This week UC Berkeley proudly opens the new Berkeley Art Museum and Pacific Film Archive building in downtown Berkeley. As our contribution to the celebrations, we are thrilled to release our interview with Edith Kramer, Emeritus Senior Film Curator and Director Pacific Film Archive.
Kramer has been associated with the UC Berkeley Art Museum and Pacific Film Archive since 1975 when she joined the staff as Assistant Film Curator. In June 2003, the University of California, Berkeley, awarded Ms. Kramer The Chancellor’s Distinguished Service Award. Ms. Kramer holds an M.A. in Art History from Harvard University, and a B.A. in Art History from the University of Michigan. She has taught film history at the University of Oregon, UC Davis, and the San Francisco Art Institute. Upon arriving in the Bay Area in 1967, she managed Canyon Cinema Cooperative and was instrumental in the founding of Canyon Cinematheque (now the San Francisco Cinematheque); and she served as Film Curator of the San Francisco Museum of Modern Art.
In this interview, Kramer discusses the growth of film curation as a profession, the establishment and growth of the Pacific Film Archive, and the transformation of film curation as a result of changes in technology and distribution. Moreover, she details the films that were most influential to her and how she brought those films to audiences in Berkeley and beyond.
The Bancroft Library’s Digital Collections Unit recently finished a pilot project to process its first born-digital archival collection: the Ladies’ Relief Society records, 1999-2004. Based on earlier work and recommendations by the Bancroft Digital Curation Committee (Mary Elings, Amy Croft, Margo Padilla, Josh Schneider, and David Uhlich) we’re implementing best-practice procedures for acquiring, preserving, surveying, and describing born-digital files for discovery and use.
Read more about our efforts below, and check back soon for further updates on born-digital collections.
This paper provides an overview of work currently being done in the Bancroft’s Digital Collections Unit to preserve, process, and provide access to born-digital collections. It includes background information about the Bancroft’s Born Digital Curation Program and discusses the development of workflows and strategies for processing born-digital content, including disk imaging, media inventories, hardware and software needs and support, arrangement, screening for sensitive content, and description. The paper also describes DCU’s pilot processing project of the born-digital files from the Ladies’ Relief Society records.