I am glad to report that the Center for Research Libraries, in collaboration with Eastview’s Global Press Archive platform, has released the full text of El Mundo newspaper published in Puerto Rico from 1919-1990.
Established in 1919, El Mundo was a well-respected and conservative newspaper hailing from Puerto Rico, widely acknowledged as a prominent news source until its cessation in 1990. The publication diligently aspired to uphold its motto of “Verdad y Justicia” (Truth and Justice). El Mundo extensively covered a range of significant topics, including the industrialization of Puerto Rican society, the impact of the Great Depression, territorial relations with the United States encompassing citizenship, activities of independence movements such as the Macheteros and FALN, the emergence of the Popular Democratic Party, the Ponce massacre, the enactment of the Ley de la Mordaza (Gag Law), and more. In 1986 El Mundo temporarily closed due to a labor strike, which inflicted lasting damage on the newspaper. Despite reopening in January 1988, the publication faced ongoing union difficulties and ceased operations permanently in 1990.
This book addresses the unique and profound indeterminacy of “Creole,” a label applied to white, black, and mixed-race persons born in French colonies during the nineteenth century.
“Creole” implies that the geography of one’s birth determines identity in ways that supersede race, language, nation, and social status. Paradoxically, the very capaciousness of the term engendered a perpetual search for visual signs of racial difference as well as a pretense to blindness about the intermingling of races in Creole society. Darcy Grimaldo Grigsby reconstructs the search for visual signs of racial difference among people whose genealogies were often repressed. She explores French representations of Creole subjects and representations by Creole artists in France, the Caribbean, and the Americas. To do justice to the complexity of Creole identity, Grigsby interrogates the myriad ways in which people defined themselves in relation to others. With close attention to the differences between Afro-Creole and Euro-Creole cultures and persons, Grigsby examines figures such as Théodore Chassériau, Guillaume Guillon-Lethière, Alexandre Dumas père, Édouard Manet, Edgar Degas, the models Joseph and Laure, Josephine Bonaparte, Jeanne Duval, and Adah Isaacs Menken.
Based on extensive archival research, Creole is an original and important examination of colonial identity. This essential study will be welcomed by specialists in nineteenth-century art history, French cultural history, the history of race, and transatlantic history more generally.
[from publisher’s site]
Darcy Grimaldo Grigsby is Richard and Rhoda Goldman Distinguished Professor in the Arts and Humanities at the University of California, Berkeley. She is the author of Enduring Truths: Sojourner’s Shadows and Substance; Colossal: Engineering the Suez Canal, Statue of Liberty, Eiffel Tower, and Panama Canal; and Extremities: Painting Empire in Post-Revolutionary France.