Oral History Center Releases Documentary on Famed Yale Social Scientist James C. Scott

In A Field All His Own: The Life and Career of James C. Scott

 “James C. Scott is regarded by many as one of the most influential thinkers of our time.” 

The Oral History Center at UC Berkeley is proud to release, In A Field All His Own: The Life and Career of James C. Scott, a documentary that offers an unprecedented look at the famed Yale political scientist. Created and produced by UC Berkeley Oral History Center (OHC) historian Todd Holmes, the film draws from nearly thirty hours of oral history interviews with Scott and affiliated scholars at Yale and UC Berkeley to trace the intellectual journey of the award-winning social scientist from his childhood in New Jersey through each of the ground-breaking works he produced throughout his accomplished career. Overall, the film presents an intellectual biography of one of the world’s preeminent academics, a feature that will serve as a treasured resource for students and scholars around the globe.

Graphic of James C. Scott and his books

While intellectual biographies may not be a typical genre, Scott is far from a typical academic. Over the last fifty years, few scholars have achieved such prominence within the American academy as James C. Scott. The Sterling Professor of Political Science at Yale University, with appointments in anthropology and the school of forestry and environmental studies, he is regarded by many as one of the most influential thinkers of our time. Throughout his career, his scholarship became a series of major interventions that impacted dozens of disciplines across the humanities and social sciences. From the strategic rhythms of peasant life to notions of resistance and the functioning of the modern state, his work continually shaped and reshaped research agendas and discourses in the academy. By his retirement in 2022, Scott stood as one the most widely read social scientists in the world – an influence and distinction that placed him, as the film title suggests, “in a field all his own.”

The idea for the documentary developed out of the Yale Agrarian Studies Oral History Project, which Holmes conducted between 2018 and 2020. The focus of that project was to document the career of James C. Scott, as well as the thirty-year history of the renowned Yale Agrarian Studies Program he founded. Those oral history interviews, which the OHC released in 2021, served as the basis for the film. Holmes had worked for both Scott and the Agrarian Studies Program during his graduate studies at Yale. His motivation for both the project and documentary was to capture Scott’s story—in his own words—for future generations. As Holmes recalls, “I had the privilege of meeting and working with Jim Scott before ever reading Jim Scott, a unique vantage point that allowed me to develop a deep appreciation for the brilliant scholar behind the books—his limitless curiosity, his wit and humor, and the welcoming nature of his intellect. I wanted to capture these qualities in telling his story. His books will be read for generations to come; it was my hope that this film could serve as a companion and allow students and scholars to get to know James C. Scott and the inspiration behind his work.” 

The film was made possible through the generous support of Yale University’s Program in Agrarian Studies, InterAsia Initiative, and Council on Southeast Asia Studies. It was produced by Todd Holmes in association with the UC Berkeley Oral History Center and Teidi Productions, a digital creations label he operates with his partner Heidi Holmes. The film is available to the public via YouTube.

About the Oral History Center

The Oral History Center of The Bancroft Library preserves voices of people from all walks of life, with varying political perspectives, national origins, and ethnic backgrounds. We are committed to open access and our oral histories and interpretive materials are available online at no cost to scholars and the public. You can find our oral histories from the search feature on our home page. Search by name, keyword, and several other criteria. Sign up for our monthly newsletter  featuring think pieces, new releases, podcasts, Q&As, and everything oral history. Access the most recent articles from our home page or go straight to our blog home.


Changing the Course of Wildfire Management in California: Highlights from the Harold Biswell Papers

A black and white photograph of a man assessing forest conditions
Harold Biswell in the field assessing forest conditions

The Harold H. Biswell papers are now open to researchers at the Bancroft Library. Harold H. Biswell (1905-1992) served as a faculty member in the School of Forestry from 1947 to 1973. Biswell was a researcher, teacher, and advocate of the use of prescribed burning for fire management. Prescribed burns are intentionally-set fires for purposes of forest management, fire suppression, farming, prairie restoration or greenhouse gas abatement. The Biswell papers include photographs and slides of controlled burns and survey images of California forests, chaparral, and ranches. The collection also contains articles by Biswell and others, reports, booklets, survey and research material, School of Forestry theses, and other material related to controlled burning and forest ecology.

Color photograph of a person lighting a controlled burn
Photograph from a report on controlled burning in California ponderosa pine forests

 

Indigenous peoples were the first to use cultural burning for managing vegetation and wildlife habitats. “Cultural burning” refers to the Indigenous practice of intentionally setting fires in alignment with traditional belief and knowledge systems to revitalize habitats or provide a desired cultural service, such as promoting the health of vegetation and animals that provide food, clothing, ceremonial items and more. These practices were disrupted by European colonization and forced relocation of Indigenous communities from the lands they had been maintaining for centuries. In 1850, California passed the Act for the Government and Protection of Indians, which outlawed intentional burning. These bans, guided by a strategy of fire suppression, led the way for a rapid increase in destructive wildfires, as well as the inability for Indigenous people to practice traditional cultural burning practices.

A black and white photograph with six potted lettuce plants. The three on the left have a sign "burned." The three on the right have a sign "unburned." The burned plants have grown more than the unburned plants.
“August 4. 1952, lettuce plants grow in soils from heavily burned and very lightly burned (unburned) spots at Hoberg’s” negative HHB 2137

 

Despite opposition and direct criticism, Biswell continually advocated for developing new policies for prescribed burning. Biswell staked his academic reputation on demonstrating that prescribed burns improved ecosystem health and reduced wildfire threats. The Forest Service began to examine its fire exclusion policy in the early 1970’s, and in 1978 the national policy was changed to encompass total fire management including prevention, suppression, and use. Prescribed burns are now recognized as a critical tool to reduce the severity of wildfires.


Cheryl Resh: A Life in Student Services and a Federal Direct Loan Program Advocate, oral history release

New oral history: Cheryl Resh

Cheryl Resh in San Francisco's Japanese Tea Garden
Cheryl Resh in San Francisco’s Japanese Tea Garden, 2013.

Cheryl Resh’s oral history paints an intimate portrait of family, of love, of world travel, and of her nearly four-decade career in university administration—from Resh’s first job in the early 1970s as a computer programmer at a community college in northern Illinois, to her eventually becoming Assistant Vice Chancellor and Director of the Financial Aid and Scholarships Office at UC Berkeley where she implemented new computerized financial-aid delivery systems and expanded student aid availability for low income and first-generation students. Resh also served on the Executive Council of the National Direct Student Loan Coalition from 2003 through 2011 to advocate in Washington DC for increased student aid and national expansion of the Direct Loan Program. The nation-wide transition to Direct Loans was enacted during the Obama administration in 2010, adding billions of dollars to the federal Pell Grant Program while also eliminating excessive fees for students and their families. Upon her retirement, Resh earned the Berkeley Citation, a high honor reserved for those whose contributions to UC Berkeley go beyond the call of duty and whose achievements exceed the standards of excellence in their fields.

Cheryl and Vince Resh adorned in flowers
Cheryl and Vince Resh enjoy a special wedding reception at the Gump Field Station on Moorea in French Polynesia, 1994.

Cheryl Resh and I recorded her oral history over Zoom from January to late March 2021. Our eighteen hours of recordings produced Resh’s reflective transcript of nearly 470 pages, including an appendix of photographs with family and friends and some of her world-spanning travels. In addition to discussing details from her outstanding service to the UC Berkeley community, Resh shared tales of her parents’ lives, her own memories of childhood, her experiences of becoming a mother in 1970 and eventually a grandmother, as well as sharing the tragedy of her son’s sudden death in 2020 just a few months before recording her oral history. Resh also discussed her deep involvement in competitive horse jumping, her ownership of two horses, and her tangential connections to horse-trading activities she later learned were linked to Chicagoland organized crime. And of course, Resh shared her deep love and many adventures with her husband, Vincent H. Resh, a Professor of Aquatic Ecology and Entomology at UC Berkeley with whom she has visited every continent on Earth, including several decades of visiting the island of Moorea in French Polynesia as well as their travels on rivers and railroads across Eurasia and Africa.

Cheryl Resh’s oral history also offers unprecedented detail on the operations, computerization, and evolution from 1978 through 2011 of UC Berkeley’s student services. Her career spanned Berkeley’s transition from hand-written student records that were then transferred to key-punched cards and inserted into a mainframe Tandem computer in the late 1970s, to the development and implementation of bespoke computerized financial aid delivery systems and web-based student services systems that allowed real-time access and updating to individual student information. By the time she retired as Vice Chancellor and Director of the Financial Aid and Scholarships Office at UC Berkeley, Resh managed seventy staff members in eleven units that were responsible for the programming, processing, and delivery of $250,000,000 of student financial aid that came from 700 federal, state, institutional, and other scholarship funds that were delivered in aid packages uniquely individualized for over 25,000 undergraduate and graduate students.

Cheryl Resh with UC Berkeley Chancellor Michael Heyman
Cheryl Resh with UC Berkeley Chancellor Michael Heyman when she received the United Way Outstanding Volunteer Award, 1986.

Receiving the Berkeley Citation in 2011 surprised Resh, but not her friends and colleagues, many of whom wrote letters celebrating her contributions to UC Berkeley and to students across the nation. Harry Le Grande, a Vice Chancellor at UC Berkeley’s Division of Student Affairs, reported that “Dr. Cheryl Haigh Resh has dramatically improved student aid service in an environment of rapidly escalating costs and shrinking operational resources to provide services.” Kate Jeffery, the Director of Student Financial Support in the University of California Office of the President, praised Resh for her “rare combination of technical ‘systems’ expertise together with a keen grasp of the policy and student equity implications of each feature and choice.” Jeffery noted how “Cheryl has always been particularly compassionate on a personal level with students for whom the challenge of coming to UC Berkeley was possibly the hardest.” And Roberta Johnson, the Director of Financial Aid at Iowa State University and a fellow past chair of the National Direct Student Loan Coalition, shared how Resh’s leadership on their national executive committee guided “a movement that has changed financial aid for students for the better and hopefully forever!”

Cheryl Resh and Jeff Haigh standing next to a horse
Cheryl Resh and her son Jeff Haigh with her horse Lulu Bay in Roscoe, Illinois, 1973.

Throughout her oral history, Cheryl Resh wove together stories about her family, her personal life, and her professional life. Resh was born in September 1947, in Dubuque, Iowa, as the eldest of six siblings to their father, a Lutheran minister who spent his entire life not knowing that he was actually adopted from an orphanage by his own birth mother. In the late 1960s, Resh attended Northern Illinois University, got married, and followed her recently drafted husband to the Panama Canal Zone, where she spent a transformative year amid Panama’s military coups. In 1970, Resh’s son Jeffrey Haigh was born, and that same year, she earned her B.S. in Mathematics from Northern Illinois University. In 1972, Resh began her career in university administration as a computer programmer and soon became Assistant Director of Admissions and Records at Rock Valley College in Rockford, Illinois. In 1978, upon earning her M.S. in Higher Education Administration from the School of Business Management at Northern Illinois University, Resh bravely moved with her son from the Midwest to California as a single mother to begin work as an administrative analyst in the Office of Admissions and Records at UC Berkeley. She soon became Associate Director of Records, helped convert Berkeley from quarters to semesters, and at one point was even burned in effigy on the steps of Sproul Hall during a staff union protest over her efforts to automate the Records Office. By 1985, she and her colleagues successfully ended the era of hand-written student records by automating all major processes in Berkeley’s Admissions and Records Office. In 1986, Resh began work in Berkeley’s Financial Aid and Scholarships Office where she worked for the next twenty-five years.

From her Financial Aid office in Sproul Hall, Resh had a front-row seat on historic UC Berkeley activities, from student demonstrations against South African apartheid in the mid-1980s, to the campus controversy in the 1990s over declining Asian American admissions that re-shuffled campus policies as well as the careers of several leaders in university administration. In 1991, Resh earned her Ph.D. in Educational Administration from UC Berkeley, with emphasis in Finance, Economics, and Operations Research. At the Financial Aid Office, she helped implement computer system upgrades to the SAMS (Student Aid Management System) software from Sigma Systems, and from 2007-2010, she managed the new ProSAM computer system implementation to greatly enhance Berkeley’s financial aid delivery system and its web-based student service systems.

Seven women in jackets standing in front of Stonehenge
Cheryl Resh (center, red jacket) traveling with National Direct Student Loan Coalition members to Stonehenge, England, 2017.

Resh remains rightfully proud of her many years working to implement Federal Direct Loans for students, first at UC Berkeley, and then for all students across the nation. She implemented the Direct Loan program at UC Berkeley in 1995, which greatly improved the delivery of over $100 million per year in financial aid along with long-term savings on the total cost of their loans, all while enabling enormous administrative savings for the campus. Resh also shared stories of serving from 2003 through 2011 on the Executive Council of the National Direct Student Loan Coalition. Through the National Direct Student Loan Coalition, Resh and her fellow Financial Aid Directors from universities across the nation successfully lobbied US Congressmembers to protect and expand the Direct Loan Program. The Health Care and Education Reconciliation Act of 2010 then mandated that all federal student loans be Direct Loans, which also increased student grant aid for needy American students by over $60 billion while saving significant taxpayer dollars over time.

Over Cheryl Resh’s thirty-three year career at UC Berkeley, she substantially enhanced student aid services while reducing costs, and she did this work while maintaining Berkeley’s commitment to supporting students from all economic backgrounds, especially students from the lowest income groups. Her dedication to equity of opportunity included her development of the Berkeley Cares program, which provided needed financial aid outreach and support to newly admitted low-income students, many of whom were first generation college students.

Cheryl Resh defied norms to achieve success both with and for others, all while carving a unique and adventurous path through life. I hope you enjoy reading Cheryl Resh’s oral history as much as I enjoyed working on it with her.

Cheryl Resh, “Cheryl Resh: A Life in Student Services and a Federal Direct Loan Program Advocate” conducted by Roger Eardley-Pryor in 2021, Oral History Center, The Bancroft Library, University of California, Berkeley, 2023.

About the Oral History Center

The Oral History Center of The Bancroft Library preserves voices of people from all walks of life, with varying political perspectives, national origins, and ethnic backgrounds. We are committed to open access and our oral histories and interpretive materials are available online at no cost to scholars and the public. You can find our oral histories from the search feature on our home page. Search by name, keyword, and several other criteria. Sign up for our monthly newsletter  featuring think pieces, new releases, podcasts, Q&As, and everything oral history. Access the most recent articles from our home page or go straight to our blog home.


This week in Summer Reading

Book cover for Detransition, Baby

Detransition, Baby: A Novel
Torrey Peters

What are the rules of motherhood, fatherhood, gender, love, and family? The characters in Detransition, Baby toss out and revise so many of these rules, and I thoroughly enjoyed being a witness to that!

Reese and Amy, two trans women, are in a relationship with each other until Amy de-transitions due to the transphobia she faces: It was just too difficult for her to live as a woman. Now going by Ames, he finds himself in a relationship(ish) with his boss, Katrina, a biracial, Chinese American, Jewish, cis woman. There is an unexpected pregnancy and some creative finagling, and Reese’s strong desire to be a mother – coupled with Ames’ desire to be a father-not-father – leads our characters to have a lot of dialogue about what family is, and in turn an unconventional family is “born.” There are some plot twists that I don’t want to give away here, but know that Peters’ characters are just as dysfunctional, histrionic, and damaged as any of us. It is refreshing and delightful to read! Detransition, Baby is also among the first novels written by a trans woman to be issued by a major publishing house.

MAYA MAHAJAN
Coordinator
Language Exchange Program

Book cover for Sellout

Sellout: The Major-Label Feeding Frenzy That Swept Punk, Emo, and Hardcore (1994-2007)
Dan Ozzi

The word “sellout” might not have the same integrity-shattering connotation as it used to in this age of get-famous-at-all-costs social media influencers. But it wasn’t always this way. As punk and alternative broke (again) in the 1990s, the music industry started to take notice and artists from the underground were confronted with a Faustian bargain: to stay true to the DIY, anti-corporate ethos of the scene, or to sign to a major label and face the music (and be tagged with the dreaded S-word). Getting shunned by the die-hards and banned from 924 Gilman Street in Berkeley, the East Bay epicenter of punk rock in the ’90s, might sound quaint today, but it was enough to threaten the clout and credibility of bands of the time.

Brimming with thorough reporting and illuminating interviews, Dan Ozzi’s Sellout follows the road to the major label debuts of artists such as Green Day, Jawbreaker, Jimmy Eat World, Blink-182, At the Drive-In, The Donnas, The Distillers, and My Chemical Romance. Some transcended the “sellout” tag, while others buckled under the weight of remorse and expectation, or were swept back into obscurity by the changing tides of popular music. But each band had a hand in rewriting the script for a new era of punk- and alternative-influenced pop music, and ushering in an age where the word “sellout” is no longer a nail in the coffin of an artist’s reputation. Put simply, these bands walked so Olivia Rodrigo and Machine Gun Kelly (and so many others) could run.

TOR HAUGAN
Multimedia Writer + Editor
Library Communications


Arab American Heritage Month

Arab-American Heritage Month

Arab-American Heritage Month pays tribute to the contributions of Arab Americans and Arabic-speaking Americans and their cultures. Celebrate this April’s Arab-American Heritage Month with these great reads.



This week in summer reading

Crimp Camp movie posterCrip Camp
Nicole Newnham, Jim LeBrecht (directors)

Following a group of disabled teenagers from Camp Jened in New York to Berkeley, California, in the 1970s, this exuberant documentary chronicles a turning point in the disability rights movement and the fight for accessibility. Our student reviewers for the 2023 On the Same Page program described the documentary as “incredible,” “moving,” “full of fun, joy, and love,” and something that “everyone should see.” Another student reviewer appreciated the documentary’s portrayal of “disabled-centered happiness and accomplishments, one of the many ways it changed my perspective.” Crip Camp reminds us of the power of community and activism to rewrite the rules (literally!) and change the world.

AILEEN LIU
Director of Curricular Engagement Initiatives
College of Letters & Science

The Beadworkers book coverThe Beadworkers: Stories
Beth Piatote

The featured read for the 2022-2023 LEP Global Book Club, Beth Piatote’s debut collection is rich, inventive, and altogether stunning. The very first words are written in nimipuutímt – the language of her Nez Perce heritage – a decision that, rather than being alienating as some publishers feared, invites readers to trust that their discomfort will be rewarded. Throughout the collection, she draws on Nez Perce history, aesthetics, and culture to provide a complex picture of modern Native American life that is as rooted in injustice as it is joy, community, and resilience. The stories she tells are at once a radical departure from dominant narratives while also deeply reflective of the human condition, giving all readers the opportunity to experience new ways of being while drawing connections to their own. From poetry to prose, board game rules to a reimagination of an ancient Greek tragedy, her varied use of form and genre make for a delightful read and re-read.

MAYA MAHAJAN
Coordinator
Language Exchange Program


Books from the Richard Sun Photography Donation

Come see books recently on display from the Richard Sun Photography Book Donation.  These items are now shelved in the Art History/ Classics Library.  Click the titles to see their records in UC Library Search.

Another Country                                               Abendlied                                                               Balika Mela

Roxane II                                                            The Sign of Life                                             Manifest

She Dances on Jackson                                         Moises                                                                  Passion


Celebrate Earth Week with Art/Ecology Texts Online

Here are some featured e-Resources from the Art & Architecture ePortal.  Click the titles below to view them on the portal.

"THE ANTHROPOCENE AND THE HUMANITIES" book cover
"THE ANATOMY OF NATURE" book cover

THE ANATOMY OF NATURE: GEOLOGY AND AMERICAN LANDSCAPE PAINTING, 1825–1875

Rebecca Bedell
Princeton University Press
Jan, 2002

"ART AND ECOLOGY" book cover
"WASTELAND" book cover

WASTELAND: A HISTORY

Vittoria Di Palma
Yale University Press
Aug, 2014

"IMPLICATION" book cover

IMPLICATION: AN ECOCRITICAL DICTIONARY FOR ART HISTORY

Alan C. Braddock
Yale University Press
Mar, 2023

"FREDERIC CHURCH" book cover

FREDERIC CHURCH: THE ART AND SCIENCE OF DETAIL

Jennifer Raab
Yale University Press
Nov, 2015


National Poetry Month

National Poetry Month

“If you live, you look back and beg for it again, the hazardous bliss before you know what you would miss.” – Ada Limon, 24th Poet Laureate.

Celebrate National Poetry Month with this diverse collection of award-winning poets and check out the rest of our Overdrive for more!

 

 



Saving the Spoken Word: Audio Recording Devices in Oral History

By Serena Ingalls

Seventy-five years ago, in April 1948, Ampex began to sell the first audio tape recorder commercially to the public, the Ampex Model 200. This product, a rather large and bulky unit, was first marketed towards local and regional radio broadcasters and promised to be well worth the cost due to its utility. As time went on, audio recording technology only became less expensive, smaller, and more widely available, notably with the creation of the cassette tape by Philips. The invention of audio tape recorders made a huge mark on the world, and it impacted the daily lives of many, particularly those who spent much of their time interviewing and taking notes. In the archive of the UC Berkeley Oral History Center, there are many casual mentions of tape recorders that reveal the importance of these devices, and how people thought about and experienced the recording of interviews. 

A hand turns a knob on the tape recorder. The text reads: "Presenting the new Ampex (True-to-Life Fidelity) Magnetic Tape Recorder. The great new unit that put the Crosby show on air."
Original 1948 ad for the Ampex 200 tape recorder. Image: Museum of Magnetic Audio Recording.

Sports journalist and UC Berkeley alum Glenn Dickey began his career before tape recorders were generally used in the field, so he became very skilled at taking shorthand notes. His ability to take notes and remember conversations verbatim was so remarkable that others doubted that he didn’t use a tape recorder. In his oral history, Dickey talks about tape recorders and reflects on a personal experience. “One time when Garry St. Jean was an assistant coach for Don Nelson, he had a bet with Don Nelson that I have a tape recorder hidden,” explained Dickey. “Because he’d be there when I was talking to Nelson, and he knew that what I was writing in the column was what Nelson said—he says, ‘He can’t remember all that.’”

“It is easy to say now that I can narrate the story of my life on a tape recorder before writing these memoirs down, but for millennia it was impossible and everything hinged upon the spoken word, and all traditions and all the knowledge gradually accumulated by humanity depended upon this knowledge.” — Alexander Paul Albov

Others took full advantage of the tape recorder as a memory aid. Jo DeJean, the personal assistant to Gary Rogers at the Dreyer’s Grand Ice Cream Company, was one such person. She recalls in her oral history that “on my ride home I would talk into a tape recorder about things that I needed to do. We didn’t have cell phones back then. Because I had all these things swimming around in my head, so I needed to record them. So that’s what I did.” This strategy is now employed by many through the means of “voice memo” features on smartphones. 

George Waters
George Waters. Photo: Pacific Horticulture.

When tape recorders became inexpensive and easily accessible, they were used consistently by interviewers. Tape recorders were incredibly useful tools for longer interviews. Sometimes during the oral histories conducted by the Oral History Center, the methodology of the interviewers makes its way onto the record through the mention of tape recorders and other tools. 

One interviewee, George W. Waters, former editor of Pacific Horticulture, became curious about the tape while his interview was being conducted. While chatting about interviewing techniques, Waters asked about what would become of the tape after the interview was done, and the interviewer, Suzanne Riess, replied “You can ask that the tape be destroyed, if you really wish.” This remark seemed to surprise Waters, and he replied, “Well, I appreciate the fact that somebody else has accepted the job of transcribing it. No, there are advantages and disadvantages [to using the tape recorder], and well, I wouldn’t have missed this for the world. It’s so rare, isn’t it, that one gets an opportunity to talk about himself to someone who’s actually interested in staying?”

Robert Harlan
Robert Harlan. Photo courtesy the UC Berkeley School of Information.

Sometimes, however, the presence of a tape recorder could create an awkward barrier between the interviewer and interviewee. Robert D. Harlan, professor of the UC Berkeley School of Librarianship (later the UC Berkeley School of Information), who also conducted oral history interviews for the Oral History Center (then the Regional Oral History Office), was asked about his experience in his own oral history. Harlan reflects that “Having been both the interviewer and the interviewee, it’s easier to be the interviewee, I think. It’s more reactive. You know, I don’t have to change the tapes and that sort of thing. [laughter]” At the same time, he recalls that one of his interviewees had difficulty in opening up because “he found the process intimidating, sticking this thing [tape recorder] in front of him, so I had to work at it. And well, you’re certainly aware of this. It can be a problem. I wish he’d been a little more forthcoming.”

Even if they sometimes initially hindered the flow of conversation between the interviewer and the interviewee, tape recorders and more modern recording devices are invaluable to the creation of oral histories. They allow for relaxed conversations that can be transcribed at a later date by someone who wasn’t present at the original interview. Recording devices and the transcripts that are produced are more accurate than one’s memory and shorthand notes as well. 

More than anything, these recording devices allow us to do what we’ve always done: pass down stories of one generation to the next. Today, the Oral History Center not only records their words, but we also record videos of the narrators. This allows us to capture the sound, rhythm, and accent of someone’s voice, which will make a new viewer of an oral history video feel as though the story is being told to them directly. Although the transcripts usually contain photos of the narrator, the additional video content shows the person in motion and the nuances of their expressions. The combination of oral history transcripts and video recordings, only possible now due to advancements in technology since the first tape recording device, preserves the stories of those in our past and present for future generations. Like a fossil preserved in amber, these histories are immaculately preserved, but rather than being a gift from nature, the preservation of oral histories is a product of evolving technology — and the extensive work of all of the interviewers, transcribers, and professional and student staff of the Oral History Center.

Find these interviews and all our oral histories from the search feature on our home page. You can search by name, keyword, and several other criteria.

Serena Ingalls is a fourth year student in History and French at the University of California, Berkeley. She works at the Oral History Center as a research and editorial assistant.

Related Resources from The Bancroft Library

For sources related to athletics, see the Oral History Center’s project, Athletics at UC Berkeley. The Bancroft Library also holds several books written by Glenn Dickey, including Glenn Dickey’s 49ers : the rise, fall, and rebirth of the NFL’s greatest dynasty ; Bancroft (NRLF) ; GV956.S3 D518 2000.

For sources related to Dreyer’s ice cream, see the Oral History Center’s projects, Dreyer’s Grand Ice Cream; Food and Agriculture — Individual Interviews; and Commerce, Industry, and Labor — Individual Interviews. See also: Dreyers: history in the making. Bancroft Pamphlet Folio ; pf HD9281.U54 D7 1997.

For sources related to horticulture, see the Oral History Center’s project, Natural Resources, Land Use and Environment — Individual Interviews. See also: California’s horticultural statutes with court decisions and legal opinions relating thereto, also county ordinances relating to horticulture and list of state and county horticultural officers corrected to March 1, 1908. Bancroft ; F862.21.C2.1908. Read the Oral History Center article, “U.S. Forest Service, California Water History, and Horticulturalists in the Natural Resources, Land Use, and Environment Oral History Project,” by Ricky J. Noel.

For sources related to University History, see the Oral History Center project, Education and University of California — Individual Interviews. See also: Robert D. Harlan papers, 1947-2000. BANC MSS 2003/225 c.

About the Oral History Center 

The Oral History Center of The Bancroft Library preserves voices of people from all walks of life, with varying political perspectives, national origins, and ethnic backgrounds. We are committed to open access and our oral histories and interpretive materials are available online at no cost to scholars and the public. You can find our oral histories from the search feature on our home page. Search by name, keyword, and several other criteria. Sign up for our monthly newsletter  featuring think pieces, new releases, podcasts, Q&As, and everything oral history. Access the most recent articles from our home page or go straight to our blog home.