“The book brings together the catalogs of two exhibitions organized in a complementary, parallel and articulated way in MASP: “Histórias das mulheres: artistas até 1900” (Stories of women: artists until 1900), curated by Julia Bryan -Wilson, Lilia Moritz Schwarcz and Mariana Leme, and “Histórias feministas: artistas depois de 2000″ (Feminist Stories: artists after 2000), curated by Isabella Rjeille. The juxtaposition of two shows with distinct scopes in a single publication allows us to establish dialogues between productions of distant times, and to understand how the unfolding of these productions from one temporal arc to another occurs. In recent years, MASP has been undertaking a pioneering effort to include women’s works both in its collection and in its programming, a path also trodden by other institutions around the world. The museum’s program during 2019 is dedicated to women artists, and this publication, alongside the anthology of accompanying texts, is the culmination of this effort.”
Through an engagement with the philosophies of Marcel Proust’s contemporaries Félix Ravaisson, Henri Bergson, and Georg Simmel, author Suzanne Guerlac presents an original reading of Proust’s magnum opus, Remembrance of Things Past (A la recherche du temps perdu).
On Wednesday, March 10 from 12-1, Professor Guerlac will be a special guest on Berkeley Book Chats hosted online by the Townsend Center for the Humanities.
“This book is about the evolution of French and to a lesser degree English novels – by which I mean French- and English-language novels – from 1601 to 1830. And while evolution is very much at the center of my preoccupations, I do not offer a “story” about that evolution. There is no plot, as we might want if we thought of the novel moving forward, perhaps from birth, episode by episode, toward a resolution, some happy state of stability – as if, in other words, the novel’s own history could be made into a kind of novel.”
“In lieu of a story, Technologies of the Novel offers a quantitative account of the ceaseless yet patterned flux of the novel system over these twenty-three decades.”
“Technologies of the Novel is, then, digital and distant; but it is most certainly not antianalogue or anticlose.”
“By foregrounding the overlaps between sculpture and the decorative, this volume of essays offers a model for a more integrated form of art history writing. Through distinct case studies, from a seventeenth-century Danish altarpiece to contemporary British ceramics, it brings to centre stage makers, objects, concepts and spaces that have been marginalized by the enforcement of boundaries within art and design discourse. These essays challenge the classed, raced and gendered categories that have structured the histories and languages of art and its making. Sculpture and the Decorative in Britain and Europe is essential reading for anyone interested in the history and practice of sculpture and the decorative arts and the methodologies of art history.”
From University of California Press:
“In modern Syria, a contested territory at the intersection of differing regimes of political representation, artists ventured to develop strikingly new kinds of painting to link their images to life forces and agitated energies. Examining the works of artists Kahlil Gibran, Adham Ismail, and Fateh al-Moudarres, Beautiful Agitation explores how painters in Syria activated the mutability of form to rethink relationships of figure to ground, outward appearance to inner presence, and self to world. Drawing on archival materials in Syria and beyond, Anneka Lenssen reveals new trajectories of painterly practice in a twentieth century defined by shifting media technologies, moving populations, and the imposition of violently enforced nation-state borders. The result is a study of Arab modernism that foregrounds rather than occludes efforts to agitate against imposed identities and intersubjective relations.”
Now on display on the Art History/Classics Library new books shelf:
Fifteen new publications written by, edited by, or featuring contributions by faculty members from Art Practice, History of Art, and Librarian Emerita, Kathryn M. Wayne.
Picture Industry : a Provisional History of the Technical Image, 1844-2018, chapter by Darcy Grimaldo Grigsby
Eco-art History in East and Southeast Asia, chapter by Gregory P. Levine
How Art Can Be Thought : a Handbook for Change, by Allan deSouza
Seehearing the Enlightened Failure / Cecilia Vicuña, featuring essay by Julia Bryan-Wilson
Picasso 1932 : Love, Fame, Tragedy : the EY Exhibition, with contributions by T.J. Clark
Hello Leonora, Soy Anne Walsh, by Anne Walsh, with contributions by Julia Bryan-Wilson
Sharon Hayes, co-authored by Julia Bryan-Wilson
Sir, by Kenyatta A.C. Hinkle
Mario García Torres: Illusion Brought Me Here, co-authored by Julia Bryan-Wilson
A Material World : Culture, Society, and the Life of Things in Early Anglo-America, co-edited by Margaretta Markle Lovell
Heaven on Earth : Painting and the Life to Come, by T.J. Clark
Water Histories of South Asia : the Materiality of Liquescence, co-edited by Sugata Ray
Pieter Bruegel and the Idea of Human Nature, by Elizabeth Alice Honig
Available now in the Berkeley Library – two new publications by Art Practice faculty members, Kenyatta A.C. Hinkle and Anne Walsh.
Sir, by Kenyatta A.C. Hinkle
From the publisher website, Litmus Press:
“SIR is based upon the conceptual premise of a name that undefines the defined. Hinkle meditates on historical perceptions of the black male body and its contextualizing geographies in relationship to her brother, an African-American man born in 1980 named Sir. SIR interrogates naming in the African Diaspora to examine collective historical trauma, transgressive perceptions of the black male body, forms of gendering, and familial modes of survival within a hostile geography.”
From the publisher website, MIT press:
“Over the past decade, artist Anne Walsh has created an ongoing, multipart response to surrealist painter Leonora Carrington’s novel The Hearing Trumpet (written in the early 1960s, published in 1974). Walsh’s interdisciplinary works, encompassing video, writing, and performance, chronicle her time with the nonagenarian author and, ultimately, her assumption of the identity of the aging artist. Hello Leonora, Soy Anne Walsh is a visual and written “adaptation” of Carrington’s feminist novella, offering a narrative in fragments: a middle-aged artist named Anne Walsh falls in love with the 92-year-old author of a book about a 92-year-old woman who is placed in a sinister and increasingly surreal retirement home.
Walsh courts the author, travels to Mexico to meet her, fantasizes about adapting the book for film, and spends the next decade searching for The Hearing Trumpet‘s form and cast. Having discovered in Carrington’s novel a thrilling, subversive example of old age, Walsh casts herself as an “Apprentice Crone.” She stalks old people and takes selfies with them. She becomes a mother, passes through menopause. She sings her daughter’s Disney movie songs at “elder theater” classes. She studies and rehearses the trauma, the affliction, the indignity that is old age, and she writes to Leonora Carrington.
The story is told through facsimiles of hand-written letters, annotated research notes, post-it note flow charts, cast lists, scripts, and a photographic essay that loosely narrates Walsh’s visits to Carrington in Mexico City, with additional texts by writer Dodie Bellamy, art historian Julia Bryan-Wilson, and poet and critic Claudia La Rocco.”
Anne Walsh will be celebrating the publication of her book on Wednesday October 23 at 7 p.m. at East Bay Booksellers (formerly Diesel Books), and she will be featured at a Berkeley Book Chat event hosted by the Townsend Center for the Humanities, Wednesday, Nov 13, 2019 | 12:00 pm to 1:00 pm, Geballe Room, 220 Stephens Hall
Two new books are available from History of Art Professor Sugata Ray.
Water Histories of South Asia: The Materiality of Liquescence
Edited by Sugata Ray, Venugopal Maddipati
From the Routledge website:
“This book surveys the intersections between water systems and the phenomenology of visual cultures in early modern, colonial and contemporary South Asia. Bringing together contributions by eminent artists, architects, curators and scholars who explore the connections between the environmental and the cultural, the volume situates water in an expansive relational domain. It covers disciplines as diverse as literary studies, environmental humanities, sustainable design, urban planning and media studies. The chapters explore the ways in which material cultures of water generate technological and aesthetic acts of envisioning geographies, and make an intervention within political, social and cultural discourses. A critical interjection in the sociologies of water in the subcontinent, the book brings art history into conversation with current debates on climate change by examining water’s artistic, architectural, engineering, religious, scientific and environmental facets from the 16th century to the present.
This is one of the first books on South Asia’s art, architecture and visual history to interweave the ecological with the aesthetic under the emerging field of eco art history. The volume will be of interest to scholars and general readers of art history, Islamic studies, South Asian studies, urban studies, architecture, geography, history and environmental studies. It will also appeal to activists, curators, art critics and those interested in water management.”
Climate Change and the Art of Devotion: Geoaesthetics in the Land of Krishna, 1550-1850
By Sugata Ray
From the University of Washington Press website:
“In the enchanted world of Braj, the primary pilgrimage center in north India for worshippers of Krishna, each stone, river, and tree is considered sacred. In Climate Change and the Art of Devotion, Sugata Ray shows how this place-centered theology emerged in the wake of the Little Ice Age (ca. 1550–1850), an epoch marked by climatic catastrophes across the globe. Using the frame of geoaesthetics, he compares early modern conceptions of the environment and current assumptions about nature and culture.
A groundbreaking contribution to the emerging field of eco–art history, the book examines architecture, paintings, photography, and prints created in Braj alongside theological treatises and devotional poetry to foreground seepages between the natural ecosystem and cultural production. The paintings of deified rivers, temples that emulate fragrant groves, and talismanic bleeding rocks that Ray discusses will captivate readers interested in environmental humanities and South Asian art history.”
The latest publication from Modern Art Professor Emeritus T.J. Clark is now available to check out from the Main Stacks in Doe Memorial Library.
From the Thames & Hudson website:
“The idea of heaven on earth haunts the human imagination. The day will come, say believers, when the pain and confusion of mortal life will give way to a transfigured community. Such a vision of the world seems indelible. Even politics, some reckon, has not escaped from the realm of the sacred: its dreams of the future still borrow their imagery from the prophets. In Heaven on Earth, T. J. Clark sets out to investigate the very different ways painting has given form to the dream of God’s kingdom come. He goes back to the late Middle Ages and Renaissance – to Giotto in Padua, Bruegel facing the horrors of religious war, Poussin painting the Sacraments, Veronese unfolding the human comedy. Was it to painting’s advantage, is Clark’s question, that in an age of enforced orthodoxy (threats of hellfire, burnings at the stake) artists could reflect on the powers and limitations of religion without putting their thoughts into words?
At the heart of the book stands Bruegel’s ironic but tender picture of The Land of Cockaigne, but also Veronese’s inscrutable Allegory of Love. The story ends with Picasso’s Fall of Icarus, made for UNESCO in 1958, which already seems to signal – perhaps to prescribe – an age when all futures are dead.”
Read the new publication, edited by Professor Margaretta Lovel, Jay D. McEvoy Chair in the History of American Art, available for check out from the Art History / Classics Library and the Main Stacks.
(From the Penn State University Press Website.)
A Material World
Culture, Society, and the Life of Things in Early Anglo-America
Edited by George W. Boudreau, and Margaretta M. Lovell
“A vibrant compendium of essays that gives a master class in object analysis and shatters old categories of material and visual culture. Together, the authors powerfully demonstrate the global movement of commodities, the sometimes numinous power of memory objects, and the closely calibrated and negotiated human indications of wealth and power in early America. Historians of all stripes should pay attention to their clarion call to look deeply and think broadly.”
—Ann Smart Martin, author of Buying into the World of Goods: Early Consumers in Backcountry Virginia
(From the Penn State University Press Website.)