See Professor Lenssen speak about her new book at NY MoMA on May 23, 6:00-8:00. In conversation with Anneka Lenssen, Sarah Rogers, Nada Shabout, co-editors of the book, and Iftikhar Dadi, Cornell University, with introduction by Glenn D. Lowry, MoMA.
From the publisher website, Duke University Press:
“Modern Art in the Arab World: Primary Documents offers an unprecedented resource for the study of modernism: a compendium of critical art writings by twentieth-century Arab intellectuals and artists. The selection of texts—many of which appear here for the first time in English—includes manifestos, essays, transcripts of roundtable discussions, diary entries, exhibition guest-book comments, letters, and more. Traversing empires and nation-states, diasporas and speculative cultural and political federations, these documents bring light to the formation of a global modernism, through debates on originality, public space, spiritualism and art, postcolonial exhibition politics, and Arab nationalism, among many other topics. The collection is framed chronologically, and includes contextualizing commentaries to assist readers in navigating its broad geographic and historical scope. Interspersed throughout the volume are sixteen contemporary essays: writings by scholars on key terms and events as well as personal reflections by modern artists who were themselves active in the histories under consideration. A newly commissioned essay by historian and Arab-studies scholar Ussama Makdisi provides a historical overview of the region’s intertwined political and cultural developments during the twentieth century. Modern Art in the Arab World is an essential addition to the investigation of modernism and its global manifestations.”
The Bay Area Book Festival will take place this year on April 28-29 throughout Downtown Berkeley. The festival will also include a Screening and Conversation Series in collaboration with the Berkeley Art Museum and Pacific Film Archive.
Here is a sampling of art-related talks at the Bay Area Book Festival. See their website for a full schedule.
Geoff Dyer on Street Photography and Beyond, Interviewed by Errol Morris
Geoff Dyer interviewed by Errol Morris
Sunday, April 29
11:45 AM – 1:00 PM
The English writer Geoff Dyer’s eclectic, critically acclaimed body of work includes novels, memoirs, literary criticism, and essays on travel, jazz, film, and more, each marked with his inimitable wit. He’s known for defying genres, and his latest, “The Street Philosophy of Garry Winogrand,” includes 100 essays about 100 photographs by the famed street photographer. Dyer’s responses to the photographs are predictably unorthodox, often hilarious, and always insightful. Billy Collins (former U.S. poet laureate) said the book “amounts to an extensive tour of Winogrand’s photographs conducted by a savvy, observant, and highly entertaining guide.” Academy Award-winning documentarian Errol Morris, who also has authored a book on photography, will interview. Don’t miss this discussion with two powerful, funny, whip-smart speakers.
Aline Kominsky-Crumb: A Life in Comics
Aline Kominsky-Crumb interviewed by Peggy Orenstein
Sunday, April 29
11:45 AM – 1:00 PM
Viet Thanh Nguyen on Art and Politics
Viet Thanh Nguyen interviewed by Karen Tei Yamashita
Saturday, April 28
1:30 PM – 2:45 PM
The Transformative Power of Art: Making The Dam Keeper
Robert Kondo, Dice Tsutsumi
Saturday, April 28
1:30 PM – 2:45 PM
In 2014, audiences had to guard their heart-strings against Pixar’s short film “The Dam Keeper,” which told the story of Pig, a young boy who lives in a windmill and must keep a menacing fog away from his town. The responsibility weighs even heavier because Pig has no friends. Not until a new kid shows up at school and introduces Pig to artistic expression does his loneliness begin to dissipate. Join the men behind the film to discuss art, friendship, and creative dreams. This graphic novel is masterful on both literary and artistic levels: Be prepared to be swept away! (Remember, anyone under age 18 is let in free—no wristbands necessary!)
Brenda Hillman and Geoffrey G. O’Brien: A Conversation
Brenda Hillman, Geoffrey G. O’Brien, introduced by Rachel Richardson
Saturday, April 28
1:30 PM – 2:45 PM
Rembrandt and the Mughals
Dr. Stephanie Schrader
10 Stephens Hall, UC Berkeley
April 30, 2018, 12:30-2:30
Dr. Stephanie Schrader, Curator, Department of Drawings, J. Paul Getty Museum, Los Angeles will be speaking at UC Berkeley on April 30, from 12:30-2:30 at 10 Stephens Hall. Dr. Stephanie Schrader is the editor of the catalog, and curator of the exhibit, Rembrandt and the Inspiration of India, currently on at the Getty Center through June 24, 2018.
The exhibition catalog can be found in our library: ISBN 9781606065525
Stephanie Schrader will address the 23 drawings Rembrandt made late in his career after Indian paintings that were imported into Amsterdam from Dutch trading post in Surat. Rembrandt’s portraits of Mughal rulers, princes, and courtiers demonstrate how his contact with Indian art inspired him to draw in a different style on Asian paper. Schrader argues that the Mughal compositions Rembrandt copied were not merely foreign curiosities, but carried with them specific associations of empire, trade, luxury, and exceptional artifice.
A reception will follow the talk.
Speaker Bio: Stephanie Schrader is curator at the Department of Drawings at the J. Paul Getty Museum, specialising in 16th to 18th century Dutch and Flemish art. Her interest in cross cultural exchanges include exhibitions, publications, lectures and classes on artists including Jan Gossaert, Maria Sibylla Merian and Peter Paul Rubens.
Sponsors: Department of History of Art Stoddard Lecture Series, Institute for South Asia Studies, Sarah Kailath Chair of India Studies, Department of History of Art.
Mapping as Research: Trevor Paglen in conversation with Julia Bryan-Wilson
and book launch
Tuesday, April 24 at 5:00 pm
Osher Theater, Berkeley Art Museum and Pacific Film Archive, UC Berkeley
To celebrate his first comprehensive artist monograph, Trevor Paglen (UC Berkeley Geography PhD and 2017 MacArthur “genius” fellow) will discuss his work with ARC Director Julia Bryan-Wilson. Paglen’s work relentlessly pursues what he calls the “unseeable and undocumentable” in contemporary society. Blending photography, installation, investigative journalism, and science, Paglen explores the clandestine activity of government and intelligence agencies, using high-grade equipment to document their movements and reveal their hidden inner workings. The new publication includes a survey text by Bryan-Wilson and presents over two decades of Paglen’s groundbreaking work, making visible the structures and technologies that impact our lives.
Please note: Paglen will be signing books after the discussion.
Trevor Paglen is an artist whose work spans image-making, sculpture, investigative journalism, writing, engineering, and numerous other disciplines. Among his chief concerns are learning how to see the historical moment we live in and developing the means to imagine alternative futures. Trevor Paglen’s work is included in the collections of the Metropolitan Museum of Art; the San Francisco Museum of Modern Art; the Smithsonian American Art Museum; the Whitney Museum of American Art; Berkeley Art Museum; the Solomon R. Guggenheim Museum, New York; Victoria and Albert Museum, London; and the Nevada Museum of Art. He has launched an artwork into distant orbit around Earth in collaboration with Creative Time and MIT, contributed research and cinematography to the Academy Award-winning film Citizenfour, and created a radioactive public sculpture for the exclusion zone in Fukushima, Japan. He is the author of five books and numerous articles on subjects including experimental geography, state secrecy, military symbology, photography, and visuality. Paglen’s work has been profiled in the New York Times, the New Yorker, the Economist and Art Forum. He is a 2017 recipient of the MacArthur Foundation Award.
Paglen holds a B.A. from UC Berkeley, an MFA from the Art Institute of Chicago, and a Ph.D. in Geography from UC Berkeley.
Julia Bryan-Wilson is Professor of Modern and Contemporary Art at the University of California, Berkeley. Her research interests include questions of artistic labor, feminism, queer theory, fabrication/production, performance, visual culture of the nuclear age, photography, and textile handicraft. She is the author of Art Workers: Radical Practice in the Vietnam War Era (U California Press, 2009), Art in the Making: Artists and their Materials from the Studio to Crowdsourcing (with Glenn Adamson, Thames & Hudson, 2016), and Fray: Art and Textile Politics (U Chicago, 2017). She is the editor of Robert Morris: October Files (MIT, 2013), and she has co-edited two special issues of journals: “Visual Activism” for the Journal of Visual Culture (with Jennifer González and Dominic Willsdon) and “Time Zones: Durational Art and its Contexts” for Representations (with Shannon Jackson). With Andrea Andersson, Bryan-Wilson co-curated the exhibition Cecilia Vicuña: About to Happen, which travels to the Berkeley Art Museum in fall 2018. She is currently writing a book about Louise Nevelson.
Image: Trevor Paglen, Untitled (Reaper Drone), 2010, C-Print, 48 × 60 in. (121.92 × 152.40 cm), Courtesy of the Artist, Metro Pictures New York, Altman Siegel San Francisco.
Help support the collections in the Art History/Classics Library on March 8th during Cal’s Big Give Fundraising event!
Support the Art History/Classics Library by making your donation directly through the Big Give website at this link.
The Big Give is an online fundraising event that began in 2014, giving you and the entire Cal community — alumni, parents, students, faculty, staff, and friends — the chance to come together to support your favorite schools and programs.
For more information about the Big Give, see the event website.
Founded in 1972, the Art Libraries Society of North America is a dynamic, international organization of more than 1,000 individuals devoted to fostering excellence in art and design librarianship and image management in the United States, Canada, and Mexico. The membership includes architecture and art librarians, visual resources professionals, artists, curators, educators, publishers, students, and others interested in visual arts information. To serve this diverse constituency, the Society provides a wide range of programs and services within an organizational structure that encourages participation at all levels.
Thank you to everyone who attended our successful event on Tuesday, February 13th, showcasing many of the Library’s treasures from around campus:
Students, faculty, staff, and members of the public enjoyed seeing rare and special collection items from collections such as: the Bancroft Pictorial Collections; Artists’ books from the Environmental Design Library and the Bancroft Library; prints from the Graphic Arts Loan Collection at Morrison Library; media resources from the Media Resources Center; image collections from the Visual Resources Center in the History of Art Department and the College of Environment Design; and many more!
Art + Feminism + Race + Justice Wikipedia Edit-a-Thon
Drop in any time, stay as long as you like!
Tuesday, March 6, 12:00pm-5:00pm
Wikimedia’s gender trouble is well-documented. While the reasons for the gender gap are up for debate, the practical effect of this disparity is not: content is skewed by the lack of female participation. This represents an alarming absence in an important repository of shared knowledge. Let’s change that! Drop by the A+F Wikipedia Edit-a-Thon, learn how to edit Wikipedia and make a few changes of your own! This year, we’re partnering with the American Cultures program and expanding the scope to highlight the theme of race and justice. We are now calling it the Art+Feminism+Race+Justice Wikipedia Edit-a-thon.
People of all gender identities and expressions welcome.
Bring a laptop.
Drop in for half an hour or stay for the whole afternoon.
No editing experience necessary; we’ll provide training and assistance.
Optional: Training sessions at 12:30 & 2:30.
Get a headstart! Create an editing account ahead of time.
Refreshments will be provided.
RSVP (encouraged, but not required)
A Cal ID card is required to enter Moffitt. The Library attempts to offer programs in accessible, barrier-free settings. If you think you may require disability-related accommodations, please contact us.
Department faculty, Anneka Lenssen and Atreyee Gupta contributed to a publication that was featured in the New York Times “Best Art Books of 2017“. The publication, Postwar: Art between the Pacific and the Atlantic, 1945-1965, is a comprehensive global survey of the art of the postwar era.