William J. Faber’s Abstraction

Abstraction

By Anonymous

I really enjoyed it, and I am so glad I came to the workshop at the beginning of the semester. I only checked out one piece, but I loved how it added something more to my space without reminding me of other things – it simply just *was*. I definitely plan to check out another piece next year… Thank you so much!


New Books Added to Graduate Services in April

Collected poems

Collected Poems by Robert Bly

Beard's Roman women

Beard’s Roman Women by Anthony Burgess with photographs by David Robinson edited with an introduction and notes by Graham Foster

The Black prince

The Black Prince by Adam Roberts Adapted from an original screenplay by Anthony Burgess

David Jones's The grail mass and other works

David Jones’s The Grail Mass And Other Works (Modernist Archives Series) edited by Thomas Goldpaugh and Jamie Callison

Gramophone, film, typewriter

Gramophone, Film, Typewriter by Friedrich A. Kittler translated with an introduction by Geoffrey Winthrop-Young and Michael Wutz

Image result for spekulative sinnlichkeit largier

Spekulative Sinnlichkeit: Kontemplation And Spekulation Im Mittelalter by Niklaus Largier

 

The poems/ Volume 3 The works of D.H. Lawrence / editorial board: Linda Bree, Paul Poplawski, John Worthen, Uncollected poems and early versions.

The Cambridge Edition Of The Works Of D.H. Lawrence The Poems Volume III: Uncollected Poems And Early Versions edited by Christopher Pollnitz

Billy Budd, sailor and other uncompleted writings : Billy Bud, sailor ; Weeds and wildings ; Parthenope ; Uncollected prose ; Uncollected poetry

The Writings Of Herman Melville: Billy Budd, Sailor And Other Uncompleted Writings edited by Harrison Hayford, Alma A. MacDougall, Robert A. Sandberg, and G. Thomas Tanselle

Enlisting faith : how the military chaplaincy shaped religion and state in modern America

Enlisting Faith: How The Military Chaplaincy Shaped Religion And State In Modern America by Ronit Y. Stahl

Imagining world order : literature and international law in early modern Europe, 1500-1800

Imagining World Order: Literature And International Law In Early Modern Europe, 1500-1800 by Chenxi Tang

Why should I write a poem now : the letters of Srinivas Rayaprol and William Carlos Williams, 1949-1958

Why Should I Write A Poem Now: The Letters Of Srinivas Rayaprol And William Carlos Williams, 1949-1958 edited by Graziano Kratli with a forward by Arvind Krishna Mehrotra and Afterward by Paul Mariani


Artemio Rodriguez’s Sinfonia Para Los Dioses & Yolanda M. Lopez’s Tribute to Dolores Huerta

Sinfonia Para Los Dioses Tribute to Dolores Huerta (Homenaje a Dolores Huerta)

By Jessie Rosales

It was my first time using the GALC loan program. It was a good experience. I reviewed aimlessly through the available art pieces. However, I stumbled across two art pieces from Latinx artists. I decided to rent them out and place them in my barebones office. Unfortunately, I found out about the program a bit late, so the art pieces were only in my office for less than a month – but they did bring a lot of character and fullness to my office.


Ryoko Tajiri’s Figure I & Theo Wujcik’s James Rosenquist

Figure I James Rosenquist

By Anonymous

I am a Berkeley staff member and first learned about the GALC through enthusiastic co-workers who had just chosen and hung their prints for the year. Because my work is based at an institute focused on robotics and automation, I sought out two prints that were deeply humanistic in both subject and medium. Both were portraits of human (or humanoid) figures looking contemplative about their roles and places in the world. In contrast to the uniformity of mass-produced art prints from the home decor store, these pieces also stood out because a human hand was so evident in their creation…from delicate and irregular pencil strokes to the hand-cut paper canvas.

After participating for one year, my conclusion is that the GALC is the coolest program on campus! I’ve told dozens of colleagues around the world about it. They were shocked that the University allows this intimate and democratic engagement with fine art. Bringing art and the artists’s stories into our office spaces helps to elevate the professional environment — in ways that reflect the thought-provoking work we all do on behalf of the University. Thank you for providing this very special program.


Man With Plate & Coygon Robinson Jr.’s Mr. Charles

Man With Plate Mr. Charles

By Clifton Damiens

I loved having those prints in my office. I have an office in the basement; no windows and no natural light. The posters brought a bit of sunshine into my workspace. I only wish I could keep them through the summer.

I am grateful for this program and look forward to reserving two more pieces for the 2019-20 academic year.