Exhibit: New exhibit features 2014 Library Prize winning project from History student Matthew Enger

The Charlene Conrad Liebau Library Prize for Undergraduate Research display case on the second floor of the Doe Library now features an exhibit on 2014 prize winner Matthew William Enger’s Order from Chaos: Ethnogenesis, Direct Democracy and Statecraft in California,1948-1958.

Abstract: In the large corpus of academic literature addressing Californian politics in the 1950s, very little scholarship considers the relationship between the state’s robust system of direct democracy, exemplified by the initiative process, and the transformative demographic and economic changes that were then remaking the state. In the course of preparing this thesis, the author found that: (1) the fundamental political, economic and social incentives that sustained a culture of direct democracy in the 1950s have barely changed over the course of sixty years; (2) decades-long political battles centering on old age pensions and public housing peaked in the early part of the 1950s specifically through the initiative process, setting a firm precedent for related disputes in succeeding decades; and (3) white, established, middle-class Californians were psychologically motivated to pursue specific types of policy through the initiative process because of rapid demographic changes that were leaving the state and its cities poorer and less white than they had ever been before. One major consequence of having direct democracy at the onset of a demographic transformation is that elite economic interests and their political allies could usually exploit the initiative process to protect white privilege and maintain existing power structures to the detriment of marginalized communities. As demographic transformation continues to remake the face of the state, the kinds of public policies enacted at the ballot will more and more reflect the priorities of the younger, and more linguistically and culturally diverse California of today.

The full paper is available on eScholarship: http://escholarship.org/uc/item/39x5g29j

 The exhibit was curated by Jeffery Loo and designed by Aisha Hamilton.


Event: Buddhist Studies Exhibit at Brown Gallery, Doe Library

Doe Library’s Brown Gallery will host a Buddhist Studies Exhibit beginning March 9 through August 31, 2015.

This exhibit celebrates the intellectual contributions, as well as the global impact and legacy, of UC Berkeley’s unique program in Buddhist studies. It features publications of alumni and faculty, as well as Berkeley’s manuscript collections that made this research possible. While the scholarship presented here reflects the broad interdisciplinary orientation of the Berkeley program, it is grounded in the philological expertise—the ability to work with often arcane Buddhist canonical materials that survive in languages such as Sanskrit, Pali, Tibetan, Chinese, Korean, and Japanese—that is the hallmark of the Berkeley program.

This exhibit recognizes the scholars who founded the Group in Buddhist Studies, their precursors, and those who continue to lead the program today. It features samples of East Asian Buddhist canons, Mongolian and Tibetan texts, Dunhuang manuscript canons, sacred texts of Nepalese Buddhism, Southeast Asian palm-leaf manuscripts, The Tipiṭaka, an edition of the Pali given by King Chulalongkorn of Siam, as well as European publications of Buddhist studies. The exhibit highlights the evolution, breadth, and remarkable success of Buddhist studies scholarship at Berkeley through materials housed at The Bancroft Library, C. V. Starr East Asian Library, Doe Library, South/Southeast Asia Library, and Northern Regional Library Facility.

Curated by Janet Carter, Alexander von Rospatt, Virginia Shih, Trent Walker, and Bruce Williams.


Exhibit: Designing People

The Environmental Design Archives at UC Berkeley presents the exhibit

Designing People

February 11 – May 19, 2015

The figures that inhabit architectural and landscape renderings are not the actual focus of the drawings. Homeowners, children, pets, shoppers, and condo-dwellers are included to convey the scale and functionality of a proposed design. They humanize and create an emotional appeal in what might otherwise appear to be sterile environments and allow the client to imagine how a space will be used. From the watercolor Victorian to the scalie hipster, this exhibit features more than a century of designers’ representations of people from the Environmental Design Archives.

Environmental Design Library
Volkmann Reading Room, Raymond Lifchez and Judith Stronach Exhibition Cases
210 Wurster Hall, University of California, Berkeley

Information, Hours, Directions: 510.642.4818
www.lib.berkeley.edu/ENVI/hours.html

Curators: Waverly Lowell and Chris Marino, Environmental Design Archives
Exhibition Team: Cailin Trimble, Emily Vigor, Alison Ecker, Andrew Manuel, Brandon Wolinsky


Exhibit: Library Prize Winner Yessica Porras’s Church of St. John the Baptist at Sutatausa: Indoctrination and Resistance

The Charlene Conrad Liebau Library Prize for Undergraduate Research display case on the second floor of the Doe Library now features an exhibit on 2014 prize winner Yessica Porras’s Church of St. John the Baptist at Sutatausa: Indoctrination and Resistance.

The exhibit was curated by Jeffery Loo and designed by Aisha Hamilton.

Church of St. John the Baptist at Sutatausa: Indoctrination and Resistance is an analysis of a mural program discovered in 1994 under layers of plaster in the church of St. John the Baptist in the town of Sutatausa, Colombia. The images juxtapose indoctrinating images with indigenous imagery.  The paper argues that besides having a religious message, the murals found in the church have direct visual connections with pre-conquest Muisca petroglyphs located near Sutatausa.  Among the indigenous depictions we encounter a prominent indigenous female figure known as the Cacica; she has a textile design similar to the designs found in petroglyphs in the area.

Through this research we can determine that the image of the Cacica served the indigenous leaders as an alternative body that was able to openly display Muisca elements without retribution. The indigenous imagery served as a way to adapt and resist to the Spanish colonial power. It also allowed us to establish the presence of the Muisca population and the existence of the church in the 1600’s. The recovery of the murals brought out evidence of the parallel lives of colonials and indigenous in the area of Sutatausa.

The full paper is available on eScholarship:

Exhibit: Siméon-Denis Poisson: Mathematics in the Service of Science

Siméon-Denis Poisson: Mathematics in the Service of Science

November 7-December 17, 2014
Siméon-Denis Poisson (1781-1840) was a French mathematician who made important contributions to many areas of mathematics including celestial mechanics, integration, probability theory, and mathematical physics. This exhibition includes original copies and facsimiles of some of Poisson’s works as well as books and articles that illustrate Poisson’s scientific influence, the judgments contemporaries made concerning his role in science, and some of the domains of mathematics and physics where his work has been further developed, making his name familiar to all researchers.
For more information and the exhibit catalog: http://guides.lib.berkeley.edu/poisson-exhibit

Exhibit: California: Captured on Canvas

California: Captured on Canvas represents a first for the Bancroft Library Gallery: it consists exclusively of paintings from The Bancroft Library Pictorial Collection. These paintings depict many aspects of California from the 1840s to the 1960s, including landscapes both vast and intimate, colorful urban scenes, and depictions of its inhabitants from the Californios of early Mexican California to a vibrant likeness of tennis great Helen Wills.

More than 40 paintings have been selected from the Library’s collection, including scenes of Yosemite, the Gold Rush, and turn-of-the-century Chinatown. Artists represented include William Keith and Thomas Hill along with more contemporary painters. A six by eight foot painting by Charles Grant, of “The Great White Fleet entering the Golden Gate in 1908,” is only one of the numerous and varied artistic interpretations of the Golden State on exhibit.

The gallery is open Mon-Fri, from 10am-4pm.


Exhibit: Birds Do It, Bees Do It: A Century of Sex [Mis]Information in the USA

Birds Do It, Bees Do It: A Century of Sex [Mis]Information in the USA

 

An Exhibition
September 8, 2014 through February 28, 2015

 

Bernice Layne Brown Gallery
Doe Library

 

From junior high school hygiene films, websites, public health campaigns, scientific studies, children’s books, bodice-ripper novels and (sometimes) parents, Americans have always found ways to learn about sex. That information has at times been incorrect or incomplete, and has rarely been delivered without a larger political or moral agenda. While attitudes towards sex education swing from the blissfulness of ignorance to the empowerment of liberation — and back again — every generation finds new ways to answer the old questions. The message and the media have changed over the decades but our desire to learn about desire has not.

 

This exhibition explores the many ways Americans have employed over the last century to teach and learn about sex. It draws from the resources of campus libraries, from our academic programs and from social services provided for the Berkeley campus community.

 

Opening Reception and Talk
Wednesday, October 1, 2014
4:30pm – 6:00pm
Morrison Library, Doe Library

 

Featured speakers
– Professor Thomas Laqueur (History)
– Robin Mills (Sexual Health Education Program, University Health Services)
– Professor Malcolm Potts (Public Health)

 

For more, see the online exhibit.

 

 

Exhibit curators: William Benemann, Susan Edwards, Julie Lefevre, Robin Mills, Jesse Silva, Margaret Phillips, Michael Sholinbeck. With assistance from Aisha Hamilton and Gisèle Tanasse.

Event: Portugal’s Carnation Revolution Exhibit & Reception

April 25, 1974 was at once an ending and a beginning. First and foremost it was the end of the Estado Novo dictatorial regime and the beginning of Portugal’s democratic process. With materials from the University Library’s Portuguese collection, this exhibition commemorates the fortieth anniversary of the country’s bloodless military coup and transition from dictatorship to democracy. When the population descended into Lisbon’s streets to celebrate, soldiers put carnations in the barrels of their guns and tanks, signaling that there would be no violence. A poem by Ary dos Santos -the poet of the revolution – translated here for the first time into English, weaves throughout the exhibit cases along with dazzlingly radiant reproductions of artwork by António Pimentel (whose illustrations accompanied the first edition published in 1975) and black and white images by documentary photographers such as Alfredo Cunha and Carlos Gil.

The exhibit will be in the Bernice Layne Brown Gallery at Doe Memorial Library through September 2, 2014. Check www.library.berkeley.edu for hours.

OPENING RECEPTION

Thursday, April 24, 2014, 5:30pm in the Morrison Library (Doe Memorial Library)

Sponsored by the Portuguese Studies Program, Institute of European Studies, and the UC Berkeley Library.


Event: Exhibit Reception

Hidden Treasures: UC Berkeley’s South Asian & Southeast Asian Special Collections opened in the Doe Library’s first floor Bernice Layne Brown Gallery on April 9 and will remain until August 30. You are welcome to attend a reception celebrating the opening, which will include a dance performance and light refreshments.

EXHIBIT RECEPTION
Tuesday, April 16, 5 PM – 7 PM
Morrison Library (first floor of Doe Library)

The exhibit retraces over a century of special collections acquisitions in arts, humanities and social sciences that represent a rich cultural and intellectual legacy for the South Asian and Southeast Asian community at Berkeley and beyond.

Co-sponsored by the Center for South Asia Studies, the Center for Southeast Asia Studies, and the Department of South & Southeast Asian Studies. Curated by the staff of the South/Southeast Asia Library.