Author: Scott Peterson
Stephen Longstreet’s Still-Life with Fruit & Larry “Poncho” Brown’s Umoja
By Niklas Lollo
It’s great to have beautiful art on my walls throughout the year. Friends are always
impressed and surprised that the library loans it out for free each year!
Minna Wright Citron’s Mutation & Zulema Damianovich’s Air Spaces
By Fatima Sierre Alleyne
It was great to be able to acquire artwork to adorn my office to make it more inclusive and welcoming, particularly because my responsibilities involve the advancement of diversity, equity, and inclusion. I will definitely borrow from the collection again.
Corita Kent’s i i am coming alive & Edward Avedisian’s Tide Light
By Ryan Saraie
I love how easy it is to rent out paintings! Honestly an amazing, accessible opportunity, and I was able to add some nice art to my bedroom
William J. Faber’s Abstraction
By Anonymous
I really enjoyed it, and I am so glad I came to the workshop at the beginning of the semester. I only checked out one piece, but I loved how it added something more to my space without reminding me of other things – it simply just *was*. I definitely plan to check out another piece next year… Thank you so much!
Berthe Morisot’s Drawing Lesson
By Camille Crittenden
Thank you for this wonderful service! The Berthe Morisot sketch I borrowed added a touch of history and visual culture to my office space that I appreciated every day.
New Books Added to Graduate Services in April
Collected Poems by Robert Bly
Beard’s Roman Women by Anthony Burgess with photographs by David Robinson edited with an introduction and notes by Graham Foster
The Black Prince by Adam Roberts Adapted from an original screenplay by Anthony Burgess
David Jones’s The Grail Mass And Other Works (Modernist Archives Series) edited by Thomas Goldpaugh and Jamie Callison
Gramophone, Film, Typewriter by Friedrich A. Kittler translated with an introduction by Geoffrey Winthrop-Young and Michael Wutz
Spekulative Sinnlichkeit: Kontemplation And Spekulation Im Mittelalter by Niklaus Largier
The Cambridge Edition Of The Works Of D.H. Lawrence The Poems Volume III: Uncollected Poems And Early Versions edited by Christopher Pollnitz
The Writings Of Herman Melville: Billy Budd, Sailor And Other Uncompleted Writings edited by Harrison Hayford, Alma A. MacDougall, Robert A. Sandberg, and G. Thomas Tanselle
Enlisting Faith: How The Military Chaplaincy Shaped Religion And State In Modern America by Ronit Y. Stahl
Imagining World Order: Literature And International Law In Early Modern Europe, 1500-1800 by Chenxi Tang
Why Should I Write A Poem Now: The Letters Of Srinivas Rayaprol And William Carlos Williams, 1949-1958 edited by Graziano Kratli with a forward by Arvind Krishna Mehrotra and Afterward by Paul Mariani
Robert Swanson’s Fairies & Beth Van Hoesen’s Raccoon Straits
By Emily Turkel
Living with the GALC was great! The one downside was not being able to check the pieces out over the summer — my apartment was defined by the art! I had “Raccoon Straits” hung above my dining room table and everyone complimented me on the piece! Can’t wait to check out some new prints next semester.
Artemio Rodriguez’s Sinfonia Para Los Dioses & Yolanda M. Lopez’s Tribute to Dolores Huerta
By Jessie Rosales
It was my first time using the GALC loan program. It was a good experience. I reviewed aimlessly through the available art pieces. However, I stumbled across two art pieces from Latinx artists. I decided to rent them out and place them in my barebones office. Unfortunately, I found out about the program a bit late, so the art pieces were only in my office for less than a month – but they did bring a lot of character and fullness to my office.
Ryoko Tajiri’s Figure I & Theo Wujcik’s James Rosenquist
By Anonymous
I am a Berkeley staff member and first learned about the GALC through enthusiastic co-workers who had just chosen and hung their prints for the year. Because my work is based at an institute focused on robotics and automation, I sought out two prints that were deeply humanistic in both subject and medium. Both were portraits of human (or humanoid) figures looking contemplative about their roles and places in the world. In contrast to the uniformity of mass-produced art prints from the home decor store, these pieces also stood out because a human hand was so evident in their creation…from delicate and irregular pencil strokes to the hand-cut paper canvas.
After participating for one year, my conclusion is that the GALC is the coolest program on campus! I’ve told dozens of colleagues around the world about it. They were shocked that the University allows this intimate and democratic engagement with fine art. Bringing art and the artists’s stories into our office spaces helps to elevate the professional environment — in ways that reflect the thought-provoking work we all do on behalf of the University. Thank you for providing this very special program.
Man With Plate & Coygon Robinson Jr.’s Mr. Charles
By Clifton Damiens
I loved having those prints in my office. I have an office in the basement; no windows and no natural light. The posters brought a bit of sunshine into my workspace. I only wish I could keep them through the summer.
I am grateful for this program and look forward to reserving two more pieces for the 2019-20 academic year.