Tag: creative commons
The Bancroft Library’s San Francisco Examiner photograph archive
As part of the UC Berkeley University Library’s ongoing commitment to make all our collections easier to use, reuse, and publish from, we are excited to announce that we have just eliminated licensing hurdles for use of over 5 million photographs taken by San Francisco Examiner staff photographers in our Fang family San Francisco examiner photograph archive negative files, BANC PIC 2006.029–NEG, and Fang family San Francisco examiner photograph archive photographic print files, BANC PIC 2006.029–PIC.
Every photograph within these photographic print and negative collections that were taken by an SF Examiner staff photographer are now licensed under a Creative Commons Attribution 4.0 license (CC BY 4.0). This means that anyone around the world can incorporate these photos into papers, projects, and productions—even commercial ones—without ever getting further permission or another license from us.
What is the San Francisco Examiner collection?
The SF Examiner has been published since 1863, and continues to be one of The City’s daily newspapers. It was acquired by George Hearst in 1880 and given to his son, William Randolph Hearst, in 1887. It was the founding cornerstone of the Hearst media empire, and remained part of the Hearst Corporation’s holdings until it was sold, in 2000, to the Fang family of San Francisco. In 2006 the Examiner’s photo morgue, totaling over 5 million individual images, was donated to The Bancroft Library by the Fang family’s successors, the SF Newspaper Company, LLC.
Along with the gift of negatives and photographic prints, the copyright to all photographs taken by SF Examiner staff photographers was transferred to the UC Regents, to be managed by UC Berkeley Library. However, the copyright to works (mainly in the form of photographic prints) that appear in the collection that were not created by SF Examiner staff was not part of the copyright transfer to the University. Copyright to any works not taken by SF Examiner staff is presumed to rest with the originating agency or photographer. The Library maintains a list of known SF Examiner staff photographers and can assist in making identification of particular photographs until the metadata has been updated.
What has changed about the collection?
Although people did not previously need the UC Regents’ permission (sometimes called a “license”) to make fair uses of our SF Examiner photograph archive, because of the progressive permissions policy we created, prior to January 2024 people did need a license to reuse these works if their intended use exceeded fair use. As a result, hundreds of book publishers, journals, and film-makers sought licenses from the Library each year to publish our Examiner photos.
The UC Berkeley Library recognized this as an unnecessary barrier for research and scholarship, and has now exercised its authority on behalf of the UC Regents to freely license the SF Examiner photographs in our collection that were taken by staff photographers under a Creative Commons Attribution 4.0 license (CC BY 4.0). This license is designed for maximum dissemination and use of the materials.
How to use SF Examiner collection photographs
Now that the photographs by SF Examiner staff photographers have a CC BY license applied to them, no additional permission or license from the UC Regents or anyone else is needed to use these works, even if you are using the work for commercial purposes. No fees will be charged, and no additional paperwork is necessary from us for you to proceed with your use.
Making your usage even easier is the fact that over 22,000 of these negative strips have been digitized and made available via the Library’s Digital Collections Site, and the finding aid for the prints and negatives have more information about the photographs that have not yet been digitized.
The CC BY license does require attribution to the copyright owner, which in this case is the UC Regents. Researchers are asked to attribute use of reproductions subject to this policy as follows, or in accordance with discipline-specific standards:
Fang family San Francisco Examiner photograph archive, © The Regents of the University of California, The Bancroft Library, University of California, Berkeley. This work is made available under a Creative Commons Attribution 4.0 license.
One final note on usage: While the SF Examiner Collection now carries a CC BY license, this does not mean that other federal or state laws or contractual agreements do not apply to their use and distribution. For instance, there may be sensitive material protected by privacy laws, or intended uses that might fall under state rights of publicity. It is the researcher’s responsibility to assess permissible uses under all other laws and conditions. Please see our Permissions Policy for more information.
Other Library collections with a CC BY license
The Fang family San Francisco Examiner photograph archive joins a number of other collections that the Library has opened under a CC BY license, including the photo morgue of the San Francisco News-Call Bulletin. All of the collections that have had a CC BY license applied can be found on our Easy to Use Collections page.
Happy researching!
Making it easier to reuse and share Thérèse Bonney photography
As part of UC Berkeley Library’s trend-setting efforts to make all our collections easier to use, reuse, and publish from, we are excited to announce that:
We’ve just eliminated hurdles to the reuse of renowned photographer Thérèse Bonney’s photographs. Every photograph ever taken by Bonney is licensed under a Creative Commons Attribution 4.0 license (CC BY 4.0). This means anyone around the world can incorporate Bonney’s photos into papers, projects, and productions—even commercial ones—without ever getting further permission or another license from us.
Thérèse Bonney Copyright
Thérèse Bonney (1894-1978) was a documentary photographer and war correspondent. She concentrated much of her work on documenting conditions in Europe during World War II. Prior to her work as a war correspondent, Bonney extensively photographed French architecture and design, as well as writers and artists such as Joan Miró, Fernand Léger, and Gertrude Stein. Her photographs have been exhibited at the Museum of Modern Art, the Library of Congress, and Carnegie Hall.
Bonney transferred copyright to all of her work to the UC Regents to be managed by UC Berkeley Library. This includes Bonney materials at the UC Berkeley Library and any Bonney-authored or Bonney-created materials held by other institutions.
Although people did not previously need the UC Regents’ permission (sometimes called a “license”) to make fair uses of Bonney’s because of the progressive permissions policy we created, prior to July 2022 people did need a license to reuse Bonney’s works if their intended use exceeded fair use. As a result, hundreds of book publishers, journals, and film-makers sought licenses from the Library each year to publish Bonney’s photos.
The UC Berkeley Library recognized this as an unnecessary barrier for research and scholarship, and has now exercised its authority on behalf of the UC Regents to freely license Bonney’s entire corpus under CC-BY. This license is designed for maximum dissemination and use of the materials.
How to use Bonney’s works going forward
Now that all Bonney photographs have a CC-BY license applied to them, no additional permission or license from the UC Regents or anyone else is needed to use Bonney’s work, even if you are using the work for commercial purposes. No fees will be charged, and no paperwork is necessary.
The CC-BY license does require attribution to the copyright owner, which in this case is the UC Regents. The Library suggests the following attribution:
Thérèse Bonney, © The Regents of the University of California, The Bancroft Library, University of California, Berkeley. This work is made available under a Creative Commons Attribution 4.0 license.
What’s ahead for the Library
The Library now has some work to do to make our catalog and other information sources about the Bonney photos reflect this application of the CC-BY licenses. This means we have to update things like the Bonney collection finding aid and the metadata for individual photos in the digital versions of the Bonney photos that we make available online. In the meantime, you can rely on written confirmation that we’ve applied the CC-BY license by consulting the Easy to Use Collections page of our permissions guide.
In the coming year, we hope to add many more collections to that Easy to Use Collections page, too. We’ll be spending some time reviewing materials for which the UC Regents own copyright, and seeing what we can “open up” with other CC BY licenses. Stay tuned.
— — — — —
This post was written by the Library’s Office of Scholarly Communication Services.
New Workshop: DIY Digital Publishing with Pressbooks
Publish Digital Books and Open Textbooks with Pressbooks
Tuesday, Feb. 20, 1:10 – 2:30 p.m. | Academic Innovation Studio, Dwinelle Hall 117 (Level D)
Register http://bit.ly/0220pressbooks
The workshop is open to all students, faculty, and staff. Feel free to come with a project idea in mind, and please bring a laptop if possible.
On February 20, the Office of Scholarly Communication Services is offering a hands-on workshop to introduce students, faculty, and staff to Pressbooks, a free, easy, and elegant self-publishing platform that anyone can use to create a digital book (or any other online resource) in minutes. This workshop is offered as part of the Library’s ongoing efforts to support and promote the creation and use of open and affordable course materials on campus (read more about our course affordability pilot programs, events, and workshops).
Do you have material you’ve been wanting to publish online, but aren’t sure how to get started or what tool to use? Come to our workshop to see Pressbooks in action and start working on your own project. By the end of the workshop, you can have a beautiful book published online! Working on a non-book project? You can also use Pressbooks to publish a chapter, white paper, toolkit, or other online resource.
Pressbooks is simple to use and infinitely flexible for a variety of projects, from creating a course textbook to publishing your own chapter- or module-length work. Quickly becoming the preferred tool for educators and writers publishing open books and other content, Pressbooks offers numerous features to support open access and accessibility.
Here are some highlights of what we like about Pressbooks and why we think the platform will be an exciting tool for students, faculty, and staff working on digital projects:
- Easy to use. No design or developer skills required. If you’ve ever used WordPress, you’ll feel right at home.
- Professional design. Choose from dozens of templates and themes that create professional-looking and customizable digital books.
- Immediate and continuous publishing. Publish in minutes, and make changes or edits easily as you go.
- Flexible licensing. License your work with any number of Creative Commons options. You can use the same license for the whole work or apply different licenses for different chapters or sections.
- Accessibility. Pressbooks features and outputs are designed to support accessibility. Pressbooks is committed to making its code and user interface comply with WCAG 2.0 (level AA) standards within 2018, and it is developing tools to help authors maximize the accessibility of published work.
- Collaboration. Give a co-author access to your project, and use Hypothes.is to add or enable annotations.
- Free! Anyone can create an account at no charge.
Come to the workshop on February 20 to try out this innovative platform and kickstart your digital project. In the meantime, if you’re curious about what Pressbooks publications look like, or what else the platform can do, check out how other institutions are using Pressbooks, browse the book examples created at eCampusOntario, and see an open module recently published at UC Berkeley. The Library will also soon have a campus portal just for UC Berkeley-affiliated books, where you can showcase your work and view others’ projects.
For more information, email schol-comm@berkeley.edu.
Teaching Free: Instructor Insights on Making Course Content Affordable and Accessible
Teaching Free: Instructor Insights on Making Course Content Affordable and Accessible
By, Rachael G. Samberg (Scholarly Communication Officer, Library) & Richard Freishtat (Director, Center for Teaching & Learning)
Note: This commentary is being cross-posted on the Center for Teaching & Learning’s blog.
On October 27, 2017, UC Berkeley faculty and lecturers convened to share how they are making textbooks available for free to students—and how they are designing more accessible and transformative learning materials in the process.
In this post, we pass along key takeaways from the stories they shared, in the hope that you may consider implementing similar cost-saving options for students. We also consider why the UC Berkeley campus has come together at this critical moment to address such issues.
This is the first of a series of posts we’ll be doing this semester to dig into the “how” of improving students’ quality of living through affordable and accessible course content.
Students Can’t Afford Class
Before we dive into the lessons gleaned at the October event, campus context behind faculty members’ efforts might help.
Textbook prices have risen 88 percent in the past decade, as detailed in a 2016 Bureau of Labor Statistics report. With UC Berkeley undergrads expected to pay at least $900 (a low estimate) on books and materials each academic year, students are financially encumbered to obtain required readings. The campus is conducting a survey to understand the true impact of these expenses for students—including how textbook costs affect whether students take, remain in, and succeed in their classes.
One way to alleviate financial burden for students is by offering them free, digital versions of their assigned readings that can be accessed online or downloaded to electronic devices. For course readers, this might mean uploading materials to the class bCourse site under fair use principles, and for textbooks, this might mean switching to “open textbooks.” Open textbooks (also called “open educational resources” or OERs) are entirely free for anyone to access, read, and download, and are typically licensed for reuse by others to encourage further downstream adaptation and development. Many instructors and students prefer hard copies, and so open textbooks can often be ordered as “print on demand” for a nominal printing fee, or students can print them out themselves.
In the studies to date on open textbook impact, students who have been given access to open textbooks perform at least as well, and often better, than those without open textbooks. This is likely because the playing field is leveled: Everyone in class has access to the readings from day one, and they’re not beyond anyone’s financial reach.
There are several other key advantages to offering parallel access to digital books: Digital native texts are inherently more accessible to students with disabilities. Screen readers and assistive technologies fare much better working with born digital materials rather than print copies that have been scanned in and converted into optical text (not to mention the potential access delay involved in remediating print content). Digital materials are generally also text searchable, so that students can easily find concepts or passages within their readings.
Seeking to address both affordability and accessibility concerns, in 2017, the Office of the Vice Chancellor for Undergraduate Education (VCUE) charged a campus-wide Course Content Affordability & Accessibility Committee (CCAAC) to identify strategies to educate the campus about the costs of course content, and encourage practices that lower costs for students while also making materials more accessible. CCAAC’s report and recommendations are forthcoming in Spring 2018.
Piloting Innovation
An analogous campus partnership has also been very busy: The University Library, Center for Teaching and Learning (CTL), and Educational Technology Services (ETS) teamed up and obtained a VCUE and Library-endorsed charter to test services aimed at students course content burdens. Through our Affordable Course Content Pilot program, we have incentivized both adoption and creation of open textbooks. Our idea was simple: What if we offered $2000-$5000 grants for faculty and lecturers to switch to an open textbook, or create their own? We would provide the needed digital publishing and programmatic support to facilitate the transition, and the instructors would use or create something new that was open—and free—to all.
We did not expect to get many takers for the pilot, since designing and writing a textbook requires an incredible amount of work. Yet, we underestimated the earnest commitment on this campus for truly making a difference in students’ lives and academic success. In Fall 2017, five faculty members committed to creating their own open textbooks, and two more are on board for Spring 2018. Fall participants included:
- Brad DeLong and Martha Olney, for Economic Theory – Macroeconomics (ECON 101B)
- Evan Variano, for Elementary Fluid Mechanics (CE100)
- John Wallace, for Dynamics of Romantic Core Values in East Asian Premodern Literature and Contemporary Film (EA LANG 105)
- Jonathan Zwicker, for Seminar in Classical Japanese Texts (JAPAN 240)
Most of their books will be unveiled and implemented in their classrooms beginning this semester. In a future blog post, we will explore their creation of these open books, touching on everything from mechanical issues related to the digital platforms and tools being used, publishing mechanics, and how students have received them. (Sneak preview: You do not need to be a technological wizard to create a digital textbook! And, we can help.)
Now, however, we’d like to consider the salient lessons discerned from these faculty members’ experiences in creating open textbooks for the pilot.
Lessons from the Trenches
On October 27, 2017 pilot program participants Brad DeLong and John Wallace were joined by Ani Adhikari (whose Data 8 open textbook has already been in use for several years) in speaking to a rapt crowd about why they chose to create open textbooks, and what they have learned in the process. We have taken the liberty of distilling their guidance.
1. If you create an open textbook, you have tremendous flexibility and complete control over what your students see, and when they see it.
Wallace observed that, although his book on East Asian literature and film will be deployed in Spring 2018, it will remain a work in progress. The beauty of writing and managing one’s own digital material is that changes (and typo fixes!) can be made in real time, without having to wait until your publisher decides to release a new edition. Wallace is utilizing Pressbooks.com to administer his material, and he can log in and change whatever he wants, whenever he wants—sharing his creative product in stages or in full, at his election.
This level of control also offers topical benefits. DeLong and Olney are converting their Macroeconomics print textbook into an open textbook, with interactive data for students to play with as they experiment with formulae and economic theories. To provide meaningful, real world information, DeLong and Olney need to be able to update and adjust content regularly. Because they are in complete command over the Jupyter Notebook which they use to manage their content, they can incorporate current economic events and statistics in real time, or keep it current on a semester-by-semester basis.
2. Creating your own open book allows you to choose your voice and write to connect with your students—and in so doing, capitalize on intellectual freedom as you forge and sculpt your discipline. As you branch off into new knowledge areas, disciplines can be redeveloped into what you make them.
Writing your own open textbook is a tremendous amount of work, but it can also offer tremendous intellectual freedom. Wallace, DeLong, and Adhikari each exclaimed the benefits of being able to write in a tone and on issues directed to their students—using language and content that may not have survived traditional textbook editing processes. The value is that the written material has the potential for resonating more meaningfully with students.
Adhikari discussed some foundational examples in the Data Science 8 textbook, in which she writes vibrantly about a water pump in Victorian London. The lesson frames for students one of the first ways that data was used to establish causality (in this case, mapping cholera outbreaks to a water pump). Here is a brief excerpt:
One of the earliest examples of astute observation eventually leading to the establishment of causality dates back more than 150 years. To get your mind into the right timeframe, try to imagine London in the 1850’s. It was the world’s wealthiest city but many of its people were desperately poor. Charles Dickens, then at the height of his fame, was writing about their plight. Disease was rife in the poorer parts of the city, and cholera was among the most feared. It was not yet known that germs cause disease; the leading theory was that “miasmas” were the main culprit. Miasmas manifested themselves as bad smells, and were thought to be invisible poisonous particles arising out of decaying matter. Parts of London did smell very bad, especially in hot weather. To protect themselves against infection, those who could afford to held sweet-smelling things to their noses.
From reading even just this brief excerpt, it is hard to imagine traditional textbooks so compellingly establishing an argument, or traditional textbook authors maintaining enough editorial control over their work to ensure that these points are included exactly as intended.
3. Digital editions provide valuable portability for students, while preserving print on demand options.
Adhikari and DeLong also addressed portability benefits of open textbooks. UC Berkeley students are incredibly engaged academically, and as a result, under considerable competing demands on their time. It is not uncommon to see students working on portable devices on public transportation or at the gym, just to make the most of any spare moments they have.
In survey responses by students whose classes participated in our pilot program, students near universally described how having online access to, or being able to digitally download, their reading materials improved their learning experience. Not only could they take their readings everywhere (and we mean everywhere!), but also they did not have to lug around numerous heavy books. Many also remarked that they valued not having to “waste paper” and harm the environment. Students knew that printing out the materials was an option, though few reported having chosen to do so—actually preferring the electronic format.
4. You can create an open module or two to fill in the gaps, rather than requiring students to purchase an entire textbook just for a few sections.
Let’s say you have found the perfect textbook for about 80% of your course, but it lacks two or three topics that you cover in class, and for which you assign a separate book entirely. There may be no need to reinvent the wheel in designing an entire textbook from scratch, but perhaps you could create just what you need to fill in the gaps rather than recommending a second book for purchase.
This is precisely what Horst Rademacher of the Berkeley Seismology Lab, did for EPS20 (Earthquakes in Your Backyard). As part of the pilot program, Rademacher created on open module through Pressbooks.com to address one topic: The Hayward Fault at the UC Berkeley campus. Doing so was not only a more reasonable time investment, but also a very efficient way of making sure students had tailor-made access to the specific content they would need for class.
5. If you collocate all digital readings and assignment submissions, it can be easier for graduate student instructors to complete grading, and focus more on pedagogy.
Generating efficiencies in one area necessarily creates opportunities in another. In this case, GSI’s, and instructors alike, can more easily move between and through grading of student work (particularly if coupled with other campus-licensed tools like GradeScope). The ability to centrally locate, quickly navigate, and reliably assess student work can considerably reduce time spent on the logistical aspects of grading. The extra time that was once necessary for grading logistics, can now be better utilized in service of pedagogy and student learning. Faculty discussed greater time available to improve their course materials, implement new pedagogies, or even supplement learning through more formative approaches that were very challenging previously due to time constraints.
6. Open textbooks have the potential to save UC Berkeley students hundreds of thousands of dollars a year, while making access to higher education learning materials more equitable in your class and beyond.
In DeLong’s own words, his forthcoming Macroeconomics textbook can “go big or go home,” and he’s banking on “big.” There are four sections of macroeconomics are taught each year on our campus, with approximately 1000 students. If each of the class sections adopted the DeLong-Olney open textbook rather than the $200 print equivalent, UC Berkeley macroeconomics students could save up to $200,000 each year. Of course, macroeconomics is a staple at institutions across the nation and world. DeLong and Olney are enabling thousands upon thousands of students globally to have access to extremely high quality instructional materials—potentially saving students millions every year. The financial impact that open textbooks can have is quantifiable, and it’s huge.
Financial impact is but one piece of the equitability puzzle. Both DeLong and Adhikari discussed open textbooks’ ability to promote social justice in the classroom, and the sense of obligation they feel as faculty members in doing as much as they can to ensure that all of their students have equal opportunities to succeed.
Get Involved
If you would like to explore the possibility of adopting or creating an open textbook for your class, we would love to meet with you! Limited numbers of $2000-$5000 grants remain available. Please contact schol-comm@berkeley.edu, or visit the Scholarly Communication Website (lib.berkeley.edu/scholcomm) to learn more.
And if you are interested in CCAAC and the pilot team’s report and findings about course content affordability at the UC Berkeley campus, please stay tuned to posts distributed through the Center for Teaching and Learning and the Library’s Scholarly Communication program’s Twitter account, @UCB_scholcomm.