In 2015, Publishers Weekly declared that Unnamed Books was “Creating Home For Contemporary Authors.”[1] At that point, the small, LA-based publisher was still only getting off the ground. In the early 2010s, Chris Heiser and Olivia Taylor Smith decided to go into independent publishing. In 2013, the two started with the name Ricochet Books, but USC had already claimed the name “Ricochet” in 2012. In 2014, they chose to rebrand as Unnamed Press, with the intention of providing a space for international literature. Their early titles included works like Deji Olukotun’s Nigerians in Space and Rocío Cerón’s Diorama.[2]
Since then, the press has expanded to become “general interest.”[2] In 2024, that included the creation of their Smith & Taylor Classics imprint with titles such as Vernon Lee’s Hauntings: And Other Stories. To continue pushing literature and providing spaces for experimental literature, in 2025 the press started a poetry line. That line often includes audio components on vinyl (https://www.unnamedpress.com/vinyl) with titles such as Emma Ruth Rundle’s The Bella Vista: Poems.[3]
Readers can find more material through a publisher focus in our UC Library Search. Select titles are available for circulation in Doe’s Main Stacks while others are in our special collections in Bancroft (UC Library search limited to special collections). See individual catalog entries for location.
Established in the Bay Area in 1998 under editors Jocelyn Saidenberg, Rodrigo Toscano, Hung Q. Tu, Krupskaya books (website) has been providing readers with experimental literature for almost three decades. The press prints both poetry and prose that “challenge traditional literary forms.”[1]
Nadezhda Konstantinovna Krupskaya, for whom this author assumes the press was named, was a Russian politician and theorist. They believed in social reform and would play significant roles in the Russian revolutions of 1917. Afterwards, she would be heavily involved in politics, particularly as regarding education.[2]
Following in Krupskaya’s call for social reform through education, Krupskaya Books focus on collaboration and responsibility, providing mixed-genre and adventurous works.
Readers can follow the press on their Instagram page for new book announcements or calls for manuscripts.
D.T. Robbins founded Rejection Letters Press in 2020. The idea for the press initially grew out of a joke about publishing fictional rejection letters after receiving a bevy of all-too-real letters.[1] Now, in 2025, the press has a selection of a phenomenal photographs and poetry online (see featured image above, captured in December 2025) as well as seven beautiful volumes of poetry and novels.[2]
While this Southern California press is not bound to a specific city, they host literary events in Los Angeles. Alongside book and poetry readings, the House hosts an annual “Rejection Week.” For this second event, their advertisements warned that there was “so much rejection, there [was] blood in the water.”[3] Readers can find out more about their events on their Instagram page.
In 1953, poet Lawrence Ferlinghetti and Peter D. Martin founded City Lights Books in San Francisco, near some incredible Italian bakeries (this author is unclear if that mattered to them). Established as “a literary meetingplace,” the bookstore was initially an all-paperback store focused on providing a space for alternative culture. Now a three-story edifice that does provide some new hardcovers, the store continues to offer a place for readers to soak up excellent literature.[1] They also hold readings and other literary events, about which readers can find information on Instagram.
Committed to offering experimental and alternative literature, City Lights and its staff have a firm stance against censorship and a “legacy of anti-authoritarian politics” [1]. Partly with that commitment in mind, the bookstore also became a publisher. Among the first of their output, they released Alan Ginsburg’s Howl (at Bancroft). Since then, they have released poetry, novels, and short-stories alongside non-fiction.
UC Berkeley and City Lights have had a special relationship for decades. Not only does UC Berkeley Library host most of City Lights outpouring, but Ferlinghetti also chose the Bancroft Library to host his personal papers (UC Library Search) as well as a considerable amount of City Lights Books photographs and other manuscript materials (OAC.)
You can, of course, also find out what we have in our circulating collections at UC Berkeley’s Doe Library through our UC Library publisher search.
Located in Sejatnga, Unceded Tongva Territory, South Whittier, CA, the publishing house Riot of Roses (webpage) tells their readers that they “publish books to heal and liberate others” and affirm that the press is “for the people.”[1]
Brenda Vaca founded Riot of Roses in 2021 to publish her first poetry collection. Vaca had completed her first manuscript with the Community Literature Initiative program out of South Los Angeles, CA and found her options for publishing limiting. In an interview with Canvas Rebel, Vaca explained that she wasn’t happy with the non-negotiable contract she received from an already-established publisher and wasn’t content publishing with a platform like Amazon, which wouldn’t end up in a library system.[2]
To address that problem for both herself and others, Vaca created Riot of Roses as a space for writers to amplify historical silenced voices.
In the handful of years since the press’ inception, Vaca has done wonderful work promoting it and the press’ authors. They attend poetry slams, book events, and more around their location in Sothern CA. Readers can find more information about their events on their Instagram page.
Books at UC Berkeley’s Doe Library
Here are a handful of Riot of Roses’ recent publications in Doe Library:
Concrete art and poetry—a radical avant-garde movement where the visual and spatial arrangement of words on the page carries as much weight as their literal meaning—emerged in Brazil during the 1950s, a time of rapid and transformative modernization. Professor Nathaniel Wolfson (Spanish & Portuguese) challenges the notion that concretism was socially passive, as some scholars have claimed. Instead, he presents it as the defining literary genre of the early information age.
Concrete Encoded: Poetry, Design, and the Cybernetic Imaginary in Brazil (Texas, 2025) examines how Brazilian poets, artists, and designers engaged with the rise of digital capitalism, forging a distinct cybernetic vision. Wolfson’s study reinterprets concretism—not just as Brazil’s most internationally influential artistic movement, but as a network connecting both prominent and overlooked figures. By mapping these creative exchanges, the book reveals broader, transnational conversations about technology and its critical possibilities.
Since its inception in January 2021, Abalone Mountain Press (https://www.abalonemountainpress.com) has published several phenomenal compilations of poetry and zines. Amber McCrary, the founder, operates the press on operates on the traditional lands of the Akimel O’odham.[1]
To delight, this semester (Spring 2025), UC Berkeley’s Doe Library put in an order for five of Abalone Mountain Press’s recent publications. The chapbooks, anthology, and zines will be located in Doe Library’s main stacks.
Taté Walker and Ohíya Walker, The Trickster Riots (Abalone Mountain Press, 2022).
Kinsale and Alice Mao, Hummingbird Heart, Pink (Abalone Mountain Press, 2022).
Take a look at these or other Abalone Mountain Press books in our UC Berkeley Library.
Additional Material
Several of these authors contributed to The Diné Reader: An Anthology of Navajo Literature. You can find an interview with Amber McCrary about the Press in the September 2022 issue of Poetry.
Insert Press was found in 2005 by Mathew Timmons to focus on interdisciplinary and/or hybrid works.[1] Initially, Insert Press focused on poetry in chapbook form, but over the following decade turned to increasingly toward “translation, poetics, artist books.”[2]
Kaya Press (https://kaya.com/) has been making space for voices in the Asian and Pacific Islander diasporic writers in the United States since 1994, when it was founded in New York City. Establishing itself as a “premier publisher of cutting-edge” literature, the Press moved to in USC Dornsife’s Department of American Studies and Ethnicity in Los Angeles in 2012 where it has continued releasing phenomenal material.[1]
The Press not only releases excellent novels and poetry, but also participates in book fairs, contributes to community activity, hosts author readings, and more.[2] Readers can find information about their events on their Instagram page.
You can find the majority of the Press’ catalog through the (UC Library Search) and access them in either in the UC Berkeley Main Stacks or the Ethnic Studies Library’s shelves.
Red points show Doe Library and the UC Berkeley Ethnic Studies Library building locations. Check out the UC Berkeley Library locations and Affiliate Libraries as a Google Map.
Map of Luso-African Literary Publishers by City generated by Bee Lehman
More than 80 works of literature from Angola, Cabo Verde, and Mozambique arrived in Doe Library last week. This selection of poetry, short stories, and novels in Portuguese was made possible through a generous 3-year grant from the Fundação para a Ciência e a Tecnologia (FCT) in Lisbon. The absence of Lusophone African literature from mainstream African literary studies (mostly in English and French) has been noted by contemporary scholars. These new works of post-colonial fiction and verse listed below are held by few academic libraries and reflect the UC Berkeley Library’s longstanding commitment to collect and make accessible underrepresented voices from across the world in more than 400 distinct languages. Please enjoy this curated list by book dealer Susanne Bach Books which provides a snapshot of the rich literary output from Lusophone Africa over the past three years:
100 poemas para Neto / Poetas da União dos Escritores Angolanos. Luanda, Angola: EAL – Edições de Angola, 2022.
