Tyson Cornell founded Rare Bird Books in 2010 in Los Angeles. While starting life in the Midwest, Cornell attended UCLA. In Los Angeles, they ended up working at the legendary, independent bookstore Book Soup. Interested in ethnography, Cornell initially worked in the newsstand, but increasingly supported events and worked with authors and publishers.[1]
Those experiences led Cornell to found Rare Bird in 2010 and have influenced the press’ focus since. The publisher’s more than 100 titles often serve as partial ethnographies, with heavy emphasis on lived experience through memoirs and “operat[ing] from a shadowy locus between Northeast LA and epistemological collapse.”[2]
Readers can follow Rare Bird and their website or through their Instagram page.
[1] Joey Claudio, “Founder of Rare Bird Books Tyson Cornell Provides Insight Into His Sources of Inspiration and How He Maintains a Permanent Sense of Creativity,” Thrive Global, September 29, 2021, https://community.thriveglobal.com/founder-of-rare-bird-books-tyson-cornell-provides-insight-into-his-sources-of-inspiration-and-how-he-maintains-a-permanent-sense-of-creativity/.
[2] “About Rare Bird,” Rare Bird: Publisher of the Great & Infamous, accessed May 26, 2026, https://rarebirdlit.com/about-rare-bird/.
J.C. Gabel and Brian Roettinger founded Hat & Beard in Los Angeles in 2016.[1] This publisher and print production house focuses on nonfiction literary and artistic output. They are heavily interested in the visual arts and, alongside poetry and essays, publish artist monographs in collaboration with artists and museums. Their stated goal is to produce works of “pop-culture and historical significance” [2].
This House produces beautiful material objects as well as fascinating works of poetry. Interested in design, these books are works of art in and of themselves. Frequently hardback with high-quality materials, these volumes are as much about the object as about the content.
For more information about their titles and their activities, check out their website or Instagram page.
Inventory Press is not primarily a literary publisher. Instead, they “publish[…] books on topics in art, architecture, design, and music, with an emphasis on subcultures, minor histories, and the sociopolitical aspects of material culture.” That frequently includes literary components.
After establishing the press in 2014 in New York, Adam Michaels (graphic designer and editor) and Shannon Harvey (design strategist) opened an “independent design and editorial studio” in Los Angeles called Inventory Form & Content (IN-FO.CO). The Press, in turn, in now situated primarily in Los Angeles.[1]
Founded by designers, the Press is interested in the form, look, and function of a book as much as the content. In consequence, their books are often word art (e.g., The Endless Line | Gesture, Painting, Technics) and about the art of letters and words (e.g., A Queer Year of Love Letters) more than they are strictly poetry or prose.[2]
James Benning, Over Time, with Sharon Lockhart and Martin Beck (Inventory Press, 2022).
For More Books in the UC System
To find additional titles in the UC Library system, take a look at the UC Library Search and limit an advanced search to “Publisher” to “Inventory Press” and “Material Type” to books (sample).
Yago Cura founded HINCHAS Press in Los Angeles in 2016. The press comes out of Cura’s Hinchas de Poesia Literary Journal (founded in 2009), a journal Cura began with financial support from one James Foley. Foley, a war journalist, died in 2014 after being detained by ISIS for two years. To memorialize Foley’s support and “honor Jim’s spirit,” Cura collaborated with several writers who also knew Foley to write the anthology Ghazals for Foley (HINCHAS Press, 2016) – the first of HINCHAS press’ books.
From its start as a literary journal, HINCHAS Press has focused on poetry, library science (Cura is themself a public librarian), and zines. The Press is a “bilingual literacy laboratory,” publishing works in English, Spanish, in translation, and/or Spanglish. Honoring its founding, topics continue to focus on social justice and advocacy with recent volumes focused on stories from “Black and Brown writers from around the globe” (e.g., Amorphaville: Stories Outside Time) as well as LA specific authors (e.g., X LA Poets). The Press aims to produce four volumes a year.
Readers can find more about the press on their website or on their Instagram page.
UC Berkeley also recently put in an order for several of their additional texts. We also plan on going on a bit of a hunt in the Fall for some of their out of print titles.
Black Mask Studios, based in Los Angeles, saw its start in 2012 with the publication of the kickstarter-funded Occupy Comics anthology under leadership of Steve Niles, Brett Gurewitz, and Matt Pizzolo. The three started the publishing house with experiences ranging from punk rock (Bad Religion), to horror comics (30 Days of Night) and film, and business (HALO 8 Entertainment), to name only a few of their efforts. Each with roots in various punk scenes, the three wanted to bring their experiences to start a house that could introduce punk rock values into comics and emphasize the involvement of comics in counterculture.[1]
Since their founding, Black Mask has contributed to the comics scene with some influential titles including Black (Kwanza Osajyefo and Jamal Igle, 2016), Godkiller (Matteo Pizzolo and Anna Muckcracker Wieszczyk, 2016), and Calexit (Matteo Pizzolo and Amancay Nahuelpan, started 2018). As fitting with punk values, the stories frequently explore push-back against cruelty (Liberator, Matt Miner, Javier Aranda Sanchez, Joaquin Pereyra, and Crank; 2014) and government corruption (Clandestino, Amancay Nahuelpan, 2018), and self-expression (Alice In Leatherland, Iolanda Zanfardino and Elisa Romboli, 2022).
Readers can follow Black Mask on their website or their Facebook page.
Kwanza Osajyefo and Tim Smith 3, Black, vol. 1, with Jamal Igle (2017).
For more in the UC Libraries
To find additional titles, take a look at the UC Library Advanced Search with a limit to publisher (sample). Note, however, that some of Black Mask Studio’s titles are released in collaboration with Simon and Shuster.
Notes
[1] Borys Kit, “‘John Wick’ Filmmaker Chad Stahelski Tackling California Rebellion Comic ‘Calexit’ (Exclusive),” The Hollywood Reporter, July 23, 2025, https://www.hollywoodreporter.com/movies/movie-news/john-wick-filmmaker-chad-stahelski-calexit-1236326587/; Scott Thill, “Black Mask Studios’ ‘Old Punks’ Occupy Comics, Creators Rights,” Tags, Wired, March 20, 2012, https://www.wired.com/2012/03/black-mask-studios-occupy-comics/; Steve Foxe, “Black Mask Studios Founders Talk Creator Rights, Punk Ethics and a Very Busy 2015,” Paste Magazine, March 25, 2015, https://www.pastemagazine.com/comics/black-mask-studios-founders-talk-creator-rights-pu.
With its first books appearing in 2023, Atopon Books is a newer press based out of Santa Monica. This not-for-profit press focuses on “poetry and literary fiction,” releasing new literary publications as well as releasing new editions of classic novels. Building its catalog, the Atopon is more interested in literature that “demystif[ies] moral as well as aesthetic concern[s]” than in worrying about genre distinctions.[1]
Atopon Books does have a Facebook page, but this Literatures Librarian does not and cannot say what’s on it.
Founded in 1992 in Los Angeles by Scott McAuley and Paddy Calistro, Angel City Press (https://acp.lapl.org/) focuses on non-fiction with an emphasis on Southern California’s space, history, art, and music.[1] Under their leadership, the press published more than 100 volumes including Hollywood du Jour (1993, link to UC Library Search).
In 2023, the co-founders decided to retire and donated the press and its catalog to the Los Angeles Public Library.[2] Under the LAPL, the press publishes seven books a year on diverse topics, but each focused on the LA area. Between the volumes, the books offer not only an exploration of the LA area, but an amazing look into some of the LAPL’s collections, drawing on images, illustrations, and more.
Readers can find information about their new releases and book talks on Angel City Press’ Instagram page. The press also posts phenomenal historical photographs and other LA-related ephemera from LA Public Library’s special collections (About the collections). For more digitized material, check out TESSA, the digital collections of the Los Angeles Public Library.
UC Berkeley’s Doe and Bancroft Libraries as well as UC Los Angeles collect heavily from across Angel City Press’ topical coverage. You can find most of their catalog through the UC Library Search.
Notes
[1] Angel City Press at Los Angeles Public Library. “Our Story.” Accessed January 28, 2026. https://acp.lapl.org/about-us/.
In 2015, Publishers Weekly declared that Unnamed Books was “Creating Home For Contemporary Authors.”[1] At that point, the small, LA-based publisher was still only getting off the ground. In the early 2010s, Chris Heiser and Olivia Taylor Smith decided to go into independent publishing. In 2013, the two started with the name Ricochet Books, but USC had already claimed the name “Ricochet” in 2012. In 2014, they chose to rebrand as Unnamed Press, with the intention of providing a space for international literature. Their early titles included works like Deji Olukotun’s Nigerians in Space and Rocío Cerón’s Diorama.[2]
Since then, the press has expanded to become “general interest.”[2] In 2024, that included the creation of their Smith & Taylor Classics imprint with titles such as Vernon Lee’s Hauntings: And Other Stories. To continue pushing literature and providing spaces for experimental literature, in 2025 the press started a poetry line. That line often includes audio components on vinyl (https://www.unnamedpress.com/vinyl) with titles such as Emma Ruth Rundle’s The Bella Vista: Poems.[3]
Readers can find more material through a publisher focus in our UC Library Search. Select titles are available for circulation in Doe’s Main Stacks while others are in our special collections in Bancroft (UC Library search limited to special collections). See individual catalog entries for location.
Seven Seas Entertainment (website) is a Los Angeles based publishing house. In 2004, Jason DeAngelis founded the House with the intention of providing English language translations of manga (i.e., Japanese comics/graphic novels). A fan of the genre and a translator thereof, they decided to fill a significant gap in the market.[1] Since then, the House has released thousands of titles translated into English as well as expanded into print editions of serialized web comics.
Over the last two decades, Seven Seas Entertainment has expanded with several imprints including:
Readers can find more material through a publisher focus in our UC Library Search. Readers can also find limited titles from the imprint Seven Seas Ghost Ship (UC Library Search). Readers should be aware that the comics collection in Doe Library is in the PN section – and that there is another comic collection in the East Asian Library!
Insert Press was found in 2005 by Mathew Timmons to focus on interdisciplinary and/or hybrid works.[1] Initially, Insert Press focused on poetry in chapbook form, but over the following decade turned to increasingly toward “translation, poetics, artist books.”[2]
