Please submit your feedback to your librarian for Latin American and Caribbean Studies: Liladhar
Latin America Commons Landing Page
Latin America Commons by Coherent Digital is a full-text, richly-indexed database that provides unified, cross-searchable access to millions of pages of Latin American and Latinx primary-source materials, including books, magazines, photographs, maps, letters, diaries, ephemera, videos, and audio files that were previously scattered across the internet and in archives. The project aims to preserve at-risk content, rare documents, and often overlooked resources spanning from the 16th to the 21st centuries, making it easier for scholars and students to discover vetted, high-quality material for research and study.
Insert Press was found in 2005 by Mathew Timmons to focus on interdisciplinary and/or hybrid works.[1] Initially, Insert Press focused on poetry in chapbook form, but over the following decade turned to increasingly toward “translation, poetics, artist books.”[2]
For over 150 years, residents and visitors alike have not run short of reasons to support the claim, “There’s no place like California.” And since the 1960s, that claim has been echoed—albeit in whispers—among cannabis circles around the globe. This summer, Oral History Center historian Todd Holmes has been traveling up and down the state to document the overlooked history of California cannabis communities as part of the multidisciplinary project, Legacy Cannabis Genetics: People and their Plants, A Community-Driven Study. Funded in 2023 by a $2.7 million grant from the California Department of Cannabis Control, the project is now in its final year charting the history and genetic heritage of the state’s famed cannabis communities.
LCG Research Team at community engagement meeting in Mendocino County. (Left to Right): Hannah Nelson (Origins Council); Genine Coleman (Origin Council); Todd Holmes (UC Berkeley Oral History Center); Dominic Corva (Cal Poly Humboldt); Kerin Law (LeafWorks and Canndor Herbarium); Caleb Chen (Research Assistant, Cal Poly Humboldt); Yaw Reinier (Research Assistant, Cal Poly Humboldt)
In many respects, the study can be seen as one of the first of its kind. The research team is composed of academic and community researchers from across the state: sociologist Dominic Corva from Cal Poly Humboldt; historian Todd Holmes from UC Berkeley’s Oral History Center; Genine Coleman from Origins Council, a nonprofit public policy and research institute serving the state’s historic rural cannabis farming regions; Khalil Ferguson of United CORE, a statewide equity advocacy organization representing the interests of Black, Indigenous, and people of color (BIPOC) in urban communities; and Eleanor Kuntz, co-founder of Canndor the world’s first cannabis herbarium, and co-founder and CEO of LeafWorks, a genomics and plant science company. Moreover, the project operates through Community-Based Participatory Research (CBPR), a methodology premised on a partnership approach to research that equitably involves community members, organizational representatives, and academic researchers in all aspects of the research process. “CBPR is an approach that not only affords community members an equal seat at the table,” Holmes explained, “but more importantly recognizes them as the real experts in this field.” Typically used in public health research, the CBPR approach of the project represents the first time the methodology has been used in cannabis research.
Cannabis Farm in Nevada County, California, getting ready for harvest.
For the oral history component of the project, Holmes is conducting around 100 hours of oral history interviews with cannabis farmers and breeders throughout the state. When complete, the oral histories will comprise the California Cannabis Oral History Collection at the Bancroft Library, another first-of-its-kind component of the project. “For most of the communities in this project, this is the first time they have told their stories,” Holmes explained. “It’s a powerful reminder of the importance of oral history and a real honor to help place California cannabis within the historical record.”
Be on the lookout for the release of the California Cannabis Oral History Collection in the fall of 2026. For more on the project, visit the Legacy Cannabis Genetics website.
Left to right: Malcolm, Wilbert. Photograph by Paul Burnett
I have two snow-white rabbits.
One night, recently, they both started thumping. Rabbits thump for any number of reasons, including their disapproval and pleas for attention. But the main reason rabbits raise up their enormous hind legs to shake the ground is because they sense danger. They are trying to warn the warren that something very bad is about to happen. I ignored them at first, then tried to calm them. Sometimes they just want food, so I fed them. Sometimes they just freak each other out. Thump. Thump!
I was tired of their noise, and tired, so I indulged them by looking outside. Peering back at me on their hind legs were two enormous raccoons who seemed very interested in the rabbits and completely unafraid of me.
In my job as an interviewer, and in my life, I think a lot about listening, what it is, and what it is not. There is probably no clearer signal than an animal making a noise to alert their group. Humans, by contrast, have evolved elaborate languages for expressing themselves. Language should give us greater powers of precise, lightning-clear communication. But language often fails us. Words so often conceal, deflect, or deceive. Social media platforms promise instant, global, direct connection to others, but we know by their design that they privilege extreme and polarizing speech. How are we doing with all of that?
Part of the problem is just the medium of text, which is so often shorn of other signals: the tone, the pauses, the momentary facial expressions, the emotions, the signs.
Maybe, in our most urgent situations, with our alligator brains activated, language serves us just fine. Danger we know, right? We know how to thump, right?
Regardless of the medium – through video, audio, or text-based conversations – it might be our receivers that are jammed, defective, and underpowered. I think of all the filters I had that prevented me from hearing rabbit danger. I had an idea that our home was safe, from anything that would threaten a rabbit, anyway. I had a story in my head that was blocking me from hearing, a story about my rabbits as needy, hungry, spoiled, and mischievous, in part because, let’s face it, they are. They were thumping just to mess with us. They were thumping because of something in them, the default fear of a prey animal. Their thumping didn’t really mean danger because I had read about rabbit motives in a book.
But sometimes it’s just raccoons.
Here, at UC Berkeley, and at any school, students will be asked to speak, to develop their knowledge and skills, to contribute to innovation in the communications technologies we will all be using in the near future, to engage with others, to deploy their speech-and-debate championship rhetoric when they are out in the world. They will be asked to speak, and hopefully to speak freely.
But speech is only one small part of communication. Some of our popular public figures are really good with a simple story, with a rhetorical trick, to make us feel good, or aggrieved, or righteous, or inspired. But so often they are just tapping into our filters, our ideas of who we already think we are. The Pied Piper is not such a hot musician; it’s just that our ears resonate at that frequency. If I’m going to really hear someone else, some fellow rabbit, I need to check all the reasons I have developed not to listen.
What oral historians have to do in interviews is think really critically about our own backgrounds, assumptions, preferences, and frameworks for understanding the topic at hand and the person with whom we are creating a life history. Only by grappling with our subjectivity can we hope to understand that of another. Empathy is not putting ourselves in the shoes of someone else; it’s gazing deeply at our own shoes, trying to walk without them, feeling how they shape our feet, and understanding that we can’t walk in someone else’s shoes. But we can ask other people about their shoes, and what it’s like to walk in them. That’s where empathy begins. Empathy is not a capacity; it’s a space you have to choose to step into.
To the incoming students of UC Berkeley, I don’t know how to navigate this world. All I can offer is what seems to work for oral historians who work with others to tell their stories.
You may need to burn through a bit of who you think you are to really hear someone, and you may find that the you who comes out the other side is not tricked, indoctrinated, or weakened. You may find yourself bigger, stronger, more capable, more resilient, more useful, and more of what we all need right now and from now on. That’s what everyone here is betting on.
So listen, okay?
Sometimes it’s raccoons.
Thump!
Welcome to the bigger, stronger, more capable you, class of 2029.
Please find this selection of books in Catalan recently received and cataloged for your reading pleasure. Catalan is a Western Romance language and is the official language of Andorra, and the official language of three autonomous communities in eastern Spain: Catalonia, the Balearic Islands and the Valencian Community, where it is called Valencian.
Catalan is considered a Less Commonly Taught Language (LCTL) in Europe and has received special support from the U.S. Department of Education under the auspices of Title VI of the Higher Education Act of 1965. Other languages of interest to research and teaching at Berkeley and historically supported by this program administered by the Institute of European Studies include Dutch, Portuguese, Modern Greek, Occitan, Yiddish, Galician, Danish, Finnish, Swedish, Norwegian, Icelandic, and more.
All are invited to attend our 2025 Hispanic American Heritage Month webinar that this time focuses on Afro-Latinx heritage.
The webinar will take place on September 16th from 12:45 pm to 2:15 pm PST (3:45 pm to 5:15 pm EST). The webinar is free and open to all with prior registration.
This webinar features three scholars whose work advances understanding of Latin American and Afro-Latinx communities through social policy, culture, and education. In recognition of National Hispanic Heritage Month, the event explores racial and gender justice, ethnoracial legislation, climate ethnography, and Afro-Indigenous knowledge systems. Presenters offer critical insights into how law, environment, heritage, and pedagogy shape the lived experiences of Hispanic and Afro-Latinx communities.
As the war in Ukraine is now in its third year of current military conflict (excluding the takeover of Crimea), it becomes vital for us to provide resources to our students related to the actual war and its progress. For this reason, I wanted to focus on two different platforms that currently offer updates from the field as it evolves on the ground. I hope that the readers of these maps will find them helpful to make their own assessment of the current state of affairs. The first resource is the Deepstate map.
The interface is pretty intuitive, and the map can be displayed in both English and Ukrainian legends. Below is the screenshot that shows the map as of 11:05 am PST on August 25, 2025.
The deepstate live has several different partners that sponsor the project. One of them is Brave1.
Also, there is a blog that is associated with DeepState Live, which can be accessed here.
The second source is hosted by the Institute for the Study of War, which can be accessed here. The resource provides an assessment of the Russian offensive in Ukraine with a cutoff date of August 24, 2025.
The Graphic Arts Loan Collection (GALC) at the Morrison Library has been checking out art to UC Berkeley students, staff, and faculty since 1958 and it is back again this year!
The purpose of the GALC since its inception has been to put art in the hands of UC Berkeley students (and the best way to appreciate art is to live with it!), so on August 25 and 26, from noon to 4 p.m., and August 27 and 28, from 10 a.m. to 4 p.m., UC Berkeley students can come to the Morrison Library (101 Doe Library) and check-out up to two pieces of art from the GALC’s collection to take home and hang on their walls for the academic year. The prints will be available to students on a first come, first served basis. We will also have our newest prints available, including art by Dave Eggers and Annie Owens.
If you would like to see what we have before you come to the Morrison Library, all the prints are available to browse online at the Graphic Arts Loan Collection website. Not everything in the collection will be available at the Morrison Library on these days, but much of the collection will. Please note that the Graphic Arts Loan Collection will not be available to staff and faculty members during this time, but only available to UC Berkeley students. Starting September 2nd students can reserve prints from the collection through the GALC website, and on September 15th, faculty and staff can begin reserving prints. Any questions about the GALC can be directed to graphicarts-library@berkeley.edu.
Photo by Harold Ellwood. Italians reading war news, North Beach, 1935. Fang family San Francisco Examiner Photograph Archive Negative Files. The Bancroft Library. UC Berkeley. BANC PIC 2006.029–NEG box 625, sleeve 092981_01
The UC Berkeley Library has rich collections pertaining to Italian-American communities in California. An online exhibition Italian Americans in California created in 2007 imparts little known facts about centuries of immigrants to the Golden State and is now archived on the Internet Archive’s Wayback Machine. Here are just a few from this marvelously researched exhibit:
Though small in number, Italians were some of the first European explorers and settlers of California. From 1687 to 1711, Father Eusebio Chino (probably pronounced Kee–no) traveled in northern Mexico and Lower California. He was the first person to prove that Lower California was a peninsula, not an island. Other early Italian visitors to the shores of California were sailors and fishermen.
Though we often associate Italians in California with San Francisco, the initial Italian settlers established themselves in such diverse communities as Monterey, Stockton, and San Diego during the years of Spanish Rule. While the majority of Italians settled in the urban centers of the east, many, especially northern Italians came out west. As late as 1890, there were more Italian immigrants on the Pacific coast than in New England.
As early as the 1840s, settlers from Genoa began to arrive in the valleys of northern and central California after hearing their Ligurian (the region that includes Genoa) sailing relatives talk about how ideal the valleys were for vinting. Despite the fact that Liguria is not a major wine producing region in Italy, the wine industry in California was mostly built by Genoese.
The first significant wave of Italian immigrants came to California during the Gold Rush. Those who came quickly moved to buy land or work in service industries, rather than stay in the mines.
The majority of these Italian immigrants to California came from northern Italy. They began building communities, introduced Italian Opera to California in 1851, and founded an Italian language newspaper in San Francisco as early as 1859. Amadeo Giannini founded what became the Bank of America, first known as the Bank of Italy, in 1904 as a way for Italian immigrants to save and borrow small amounts, but the genius of his bank was the first use of branches put in locations closer to his customers.
The aftermath of the Gold Rush brought even more northern Italians to California. The ostentatious wealth of those who succeeded during the Gold Rush years brought with it a demand for stone and marble cutters from Italy to work on the mansions of the newly rich. The fishing grounds and warm climate began to attract Sicilian fishermen, especially in the Bay Area and San Diego.
San Francisco’s Little Italy bounced back from the 1906 earthquake in better shape than ever. At the same time, Italian immigrants had established themselves as the primary fishermen in the San Francisco Bay, and as a major agricultural force as well. Some children of the first wave of immigrants were coming of age in the 1900s to the 1930s, and these achieved greater success than their parents in law, politics, business, and agriculture, especially wine.
The cultural contributions of generations of Italian Americans in San Francisco in particular is impressive. Writers such as Lawrence Ferlinghetti, Gregory Corso, Diane di Prima, Philip Lamantia and others fostered the Beat movement in the post-World War II years, rebelling against the conventions of mainstream American life (consumerism, racism, homophobia, etc.).
From Doe Library’s collection in the Main Stacks and NRLF, here are some noteworthy publications:
Garibaldi, C. G. (active ca. ). At the Play [Portraits of Prominent San Franciscans, California]. Robert B. Honeyman, Jr. Collection of Early Californian and Western American Pictorial Material. The Bancroft Library. UC Berkeley. BANC PIC 1963.002:0501–ESelect Finding Aids from The Bancroft Library
Early California Italian-American Newspapers in The UC Berkeley Library
ll Corriere del Popolo. San Francisco, CA: Pedretti Bros., 1914-1943, 1948-1967 (lacks issues)
L’Eco d’Italia. San Francisco, CA: Pierino Mori, 1966-1980.
L’Italo-Americano. Los Angeles, CA: Scalabrini Fathers, 1985-2016. Online archive for 2012-present available via UCB only. Former titles: Eco d’Italia and Italo-Americano di Los Angeles
Italian fisherman with no crabs at Fisherman’s Wharf. Fang family San Francisco Examiner Photograph Archive Negative Files. The Bancroft Library. UC Berkeley. BANC PIC 2006.029–NEG box 644, sleeve 093662_02
The Graphic Arts Loan Collection (GALC) at the Morrison Library has been checking out art to UC Berkeley students, staff, and faculty since 1958 and it is back again this year!
![At the play [portraits of prominent San Franciscans, California]](https://update.lib.berkeley.edu/wp-content/uploads/2025/08/at-the-play.png)
