about women and nature through the lens of ecofeminism. “Ecofeminism comes from a woman named Françoise d’Eaubonne in France,” Merchant explained. “Ecofeminism asserts the power of women and also their interrelationships with nature, and how women can save nature, and how women themselves can become important forces in the whole role of the conservation of resources.” Merchant discussed her partnership ethic, a contribution she made to environmental ethics in which humans of all genders, along with nonhuman nature, would be valued as equal partners inhabiting a flourishing earth. “Partnership makes nature and humans equal, and interactive, and sharing and giving,” Merchant declared, “and we have to conserve nature if we are going to go ahead and live in the future with an active nature and an active humanity.” In light of her own politics to protect and conserve nature, Merchant also reflected on about the importance of gendered reproduction, and how control of women’s bodies and the unpaid labor of those bodies are essential to the material, social, and cultural maintenance of a capitalist and patriarchal society. In contrast to the modern world’s focus on production, Merchant emphasized the need for reproduction: “allowing the reproduction of nature and its systems to continue is what is going to allow humanity to reproduce itself and to continue. …Because if we don’t allow the natural resources of the world to keep reproducing themselves, if we don’t set aside land or pass laws that prevent us from using everything up, we won’t be able to continue reproduction.”
Carolyn Merchant’s oral history is now available to read online, even as the ever-worsening impacts of climate change create an interrelated set of crises for the Earth and all living organisms on it, including humanity. After her long career teaching and researching environmental topics at UC Berkeley, Merchant admitted, “of course, I’m distressed that we have all the environmental problems that we have now.” Yet, in the face of these crises, she also shared her optimism. “There’s also hope in the sense that there are laws being passed, there are people who are working continuously, and there are new societies and new organizations being formed. So we’re at a tipping point. And hopefully, we’ll go in the direction of conservation, and environmental justice, and environmental reform, and saving the Earth.”
Video clip from Carolyn Merchant’s oral history onher partnership ethic for humanity and nature
Video clip from Carolyn Merchant’s oral history on becoming a national finalist in the Westinghouse Science Talent Search, 1954
ABOUT THE ORAL HISTORY CENTER
The Oral History Center of The Bancroft Library preserves voices of people from all walks of life, with varying political perspectives, national origins, and ethnic backgrounds. We are committed to open access and our oral histories and interpretive materials are available online at no cost to scholars and the public. You can find our oral histories from the search feature on our home page. Search by name, keyword, and several other criteria. Sign up for our monthly newsletter featuring think pieces, new releases, podcasts, Q&As, and everything oral history. Access the most recent articles from our home page or go straight to our blog home.
If you’d like to see more interviews like this conducted and made freely available online, please consider making a tax-deductible donation to the Oral History Center. While we receive modest institutional support, we are a predominantly self-funded research unit of The Bancroft Library. We must raise the funds to cover the cost of each oral history. You can give online, or contact us at ohc@berkeley.edu for more information about our funding needs for present and future projects.
This year’s welcome back newsletter for those working in the Romance languages focuses on digital and print resources. For the most up-to-date information on the UC Berkeley Library’s services, please continue to check the Library’s Get Help page.
A substantial run of the Spanish weekly film magazine Cinegramas: Revista Semanal (1934-36) was acquired months before the Covid pandemic hit but can now be consulted in The Bancroft Library. It ceased publication with the outbreak of the Spanish Civil War in July 1936.
Welcome back students! If you are interested in learning more about the wonderful library arts resources, please join us at one of our upcoming library orientation sessions. Current sessions offered include:
Tuesday, September 5th 1-2
Tuesday, September 5th 4-5
Friday, September 8th 12-1
Friday, September 8th 3-4
Registration will be capped at 20 students per session. New dates/times will be added to the rsvp form if the current offerings reach capacity. We will meet in the Art History/Classics Library (room 308, 3rd floor Doe Library).
Kick off this summer with these fantastic beach reads! From summer scares to beachside romances, check out Overdrive and the selections below for an irresistible read.
Cover art for AOQU III, 2 (2022) by Antonio Possenti.
As serials costs continue to soar and academic library budgets continue to decline, Open Access (OA) remains a viable path for knowledge sharing in different disciplines. In the wake of the $850k serials cancellation project currently underway, here’s one online journal that will emerge unscathed. AOQU (Achilles Orlando Quixote Ulysses). Rivista di epica is published at the Università degli Studi di Milano (University of Milan) and is now in its fourth year.
This biannual peer-reviewed journal aims to be a forum for scholars from multiple disciplines to discuss epics beyond linguistic, cultural and chronological boundaries. Epic poetry will be seen as a cultural, moral and ideological model, defining self-perception in history and society, in relationship with other cultures, ideologies as well as the collective imagination.
Celebrate this year’s Disability Pride Month with these great recommendations from the library. Spanning disability culture, activism, love, and finding yourself, our picks are a must-read for everyone!
Mario Cossío Olavide Universidad de Salamanca/IEMYRhd University of Minnesota/Center for Premodern Studies
Los Lucidarios
Cuando el célebre inspector de bibliotecas Henri Omont realizó el catálogo de los fondos de las bibliotecas públicas de Rouen, anotó que el manuscrito A283 de la Bibliothèque municipale –hoy Bibliothèque patrimoniale François Villon–, era un texto castellano del siglo XV al que le faltaba el título y que comenzaba en medio de la tabla de rúbricas. Tras la tabla, seguía el contenido de la obra, cuyas primeras líneas copió fielmente: “Maestro, yo soy tu discípulo e tú me as enseñado muy bien” (Cataloguegénérale, 184). El texto corresponde con el inicio del marco narrativo del Lucidario (BETA texid 1242).
Imagen 1. Rouen: Bibliothèque municipale, Ms A283, f. 2v
El manuscrito transmite el octavo testimonio conocido de esta obra auspiciada por Sancho IV, al que le he dado la sigla H (BETA manid 6360). Se trata de una copia posiblemente realizada en los talleres napolitanos de los reyes de Aragón y que llegó a Rouen gracias a la compra de manuscritos de Federico I de Nápoles realizada por el cardenal Georges d’Amboise durante el exilio del monarca en Tours (para una descripción completa de su contenido, véase Cossío Olavide, “Un nuevo manuscrito”).
A H hay que sumarle un noveno testimonio, I (BETA manid 3067), que identifiqué hace unas semanas. La existencia de este texto también pasó desapercibida por mucho tiempo. Se encontraba en la Biblioteca Ducal de Medinaceli y de él había dado cuenta Antonio Paz y Meliá con una enigmática nota en su parcial catálogo del fondo, entre los “manuscritos curiosos”: “Libro del rey Sancho IV – Diálogo entre maestro y discípulo (Letra del siglo XV)” (Serie 2: 537). Entre todas las obras de Sancho IV, esta descripción solo puede ser aplicada al Lucidario. Después de la venta de la biblioteca en 1964, el manuscrito pasó a la colección de Bartolomé March en Madrid y, tras la muerte de este, fue trasladado, junto al resto de manuscritos, a la Biblioteca de la Fundación Bartolomé March de Palma (sobre este manuscrito, véase Cossío Olavide, “Un nuevo testimonio”).
Resulta interesante resaltar que se trata de un testimonio tardío del Lucidario, de mediados del siglo XVI por su letra y filigranas, mientras que el cuatrocientos acumula seis testimonios de la obra. Hay dos fechados, A (BNE MSS/3369 [BETA manid 1434]) de 1455 y C (Real Bibl. II/793 [BETA manid 1435]) de 1477. D, el códice Puñonrostro (RAE Ms. 15 [BETA manid 1424]), puede ser datado por sus filigranas entre 1450 y 1460 (Cossío Olavide, “D (RAE 15)”). G (RAH Cód. 101 [BETA manid 2285]) es de finales de siglo, mientras que H (Rouen BM A283 [BETA manid 6360]) es de mediados de la centuria.
El testimonio B (Salamanca BU Ms. 1958 [BETA manid 1433]) fue durante largo tiempo considerado de este siglo, pero sus filigranas y la letra empleada –muy similar a la cancilleresca– apuntan que fue producido entre 1380 y 1410. Esto es reconfirmado por una nota de compra-venta en los últimos folios, acompañada por las firmas de sus antiguos posesores, dos maestros salmantinos de las primeras décadas del siglo XV. Didacus Gundisalvi, Diego González, catedrático de derecho en la Universidad de Salamanca hacia 1433, y un Johanes Gundisalvi, locum tenentem archipresbiter, que bien podría ser Juan González de Segovia, catedrático de derecho canónico, teólogo y representante de Juan II en el Concilio de Basilea.
Imagen 2. Detalle del fol. 104r del ms. 1958 de la Biblioteca General Histórica de la Universidad de Salamanca
Manuscritos hispánicos en colecciones europeas
Un manuscrito recientemente redescubierto por Cossío Olavide y Romera Manzanares (“Nuevos testimonios”) es el Series Nova 12736 de la Biblioteca Nacional de Austria (BETA manid 6409), que transmite un testimonio parcial de la mal llamada Crónica del moro Rasis (BETA texid 1400) y de la Crónica sarracina (BETA texid 1462) de Pedro de Corral, datado entre 1460 y 1480.
Imagen 3. Fol. 1r del ms. Series Nova 12736 de la Österreichische Nationalbibliothek
Además de estos textos, el manuscrito vienés transmite dos romances tempranos en el fol. 36r y la guarda pegada a la contratapa final: Virgilios y ¡Ay de mi Alhama! (o Paséabase el rey moro), según se dará cuenta en Cossío Olavide y Pichel (“Dos romances”).
Otro texto de interés es el ms. 9221 de la misma biblioteca, un manuscrito facticio con doble numeración que transmite un repertorio de inscripciones sepulcrales alemanas (fols. 1r-73r) y un breve texto latino de formato analístico sobre los reyes visigodos (fols. 1rbis-10rbis). Aunque se trata de una copia del siglo XIX, parece estar vinculado con el Cronicón de Cardeña.
Imagen 4. Fol. 2r-bis del ms. 9221 de la Österreichische Nationalbibliothek
El manuscrito B702 de la Biblioteca Nacional de Suecia (BETA manid 4469) transmite la versión C del Fuero general de Navarra (BETA texid 1195), ampliado con disposiciones y textos legales añadidos, como el Amelloramiento de Philippe d’Evreux III (BETA texid 3192), estructura compartida por otros testimonios del fuero (BNE MSS/248 [BETA manid 1370] y MSS/ 6705 [BETA manid 3392], Biblioteca Regionale Universitaria di Catania ms. U009 [BETA manid 4600] y Real Biblioteca ms. II/1872 [BETA manid 3242]). Como estos, transmite en los fols. 114r-116v, una interpolación navarro-aragonesa del título de los retos del Fuero Real (libro 4, título 19), incorporada para cubrir un vacío legal en materia de justicia nobiliaria del Fuero general (véase Utrilla Utrilla, “Las interpolaciones” y Fradejas Rueda, “Una decepción”).
Imagen 5. Fol. 114r del ms. B702 de la Kungliga Biblioteket, Estocolmo
Referencias
Cossío Olavide, Mario y Ricardo Pichel. “Dos romances tempranos en un manuscrito historiográfico del siglo XV: ¡Ay de mi Alhama! y Virgilios (con una nota sobre la lectura del Amadís primitivo).” Actas del VIII Congreso Internacional de la Asociación Convivio, en prensa.
_____. “Un nuevo manuscrito (Rouen, Bibliothèque municipale Villon ms. A283) y una nueva edición del Lucidario de Sancho IV.” e-Spania, vol. 44, 2023. https://doi.org/10.4000/e-spania.46735
Fradejas Rueda, José Manuel. “Una decepción y un hallazgo. Una nueva copia del Fuero de Navarra.” Las Siete Partidas del Rey Sabio: una aproximación desde la filología digital y material, editado por José Manuel Fradejas Rueda, Enrique Jerez y Ricardo Pichel, Iberoamericana, 2021, pp. 138-43. https://doi.org/10.31819/9783968691503-011
Omont, Henri, editor. Catalogue général de manuscrits des bibliothèques publiques de France. Départaments, t. I. Rouen, Imprimerie nationale, 1886.
Paz y Meliá, Antonio. Series de los más importantes documentos del Archivo y Biblioteca del Excelentísimo Señor Duque de Medinaceli. 2 vols. Imprenta alemana e Imprenta de Blass, 1915-1922.
Romera Manzanares, Ana y Mario Cossío Olavide. “Vieron el escrito y mostráronlo. Nuevos testimonios de la Crónica del moro Rasis y de la Crónica sarracina.” Revista de literatura medieval, vol. 34, 2022, pp. 249-68. https://doi.org/10.37536/RLM.2022.34.1.87619
Utrilla Utrilla, Juan. “Las interporlaciones sobre reptorios en los manuscritos del Fuero general de Navarra.” Prínicpe de Viana. Anejo, no. 2-3, 1986, pp. 765-76.
I am delighted to announce that thanks to the efforts of Randy Brandt, Head Cataloguer of The Bancroft Library, it is now possible to find all of the volumes in Bancroft’s Fernán Núñez Collection.
You can now search by call number and retrieve the records for the volumes that have been individually cataloged. (If you don’t see the volume number you’re looking for, that means it is still only part of the larger set; no individual record yet).
2) Open the pop-up menu and scroll down to “Other call numbers.”
3) Type in “BANC MS UCB 143” and click the Search icon (or press Enter).
The first result is the record for the collection itself, followed by several hits for microfilm, many with the title “Host bibliographic record for boundwith item….” Near the bottom of the first screen you will see the record for v. 1-2, Epitome de la vida del Marques de la Mina, Conde de Pezuela …. To see the rest of the call numbers, use the scroll tab at the lower right of the screen.
Note that even with this project, there are still some volumes that have “Host bibliographic record…” as the title (see v. 17 for the first one). However, when you click on that record, you will have access to the individual titles bound within that volume.
This collection of 224 manuscripts comes from the library of the counts and then dukes of Fernán Núnez, a town near Córdoba, principally from that of the 6th count of Fernán Núñez, Carlos José Gutiérrez de los Ríos y Córdoba (1742-1795), although the nucleus of the collection probably goes back to Juan Fernández de Velasco (1550-1613), 5th duke of Frías and viceroy of Milan. According to the Diccionario Biográfico electrónico of the Real Academia de la Historia, Gutiérrez de los Ríos was a man of broad culture who wrote a biography of King Carlos III and was an honorary member of the Real Academia de Bellas Artes de San Fernando in Madrid and the Real Academia Sevillana de Buenas Letras.
Bancroft bought the collection in 1984 from the legendary New York bookseller H.P. Kraus, thanks in part to the happy instance that at the time I was in New York working on the catalog of medieval manuscripts of the Hispanic Society of America. Kraus recruited me to write an initial description of the collection prior to putting it on the market. I alerted my colleagues in Berkeley of its importance, and they in turn convinced James D. Hart, Bancroft’s director, to find the funds for its purchase.
Among the interesting volumes is the most important manuscript of the Crónica sarracina de Pedro del Corral (BETA manid 3602), from the library of Bernardo de Alderete, author of Del origen y principio de la lengua castellana o romance que hoy se usa en España (1606), and a late 16th-c or early 17th-c. copy of the Cancioneiro da Vaticana (BITAGAP manid 1666), one of the three major collections of medieval Galician-Portuguese lyric poetry.
We are fortunate to have descriptions of the collection from Ignacio Díez Fernández and Antonio Cortijo. Cortijo also studied the Crónica sarracina, while Arthur Askins identified the Cancioneiro da Bancroft Library. More recently Pablo Saracino has studied the Antigüedades de España of Lorenzo Padilla.
Charles B. Faulhaber University of California, Berkeley
References
Askins, Arthur L-F. “The Cancioneiro da Bancroft Library (previously, the Cancioneiro de um Grande d’Hespanha): a copy, ca. 1600, of the Cancioneiro da Vaticana.” Actas do IV Congresso da Associação Hispânica de Literatura Medieval. Lisboa: Edições Cosmos, 1991: I:43-47 (BITAGAP bibid 2595)
Cortijo Ocaña, Antonio. “La Crónica del Moro Rasis y la Crónica Sarracina: dos testimonios desconocidos (University of California at Berkeley, Bancroft Library, MS UCB 143, Vol. 124).” La Corónica 25.2 (1997): 5-30 (BETA bibid 3946)
—–. La Fernán Núñez Collection de la Bancroft Library, Berkeley: estudio y catálogo de los fondos castellanos (parte histórica). London: Dept. of Hispanic Studies, Queen Mary and Westfield College, 2000 (BETA bibid 7111)
—–. Viviendo yo esta desorden del mundo. Textos literarios españoles de los Siglos de Oro en la Colección Fernán Núnez. Burgos : Fundación Instituto Castellano y Leonés de la Lengua, 2003 (BITAGAP bibid 17216)