Hispanic Heritage Month 2023

Hispanic Heritage Month 2023

Starting September 15th, Hispanic Heritage Month begins as we celebrate and commend the great works and achievements made by the Latinx community. Find inspiring and excellent recommendations by Latinx authors below and look for more in the UC Berkeley Library’s collection on Overdrive.



“Carolyn Merchant: My Life Exploring Science, Environment, and Ethics,” oral history release

New oral history: “Carolyn Merchant: My Life Exploring Science, Environment, and Ethics”

Video clip from Carolyn Merchant’s oral history on the 1970s social contexts for her book The Death of Nature

Color photograph of Carolyn Merchant outside with a green tree in the background
Professor Carolyn Merchant at UC Berkeley. (Photograph by Robert Holmgren.)

Carolyn Merchant is a Distinguished Professor Emerita of Environmental History, Philosophy, and Ethics at UC Berkeley. Her extensive research and teaching at Cal explored historical relationships between humanity, nature, and science with an ecofeminist focus on Western culture’s domination of nature and women. Throughout her academic career, Merchant published numerous peer-reviewed articles and wrote eleven books, as well as four edited volumes. Her genre-shaping publications—including The Death of Nature: Women, Ecology, and the Scientific Revolution (1980); Ecological Revolutions: Nature, Gender, and Science in New England (1989); Radical Ecology: The Search for a Livable World (1992), among others—influenced various academic fields from Women’s Studies to the History of Science, and from Ethics to Environmental History.

Merchant and I video-recorded seven hours of her oral history over four interview sessions in the spring of 2022. Those recordings resulted in a 132-page transcript that includes an appendix with photographs. Merchant’s full-life oral history not only explored her intellectual and academic career, but also recorded lesser known details from her female-centered childhood, her educational mentors, her personal relationships, and her social activism, all of which shaped her academic research and teaching at UC Berkeley.

Sepia photograph of Carolyn Merchant wearing a sweater and a pearl necklace
Carolyn Merchant in her senior year in Vassar College, Poughkeepsie, New York, 1958.

Merchant was born in 1936, in Rochester, New York, where she and her younger sister were raised by their mother, grandmother, and aunt. Merchant recalled how sharing a home with five strong women taught her that “women could do anything. …That gave me a role model unconsciously to know that I could do anything I wanted to.” As a high school senior in 1954, Merchant became a national top ten finalist in the Westinghouse Science Talent Search. She earned her AB in Chemistry from Vassar College in 1958, studied physics for a year at the University of Pennsylvania, and then, at the University of Wisconsin, Madison, she earned her MA in 1962 and her PhD in 1967 in the History of Science. Her graduate research explored the Vis Visa controversy in the seventeenth and eighteenth centuries over a “living force” in nature, from Gottfried Wilhelm Leibniz to Jean-Baptiste le Rond D’Alembert.

 

Video clip from Carolyn Merchant’s oral history on learning and teaching the history of science, 1960s and 1970s

During graduate school in Wisconsin, Merchant met and married botanist Hugh Iltis, with whom she had two sons, both of whom later graduated from UC Berkeley. Merchant also began her environmental activism during graduate school, which included lighting Wisconsin prairies on fire as a means to restore native plants and animal habitat. At that time, Merchant first read Betty Friedan’s The Feminine Mystique and Rachel Carson’s Silent Spring, which affected both her life and academic trajectories. In the late 1960s, upon completing her PhD thesis and her divorce from Iltis, Merchant and her sons moved from Wisconsin to Berkeley, California.

Color photograph of Carolyn Merchant outside and wearing a straw hat with a floral design
Carolyn Merchant in Honolulu, Hawaii, 1967.

Merchant’s life on the west coast provided new opportunities and realizations. While teaching the History of Science as a Visiting Lecturer at Oregon State University, Merchant lived on a Corvallis farm where the runner-up Dairy Queen of the state of Oregon taught her how to milk goats and cows. Merchant’s back-to-the-land experiences would shape her later analysis on utopias and what she described as the “organic society,” from John Salisbury’s organic concept of the state in 1159, to Francis Bacon’s The New Atlantis in 1627. To support herself and her family back in Berkeley, Merchant worked as an adjunct instructor, which she eventually parlayed into a fulltime position. She taught as a Lecturer at the University of San Francisco, where by 1976 she became an Assistant Professor, and she also taught in the innovative, interdisciplinary, yet short-lived Strawberry Creek College program at UC Berkeley.

Throughout the 1970s in the Bay Area, Merchant engaged in feminist, environmental, anti-war, and anti-capitalist politics, which is how she first met UC Berkeley historian Charles Sellers, whom she later married. Over many decades together, Merchant and Sellers advocated for social justice and shared adventures traversing the United States in a camper van while searching for rare birds and visiting far flung archival collections. On the road, Merchant used some of the first laptop computers to draft her eventual publications. Back in the Bay Area, Merchant connected with intellectuals like Theodore Roszak and became a visiting scholar at Stanford’s Center for Advanced Study in Behavioral Sciences. Around that time, Merchant learned from a USF colleague that UC Berkeley planned to hire a professor to work in the then-nascent field of environmental history. “I can do that,” she said to herself, and walked up the hill from her house to campus to submit her application. As she recalled, “when I was interviewed, I was from Stanford, and I was not a local yokel four blocks away in Berkeley where my house actually was.”

Video clip from Carolyn Merchant’s oral history on her hiring at UC Berkeley’s College of Natural Resources, 1980

Color photograph of Carolyn Merchant inside a room, leaning on a white cabinet and standing on a dark wood floor
Carolyn Merchant at her home in Berkeley, California, July 1984.

Women played a central role in Merchant’s research, as well as with her hiring at UC Berkeley in 1979. Merchant applied to the College of Natural Resources for a position in a new department then called Conservation and Resource Studies, which later became the Department of Environmental Science, Policy, and Management. On the hiring committee were five male faculty members and five female undergraduates. Many women took courses in the college, yet the faculty of the College of Natural Resources were still mostly men. After her on-campus interview, Merchant recalled “the students wanted a woman, and they lobbied. …They wanted to understand what role women had played in the environment, and how they used the environment, and how they developed as scientists and environmental scientists. And they liked me because I was interested in pursuing those topics and finding out by digging into the archives who the women were and what they had done.” The first three hires for the new department were all women. In 1980, one year after Merchant joined the faculty at UC Berkeley, she published The Death of Nature: Women, Ecology, and the Scientific Revolution, which remains in print today and has been translated into numerous languages. As Merchant recalled, when the book appeared, “there was a column in Newsweek, and then it was brought up at a congressional hearing. It [my book] was a criticism of what mechanistic science alone would do to the environment if it wasn’t associated with an ethic and some restraints and understanding of what the consequences were. So it was very gratifying to see that reception.”

The majority of Carolyn Merchant’s oral history explores her career as a Professor of Environmental History, Philosophy, and Ethics at UC Berkeley. The topics we discussed ranged from the evolution of Merchant’s research and teaching to her reflections on how the College of Natural Resources has changed over time. Generally, Merchant’s research and teaching examined the history and ethics of science and the environment through the lens of gender. As she noted during her oral history, “gender is so important and so central. Because most of human history, and most of even environmental history and the history of science, has been concerned with the roles that men play. And I want to make the roles that women play and the importance of gender as an equal thing, so that the roles of women are not obscured—and that women and men are equal partners not only in an existing political economy and a social economy, but they are equal partners in every aspect of trying to work together as partners to make the whole planet continue to live on.”

Video clip from Carolyn Merchant’s oral history on gendered reproduction

In her oral history, Merchant also addressed some of the specific, interrelated research themes that she developed throughout her career. One of those themes focused on science and domination, especially Merchant’s attention to impacts on nature as both a mental construct and a physical reality when institutions of science emerged within a patriarchal society. She also spoke about women and nature through the lens of ecofeminism. “Ecofeminism comes from a woman named Françoise d’Eaubonne in France,” Merchant explained. “Ecofeminism asserts the power of women and also their interrelationships with nature, and how women can save nature, and how women themselves can become important forces in the whole role of the conservation of resources.” Merchant discussed her partnership ethic, a contribution she made to environmental ethics in which humans of all genders, along with nonhuman nature, would be valued as equal partners inhabiting a flourishing earth. “Partnership makes nature and humans equal, and interactive, and sharing and giving,” Merchant declared, “and we have to conserve nature if we are going to go ahead and live in the future with an active nature and an active humanity.” In light of her own politics to protect and conserve nature, Merchant also reflected on about the importance of gendered reproduction, and how control of women’s bodies and the unpaid labor of those bodies are essential to the material, social, and cultural maintenance of a capitalist and patriarchal society. In contrast to the modern world’s focus on production, Merchant emphasized the need for reproduction: “allowing the reproduction of nature and its systems to continue is what is going to allow humanity to reproduce itself and to continue. …Because if we don’t allow the natural resources of the world to keep reproducing themselves, if we don’t set aside land or pass laws that prevent us from using everything up, we won’t be able to continue reproduction.”

Color photograph of Carolyn Merchant seated in her office on campus behind a desk covered with stacks of paper, which sits in front of a floor-to-ceiling bookshelf entirely full of booksCarolyn Merchant’s oral history is now available to read online, even as the ever-worsening impacts of climate change create an interrelated set of crises for the Earth and all living organisms on it, including humanity. After her long career teaching and researching environmental topics at UC Berkeley, Merchant admitted, “of course, I’m distressed that we have all the environmental problems that we have now.” Yet, in the face of these crises, she also shared her optimism. “There’s also hope in the sense that there are laws being passed, there are people who are working continuously, and there are new societies and new organizations being formed. So we’re at a tipping point. And hopefully, we’ll go in the direction of conservation, and environmental justice, and environmental reform, and saving the Earth.”

Carolyn Merchant, “Carolyn Merchant: My Life Exploring Science, Environment, and Ethics” conducted by Roger Eardley-Pryor in 2022, Oral History Center, The Bancroft Library, University of California, Berkeley, 2023.

Video clip from Carolyn Merchant’s oral history on her partnership ethic for humanity and nature

Video clip from Carolyn Merchant’s oral history on becoming a national finalist in the Westinghouse Science Talent Search, 1954

ABOUT THE ORAL HISTORY CENTER

The Oral History Center of The Bancroft Library preserves voices of people from all walks of life, with varying political perspectives, national origins, and ethnic backgrounds. We are committed to open access and our oral histories and interpretive materials are available online at no cost to scholars and the public. You can find our oral histories from the search feature on our home page. Search by name, keyword, and several other criteria. Sign up for our monthly newsletter featuring think pieces, new releases, podcasts, Q&As, and everything oral history. Access the most recent articles from our home page or go straight to our blog home.

If you’d like to see more interviews like this conducted and made freely available online, please consider making a tax-deductible donation to the Oral History Center. While we receive modest institutional support, we are a predominantly self-funded research unit of The Bancroft Library. We must raise the funds to cover the cost of each oral history. You can give online, or contact us at ohc@berkeley.edu for more information about our funding needs for present and future projects.


Romance Language Collections Newsletter no. 8 (Fall 2023)

This year’s welcome back newsletter for those working in the Romance languages focuses on digital and print resources. For the most up-to-date information on the UC Berkeley Library’s services, please continue to check the Library’s Get Help page.

Cinegramas: Revista Semanal (1934-36)
A substantial run of the Spanish weekly film magazine Cinegramas: Revista Semanal (1934-36) was acquired months before the Covid pandemic hit but can now be consulted in The Bancroft Library. It ceased publication with the outbreak of the Spanish Civil War in July 1936.
What’s new in the Library for Fall 2023?

  • 2022-23 Serials Reductions
  • E-reserves & bCourses
  • Reference & Instruction
  • Library Workshops
  • Library Research Guides
  • New Books and More
  • Open Access Books
  • UC Library Search – 4 FAQs
  • Featured Digitized Work

See also:


Library Orientation for Art Practice and Art History Students

Welcome back students! If you are interested in learning more about the wonderful library arts resources, please join us at one of our upcoming library orientation sessions. Current sessions offered include:

Tuesday, September 5th 1-2
Tuesday, September 5th 4-5
Friday, September 8th 12-1
Friday, September 8th 3-4

Please rsvp at: http://ucblib.link/orientationAHC

Registration will be capped at 20 students per session. New dates/times will be added to the rsvp form if the current offerings reach capacity. We will meet in the Art History/Classics Library (room 308, 3rd floor Doe Library).

orientationflyer

 

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2022/23 GALC New Acquisitions

GALC Website

Ansel Adams Golden Gate Bridge   

Artist: Adams, Ansel
Title: Golden Gate From Baker Beach
Date: 1953
Medium: Photograph

       

Michele Burgess Herbarium VII etching

 

Artist: Burgess, Michele
Title: Herbarium VII
Date: 2010
Medium: Etching

 

 

Alexa Burrell Balance is a waveArtist: Burrell, Alexa
Title: Ballace is a Wave
Date: 2021
Medium: Digital Print

 

Cora Lautze Ripple

 

Artist: Lautze, Cora
Title: Untitled Ripple
Date: 2019
Medium: Silkscreen

 

 

Julia Lucey Tulips in California Wildflowers

 

Artist: Lucey, Julia
Title: Tulips in California Wildflowers
Date: 2022
Medium: Aquatint etching with collage

 

 

Dawline-Jane Oni-Eseleh Cloistered

 

Artist: Oni-Eseleh, Dawline-Jane
Title: Cloistered
Date: 2022
Medium: Risograph print with Copper Leaf

 

 

Sharon Carlos Vázquez Cuarto 3/4

 

Artist: Vázquez, Sharon Carlos
Title: Cuarto 3/4
Date: 2023
Medium: Silkscreen

 

Sharon Carlos Vázquez Cuarto 4/4

 

Artist: Vázquez, Sharon Carlos
Title: Cuarto 4/4
Date: 2023
Medium: Silkscreen

 

GALC Website


2022/23 Art Practice & University Library Printmaking Award Winner: Sharon Carlos Vázquez

GALC Website

Sharon Carlos Vázquez, recipient of the 2022/23 Art Practice & University Library Printmaking Award, is a 2023 graduate of the Art Practice Department at the University of California Berkeley. Two of Sharon’s prints, Cuarto 3/4 and Cuarto 4/4, have been added to the Graphic Arts Loan Collection and can be borrowed by students at UC Berkeley starting this fall.

Sharon Carlos Vázquez Cuarto 3/4                              Sharon Carlos Vázquez Cuarto 4/4

Below is an Artist Statement from Sharon about her work:

My recent body of work explores familial relationships, domestic space, location, the senses, and the abstract nature of memory as it dilutes through time. I view the physicality of my process in printmaking as a method of conversation. This layering allows me to translate, redact, and deconstruct dialogue into gestural imagery and color, which I often literally separate into smaller pieces. Through these techniques, I re-envision memories, blurring the line between concrete, mundane and intangible. My home, often featured abstractly in this work, is a literal container for these images, both public and private

My process revolves around the notion of developing a sense of ‘public privacy’. I accomplish this through the physical printing process, which involves overlayering and obscuring the underlying information. My approach allows for the information to be given a physical space while also challenging its comprehension. My concept takes inspiration from the architectural structure of my home, as well as the topography and land. These fundamentals serve as a foundation for building and layering imagery and textures. Through an additive method akin to redaction, the original and literal imagery is transformed into a distorted representation.

The Art Practice & University Library Printmaking Award is given to the undergraduate student in the Department of Art Practice who has demonstrated an astute understanding of printmaking techniques, as well as an advanced ability to express themselves through the medium of printmaking. This award was established in 2018 by the Department of Art Practice and the University Library, and is given to one or two students each academic year. 

GALC Website


Summer Reading 2023

2023 Summer Reading

Kick off this summer with these fantastic beach reads! From summer scares to beachside romances, check out Overdrive and the selections below for an irresistible read.



Art for the Asking: Check-Out Art From The Graphic Arts Loan Collection At The Morrison Library August 17-22

1958 GALC Catalog CoverThe Graphic Arts Loan Collection (GALC) at the Morrison Library has been checking out art to UC Berkeley students, staff, and faculty since 1958 and it is back again this year!

Student riding bike with GALC printThe purpose of the GALC since its inception has been to put art in the hands of UC Berkeley students (and the best way to appreciate art is to live with it!), so on August 17, 18, 21 and 22, from noon to 5pm, UC Berkeley students can come to the Morrison Library (101 Doe Library) and check-out up to two pieces of art from the GALC’s collection to take home and hang on their walls for the academic year. The prints will be available to students on a first come, first served basis.

If you would like to see what we have before you come to the Morrison Library, all the prints are available to browse online at the Graphic Arts Loan Collection website. Not everything in the collection will be available at the Morrison Library these days, but much of the collection will. Please note that the Graphic Arts Loan Collection will not be available to staff and faculty members during this time, but only available to UC Berkeley students. Starting August 24th students can reserve prints from the collection through the GALC website, and on September 5th, faculty and staff can begin reserving prints. Any questions about the GALC can be directed to graphicarts-library@berkeley.edu.

Carrie Mae Weems, Untitled: Trees With Mattress        Culebra en el Petate Sergio Sanchez Santamaria         Faith Ringgold, Jo Baker's Birthday

  Carrie Mae Weems, Untitled: Trees With Mattress              Culebra en el Petate, Sergio Sanchez Santamaria                     Faith Ringgold, Jo Baker’s Birthday

AOQU (Achilles Orlando Quixote Ulysses). Rivista di epica

Achilles Orlando Quixote Ulysses Rivista di Epica
Cover art for AOQU III, 2 (2022) by Antonio Possenti.
As serials costs continue to soar and academic library budgets continue to decline, Open Access (OA) remains a viable path for knowledge sharing in different disciplines. In the wake of the $850k serials cancellation project currently underway, here’s one online journal that will emerge unscathed. AOQU (Achilles Orlando Quixote Ulysses). Rivista di epica is published at the Università degli Studi di Milano (University of Milan) and is now in its fourth year.
This biannual peer-reviewed journal aims to be a forum for scholars from multiple disciplines to discuss epics beyond linguistic, cultural and chronological boundaries. Epic poetry will be seen as a cultural, moral and ideological model, defining self-perception in history and society, in relationship with other cultures, ideologies as well as the collective imagination.
AOQU is one of about 50 OA journals published by Milano University Press, transforming scholarly communication models as we know it. Other journals of interest discoverable through UC Library Search include Altre Modernità, Cinéma & Cie, Carte Romanze, Concorso. Arti e lettere, Interfaces: A Journal of Medieval European Literatures, ItalianoLinguadue, Schermi. Storie e culture del cinema e dei media in Italia, Studi di storia medioevale e di diplomatica – Nuova Serie, and translation. a transdisciplinary journal.

Disability Pride Month 2023

Disability Pride Month 2023

Celebrate this year’s Disability Pride Month with these great recommendations from the library. Spanning disability culture, activism, love, and finding yourself, our picks are a must-read for everyone!