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Book cover for The Atlantic Republic of Letters

The Atlantic Republic of Letters offers an alternative intellectual history of early America. Focusing on Benjamin Franklin’s Philadelphia, the book frames Euro-American colonialism as an intellectual enterprise, which was established not only through military and economic means but also through books, ideas, and cultural institutions.

Through research in dozens of archives and rare book libraries, Diego Pirillo brings together two interconnected histories. First, he recovers the place of British America in the cosmopolitan world of the Republic of Letters, studying the communication system that facilitated the transatlantic circulation of knowledge. Second, he shows that knowledge was weaponized in the effort to survey and control North America. While fashioning themselves as independent and cosmopolitan scholars, Franklin and his associates, including James and Martha Logan, Isaac Norris II, Pierre Eugène Du Simitière, and Jane Colden, among others, were in fact deeply tied to political power and tailored their ideas to the needs of their patrons. They served as agents of empire and helped to devise and put into practice the colonial project. Not only were books, libraries, and cultural institutions funded by the wealth created by the slave trade and the expropriation of Indigenous land, but, as Pirillo argues, the very taxonomies and classification systems that Euro-American scholars devised directly shaped the colonial enterprise.

In this respect, The Atlantic Republic of Letters illuminates the relationship among books, intellectuals, and colonial governance, and explores the ways in which knowledge circulated and shaped conquest.

[from publisher’s site]

Diego Pirillo (Ph.D., Scuola Normale Superiore) is Professor of Italian Studies at the University of California, Berkeley, where he is also affiliated with the History Department. His work explores how mobility, displacement, and colonialism shaped the intellectual and cultural history of early modern Italy, Europe and the Atlantic world. He has a secondary interest in modern Italian intellectual history with special attention to authors such as Croce, Gentile and Gramsci. His previous book The Refugee-Diplomat: Venice, England and the Reformation (Ithaca, Cornell: University Press, 2018, was awarded the 2019 MLA Aldo and Jeanne Scaglione Prize for Italian Studies. The Refugee Diplomat offers an alternative history of early modern diplomacy, centered not on states and their official representatives but around the figure of “the refugee-diplomat” and, more specifically, Italian religious refugees who forged ties with English and northern European Protestants in the hope of inspiring an Italian Reformation.

The Atlantic Republic of Letters : Knowledge and Colonialism in the Age of Franklin.
Philadelphia, University of Pennsylvania Press, 2026.

Book cover for Arts of the Border: Fugitive Bodies at Europe's Edges

Arts of the Border: Fugitive Bodies at Europe’s Edges investigates the consequences of unfolding catastrophes across the world and the displacement they continue to produce. Through recent narratives and media representations of the refugee “crisis” at Europe’s edges, it tells a new story about those on the move, the technologies unleashed on them at borders, the racialized and colonial histories that inform these technologies, and the artistry with which migrants and allies bear witness to displacement. The book reorients us toward the creativity and movement of migrants themselves– their “arts of the border”—as well as toward the political force of the arts that represent them, whether in literature, documentary film, or art installations.

Sanyal proposes kino-aesthetics as a framework for capture and fugitivity at borders. From kino—to set in motion—and aesthetics— relating to sensory perception—kino-aesthetics conveys the force of bodies in motion and the image in its circulation. The book examines the simultaneity of capture and escape at thresholds of illegalization, from airport detention zones to Calais’s “jungle” and the Euro-African border at Ceuta and Melilla. What emerges throughout these case studies is a portrayal of border violence in its racial and colonial forms as well as an archive of refusal, fugitivity, and un-bordered imagining.

[from publisher’s site]

Debarati Sanyal is Director of the Center for Interdisciplinary Critical Inquiry and Professor of French (affiliated with Critical Theory, The Center for Race and Gender, and European Studies). Debarati’s research and teaching interests range from 19th-century French literature to contemporary critical refugee studies. Her first book, The Violence of Modernity: Baudelaire, Irony and the Politics of Form (Johns Hopkins, 2006), reclaimed Baudelaire’s aesthetic legacy for ethical inquiry and historical critique. Her second book, Memory and Complicity: Migrations of Holocaust Remembrance (Fordham, 2015), addressed the transnational circulations of memory and complicity in the aftermath of the Shoah, from post-WWII to the present. It was translated in French as Mémoire et complicité: Au Prisme de la Shoah (PUV, 2018) with a preface by Éric Fassin. A Guggenheim Fellow (2021-2022), she is completing a book on migrant resistance, biopolitics and aesthetics in Europe’s current refugee “crisis.”

Arts of the Border: Fugitive Bodies at Europe’s Edges.
New York: Fordham University Press, 2025.

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New Book by Diego Pirillo

New Book by Debarati Sanyal