Tag: “new faculty publications”

New Book by Paola Bacchetta

Posted on by Claude Potts

Book cover for Co-Motion: Re-Thinking Power, Subjects, and Feminist and Queer Alliances

In Co-Motion, theorist Paola Bacchetta proposes a new lexicon for analyzing power, subjects and alliances. Employing what she calls ‘theory-assemblages’ to describe how diverse theoretical and political approaches inspire movements and produce different kinds of alliances, Bacchetta engages the inseparability of power relations—such as colonialism, capitalism, racism, caste, misogyny, and speciesism—and how their combinations, operability, and the analyses they require, shift in different contexts and lives of subjects. Focusing on France, India, Italy, and the US from the 1970s to the present, Co-Motion addresses a wide activist, artivist, and social movement archive— group statements, banners, pamphlets, graffiti, posters, poetry, sit-ins, films, art exhibits—to think and feel with the many ways that people, historically and today, come together to act. Through her expansive engagement with varied bodies of scholarship, sites of analysis, and kinds of reading, Bacchetta offers new approaches to analyze, confront, and transforming power, and to enact freedom.

[from publisher’s site]

 Paola Bacchetta is Professor and Chair in the Department of Gender and Women’s Studies at the University of California, Berkeley. She was the first Chair of Berkeley’s Gender Consortium. She currently serves as Co-coordinator of Decolonizing Sexualities Network, a transnational convergence of scholars, artivists and activists. Her books include: Co-Motion: On Feminist and Queer Solidarities (Forthcoming Duke University Press); Fatima Mernissi For Our Times, co-edited with Minoo Moallem (New York: Syracuse University Press, 2023); Global Raciality: Empire, Postcoloniality, and Decoloniality, co-edited with Sunaina Maira, Howard Winant (New York: Routledge, 2019); Femminismi Queer Postcoloniali (co-edited with Laura Fantone, Verona, Italy: Ombre Corte, 2015); Gender in the Hindu Nation (India: Women Ink, 2004); Right-Wing Women (co-edited with Margaret Power, New York: Routledge, 2002). She has published over 70 articles and book chapters on: feminist queer decolonial theory; transnational feminist and queer theory; lesbian and queer of color theorie artivisms and activisms; decolonial feminist translating; gender, sexuality and right-wing movements (India, France, U.S., Brazil). She has translated multiple texts, including Fatima Mernissi’s only (co-authored) film project, The Lionesses (French to English, forthcoming in Fatima Mernissi For our Times which Bacchetta co-edited with Minoo Moalem, for Syracuse University Press). She recently oversaw the translation of Gloria Anzaldúa’s Borderlands/La Frontera : The New Mestiza into French (2022). She is the recipient of multiple awards: Harvard Divinity School, Fulbright, Mellon Foundation, State of Kerala Erudite Scholar Award, European Union funding awards, France-Berkeley Fund award, and more.

Co-Motion : Re-Thinking Power, Subjects, and Feminist and Queer Alliances.
Durham: Duke University Press, 2026.

New Book by Diego Pirillo

Posted on by Claude Potts

Book cover for The Atlantic Republic of Letters

The Atlantic Republic of Letters offers an alternative intellectual history of early America. Focusing on Benjamin Franklin’s Philadelphia, the book frames Euro-American colonialism as an intellectual enterprise, which was established not only through military and economic means but also through books, ideas, and cultural institutions.

Through research in dozens of archives and rare book libraries, Diego Pirillo brings together two interconnected histories. First, he recovers the place of British America in the cosmopolitan world of the Republic of Letters, studying the communication system that facilitated the transatlantic circulation of knowledge. Second, he shows that knowledge was weaponized in the effort to survey and control North America. While fashioning themselves as independent and cosmopolitan scholars, Franklin and his associates, including James and Martha Logan, Isaac Norris II, Pierre Eugène Du Simitière, and Jane Colden, among others, were in fact deeply tied to political power and tailored their ideas to the needs of their patrons. They served as agents of empire and helped to devise and put into practice the colonial project. Not only were books, libraries, and cultural institutions funded by the wealth created by the slave trade and the expropriation of Indigenous land, but, as Pirillo argues, the very taxonomies and classification systems that Euro-American scholars devised directly shaped the colonial enterprise.

In this respect, The Atlantic Republic of Letters illuminates the relationship among books, intellectuals, and colonial governance, and explores the ways in which knowledge circulated and shaped conquest.

[from publisher’s site]

Diego Pirillo (Ph.D., Scuola Normale Superiore) is Professor of Italian Studies at the University of California, Berkeley, where he is also affiliated with the History Department. His work explores how mobility, displacement, and colonialism shaped the intellectual and cultural history of early modern Italy, Europe and the Atlantic world. He has a secondary interest in modern Italian intellectual history with special attention to authors such as Croce, Gentile and Gramsci. His previous book The Refugee-Diplomat: Venice, England and the Reformation (Ithaca, Cornell: University Press, 2018, was awarded the 2019 MLA Aldo and Jeanne Scaglione Prize for Italian Studies. The Refugee Diplomat offers an alternative history of early modern diplomacy, centered not on states and their official representatives but around the figure of “the refugee-diplomat” and, more specifically, Italian religious refugees who forged ties with English and northern European Protestants in the hope of inspiring an Italian Reformation.

The Atlantic Republic of Letters : Knowledge and Colonialism in the Age of Franklin.
Philadelphia, University of Pennsylvania Press, 2026.

New Book by Debarati Sanyal

Posted on by Claude Potts

Book cover for Arts of the Border: Fugitive Bodies at Europe's Edges

Arts of the Border: Fugitive Bodies at Europe’s Edges investigates the consequences of unfolding catastrophes across the world and the displacement they continue to produce. Through recent narratives and media representations of the refugee “crisis” at Europe’s edges, it tells a new story about those on the move, the technologies unleashed on them at borders, the racialized and colonial histories that inform these technologies, and the artistry with which migrants and allies bear witness to displacement. The book reorients us toward the creativity and movement of migrants themselves– their “arts of the border”—as well as toward the political force of the arts that represent them, whether in literature, documentary film, or art installations.

Sanyal proposes kino-aesthetics as a framework for capture and fugitivity at borders. From kino—to set in motion—and aesthetics— relating to sensory perception—kino-aesthetics conveys the force of bodies in motion and the image in its circulation. The book examines the simultaneity of capture and escape at thresholds of illegalization, from airport detention zones to Calais’s “jungle” and the Euro-African border at Ceuta and Melilla. What emerges throughout these case studies is a portrayal of border violence in its racial and colonial forms as well as an archive of refusal, fugitivity, and un-bordered imagining.

[from publisher’s site]

Debarati Sanyal is Director of the Center for Interdisciplinary Critical Inquiry and Professor of French (affiliated with Critical Theory, The Center for Race and Gender, and European Studies). Debarati’s research and teaching interests range from 19th-century French literature to contemporary critical refugee studies. Her first book, The Violence of Modernity: Baudelaire, Irony and the Politics of Form (Johns Hopkins, 2006), reclaimed Baudelaire’s aesthetic legacy for ethical inquiry and historical critique. Her second book, Memory and Complicity: Migrations of Holocaust Remembrance (Fordham, 2015), addressed the transnational circulations of memory and complicity in the aftermath of the Shoah, from post-WWII to the present. It was translated in French as Mémoire et complicité: Au Prisme de la Shoah (PUV, 2018) with a preface by Éric Fassin. A Guggenheim Fellow (2021-2022), she  is completing a book on migrant resistance, biopolitics and aesthetics in Europe’s current refugee “crisis.”

Arts of the Border: Fugitive Bodies at Europe’s Edges.
New York: Fordham University Press, 2025.

New Faculty Publication from Shiben Banerji

Posted on by Nina Bayley

Check out Lineages of the Global City, the new publication by new faculty member, Shiben Banerji.  It is available to view online through UC Library Search.

Lineages of the Global City

From University of Texas Press:

This is a beautifully researched and realized work of scholarship, which unveils a remarkable archive of urban images that connect occultism, modernism, globality, and architecture. It will be of great value to historians, architects, planners, and scholars of cultural modernity due to its powerful argument for the cosmological underpinnings of modern urban thought.

~Arjun Appadurai, New York University, author of The Future as Cultural Fact: Essays on the Global Condition

In the contemporary era of climate crisis, growing concerns about the exploitation of nature, resurgent nationalism, and what is looking to be a new global political and economic order that will impact not just nations but also cities, this provocative book will spark considerable debate about what kinds of urban habitats we want to build and whether historical models relegated to the dustbin of twentieth-century architectural history can indeed offer new food for thought in these turbulent times.

~Diane E. Davis, Harvard Graduate School of Design; CIFAR Fellow and Project Co-Director, Humanity’s Urban Future

You can read the abstract here.

 

 

New Publication from Art History Faculty Todd Olson

Posted on by Nina Bayley

Ribera's Repititions

Check out Professor Todd Olson’s newest publication, Ribera’s Repetitions: Paper and Canvas in Seventeenth-Century Spanish Naples

“Todd Olson carefully considers the diverse contexts for Ribera’s artistic practice, such as empire-building, materiality, and myth, and thus assesses the complexity of Ribera’s creativity through the lenses of repetition, rotation, and experimentation. This novel, interdisciplinary study reexamines the originality of Ribera’s praxis as engaged in a visual culture shaped by science, history, and belief in early modern Naples.”—Lisandra Estevez, editor of Collecting Early Modern Art (1400–1800) in the U.S. South

“Much more than a mere study on Jusepe de Ribera, Olson’s book is an essay on materiality, technique, and their meanings; on imperial circulation and its discontents; and on knowledge, memory, and loss. This piece of cultural history, never losing touch with the artworks and their visual particularities, is beautifully written and at times moving, reminding us of the potentialities of art history as a literary and philosophical genre.”—Itay Sapir, author of Ténèbres sans leçons: Esthétique et épistémologie de la peinture ténébriste romaine, 1595-1610

-From Penn State University Press

 

New book by Jeroen Dewulf

Posted on by Claude Potts

Book cover: Nova Historia do Cristianismo

Nova História do Cristianismo Negro na África Ocidental e nas Américas makes a historiographical intervention aimed at the history of black Catholicism and black religion in the Americas in a broader way. Dewulf’s central and well-documented assertion is that black Christianity, both Catholic and Protestant, has roots in pre-Tridentine Portuguese Catholicism. Even before the advent of the slave trade, Catholicism had become an indigenous African religion, at times assuming pre-Tridentine and syncretic forms that have become irreconcilable for the Europeans of the post-Tridentine period. This argument has significant historiographical consequences; the long-standing confusion about the religiosity of the enslaved people is, at least in part, the result of assumptions that Africans knew little about Christianity before their enslavement. On the contrary, Dewulf traces these religious forms to the slave ships that transported human “cargo” to the Americas. This book is a timely salute to the Catholic and Christian studies that has for a long time portrayed Christians of African descent as marginalized and atypical people, rather than important global actors. (Citation of the Committee of the Prize John Gilmary Shea of ​​the year 2023)

[from publisher’s site]

Jeroen Dewulf is Queen Beatrix Professor in Dutch Studies at the UC Berkeley Department of German and a Professor at Berkeley’s Folklore Program and an affiliated member of the Center for African Studies and the Center for Latin American Studies. He recently completed his long-term role as director of UC Berkeley’s Institute of European Studies where he is chair of the Center for Portuguese Studies. His main area of research is Dutch and Portuguese colonial history, with a focus on the transatlantic slave trade and the culture and religion of African-descended people in the American diaspora. He also publishes in the field of Folklore Studies and about other aspects of Dutch, German, and Portuguese literature, culture, and history.

Nova História do Cristianismo Negro na África Ocidental e nas Américas.
Porto Alegre: EDIPUCRS, 2024.

New Publication from Faculty Lisa Pieraccini

Posted on by Nina Bayley

Consumption, Ritual, Art, and Society Interpretive Approaches and Recent Discoveries of Food and Drink in Etruria

Art History Faculty Lisa Pieraccini has a new publication out titled Consumption, Ritual, Art and Society: Interpretive Approaches and Recent Discoveries of Food and Drink in Etruria (2023)

It will soon be available from UC Berkeley Library for loan.

From the Publisher:

Food determines who we are. We are what we eat, but also how we eat, with whom we eat, where we eat and, in some cases, even why we eat. Food production and consumption in the ancient world can express multiple dimensions of identity and negotiate belonging to, or exclusion from, cultural groups. It can bind through religious praxis, express wealth, manifest cultural identity, reveal differentiation in age or gender, and define status. As a prism through which to investigate the past, its utility is manifold. The chapters gathered together in this ground-breaking book explore the intersections between food, consumption, and ritual within Etruscan society through a purposeful cross-disciplinary approach. It offers a unique and innovative selection of up-to-date analysis from a variety of Etruscan food-related topics. From banqueting, feasting, fish rites, and symbolic consumption to bio-archaeological data, this volume explores a new and exciting field in ancient Italian archaeology.

 

New Publication from Faculty Julia Bryan-Wilson

Posted on by Nina Bayley
Liza Lou
Julia Bryan-Wilson, Doris and Clarence Malo Professor of Modern and Contemporary Art, has a new book out, available at the UC Berkeley Library.

The most comprehensive book on the work of Liza Lou, whose popular and critically acclaimed installations made entirely of beads consider the important themes of women, community, and the valorization of labor.

Liza Lou first gained attention in 1996 when her room-sized sculpture Kitchen was shown at the New Museum in New York. Representing five years of individual labor, this groundbreaking work subverted standards of art by introducing glass beads as a fine art material. The project blurred the rigid boundary between fine art and craft, and established Lou’s long-standing exploration of materiality, process, and beauty. Working within a craft métier has led the artist to work in a variety of socially engaged settings, from community groups in Los Angeles, to a collective she founded in Durban, South Africa. Over the past fifteen years, Lou has focused on a poetic approach to abstraction as a way to highlight the process underlying her work.

In this comprehensive volume that considers the entirety of Lou’s singular vision, curators, art historians, and artists offer important perspectives on the breadth of the work.

New Publication by Faculty Lisa Pieraccini

Posted on by Nina Bayley

Etruria and Anatolia : material connections and artistic exchange

Lisa Pieraccini, Lecturer of First Millennium BCE Italy, Reception, Collecting, has published a new book, available from the UC Berkeley Library. It is also available as an e-book. 

From the publisher’s website:

Striking similarities in Etruscan and Anatolian material culture reveal various forms of contact and exchange between these regions on opposite sides of the Mediterranean. This is the first comprehensive investigation of these connections, approaching both cultures as agents of artistic exchange rather than as side characters in a Greek-focused narrative. It synthesizes a wide range of material evidence from c. 800 – 300 BCE, from tomb architecture and furniture to painted vases, terracotta reliefs, and magic amulets. By identifying shared practices, common visual language, and movements of objects and artisans (from both east to west and west to east), it illuminates many varied threads of the interconnected ancient Mediterranean fabric. Rather than trying to account for the similarities with any one, overarching theory, this volume presents multiple, simultaneous modes and implications of connectivity while also recognizing the distinct local identities expressed through shared artistic and cultural traditions.

New Publication by Faculty Margaretta Lovell

Posted on by Nina Bayley
Painting the Inhabited Landscape by Margaretta Lovell
Margaretta Lovell, Professor of American Art and Architecture, has a new book published, available in the UC Berkeley Library.  There will be a Berkeley Book Chat with Margaretta Lovell, joined by David Henkin, Wednesday, October 4th from 12:00 to 1:00pm in 220 Stephens Hall.  Registration is requested for attendance.
“Painting the Inhabited Landscape is an American art history that in its depth of research and its absolute assurance in method and goals matches or surpasses anything done by any global modernist art historian today. It is a significant contribution to the study of nineteenth-century world history in visual and material studies, and will be of interest to anyone looking at the formation of global modernism, technologies, and capital markets.”—Bruce Robertson, coauthor of Georgia O’Keeffe: Abstraction
“Painting the Inhabited Landscape is by far the most insightful study of Lane and his art to date. Margaretta Lovell’s close examination of Lane’s life, art, and the historical contexts within which he worked represents not only a quantum leap for our understanding of Lane and his world but also a new standard of scholarship for the field of American art.”—Alan Wallach, author of Exhibiting Contradiction: Essays on the Art Museum in the United States