This week in Summer Reading

Book cover for The Ornament of the World

The Ornament of the World
María Rosa Menocal

In her history of the vibrant Islamic state that governed Spain during the Dark Ages and its far-reaching cultural influence, Menocal shows us a very different set of rules for worship, war, and art than we typically associate with medieval Europe. The emergence of a society so steeped in learning and religious and linguistic diversity, and the mutual rewriting of rules brought about as it rubbed shoulders with its neighbors, make an eye-opening story.

SAM PIMENTEL
Assistant Professor
Department of Statistics

 

Book cover for Caste

Caste: The Origins of Our Discontents
Isabel Wilkerson

Caste: The Origins of our Discontent, by Isabel Wilkerson, really opened a new perspective into how I view race, particularly in the United States. It goes beyond the understanding of class and addresses a deeper issue of “caste” that underlies much of how we see race and class in this country.

COLETTE JACKSON
Information Systems Analyst
Berkeley IT


This week in Summer Reading

Book cover for Enders Game

Ender’s Game
Orson Scott Card

An alien threat leads world leaders to recruit and train child geniuses as military commanders using a series of increasingly complex and morally ambiguous war games. Ender Wiggin’s gradual mastery of each of these games leads him to see beyond the structures imposed by their rules, and confronts readers with challenging questions about the rules of childhood, warfare, and survival.

SAM PIMENTEL
Assistant Professor
Department of Statistics

 

 

Book cover for A Children's Bible

A Children’s Bible
Lydia Millet

In a not-too-distant future America plagued by climate change and government dysfunction, a divide grows between children and parents living together in a rural commune. The children recognize and adapt to a changing world that their myopic parents cannot fully understand, reshaping familial rules and roles.

SAM PIMENTEL
Assistant Professor
Department of Statistics


This week in Summer Reading

Book cover for Americanah

Americanah: A Novel
Chimamanda Ngozi Adichie

Americanah is a novel that follows the story of Ifemelu, a Nigerian woman who moves to the United States to pursue higher education. Her experiences in America allow her to gain firsthand insight into the complexities of racism and discrimination, prompting her to document her ideas on race and identity in a widely-read blog. However, after spending many years in the U.S., she begins to feel a sense of disconnection and a lack of belonging. This leads her to move back to Nigeria, where she seeks to rediscover her roots and reconnect with her cultural identity.

This novel is an excellent example of (Re)Writing the Rules, as it encourages readers to critically evaluate their views on race, identity, and the biases and prejudices they may have.

IMAAN NADIR
Intended Molecular and Cell Biology major
Class of 2025

 

Book cover for Pachinko

Pachinko
Min Jin Lee

Pachinko is a compelling work of fiction that tells the story of a Korean family in Japan from the early 1900s to the 1980s. The novel explores the challenges faced by the family navigating life as Koreans in Japan during a time of political and social unrest. The family’s experiences are shaped by discrimination, poverty, war, and colonialism. Despite these struggles, they draw strength from their community and traditions. This novel fits the theme of (Re)Writing the Rules by exploring narratives of the human experience and challenging stereotypes about minority communities. It is a powerful story that highlights the importance of culture and identity and prompts readers to reflect on their biases and gives them an empathetic and nuanced way of understanding and relating to others.

IMAAN NADIR
Intended Molecular and Cell Biology major
Class of 2025


This week in Summer Reading

Book cover for The Swimmers

The Swimmers
Julie Otsuka

The Swimmers by Julie Otsuka rewrites the rules of novel-writing – if such rules exist. Hilarious at times, as the narrator assumes the first-person plural “we” from the POV of a diverse group of lap swimmers at a community pool, and poignantly heartbreaking later, as the voice shifts to the second-person “you” in the form of one of the swimmers’ daughters, a Japanese American novelist. Masterfully crafted, this novel delivers – in a slim 176 pages.

JOHN LEVINE
Lecturer
College Writing Programs

 

Book cover for Twenty Five Chickens

Twenty-Five Chickens and a Pig for a Bride
Evangeline Canonizado Buell

In Twenty-Five Chickens and a Pig for a Bride: Growing Up in a Filipino Immigrant Family, Buell recounts her experiences as one of the few Filipino families growing up in West Oakland during the 1930s and ’40s, detailing her and her family’s triumphant struggles over racial and gender discrimination in the Bay Area. This wonderfully written and engaging memoir gives us a firsthand window into Buell’s family life, starting in the early 1920s when her parents immigrated to the United States, into her adult life, two marriages, and numerous achievements, which include helping to co-found the East Bay Chapter of the Filipino American National Historical Society. In addition to the engaging narrative, Buell welcomes us into her story through a series of family photographs.

Buell was recently interviewed on East Bay Yesterday, a great accompaniment to the book, and the Bancroft Library has an oral history with her, which is part of the Rosie the Riveter World War II American Homefront Oral History Project.

KRIS KASIANOVITZ
UCB IGS Library Director


This week in Summer Reading

Book cover for Detransition, Baby

Detransition, Baby: A Novel
Torrey Peters

What are the rules of motherhood, fatherhood, gender, love, and family? The characters in Detransition, Baby toss out and revise so many of these rules, and I thoroughly enjoyed being a witness to that!

Reese and Amy, two trans women, are in a relationship with each other until Amy de-transitions due to the transphobia she faces: It was just too difficult for her to live as a woman. Now going by Ames, he finds himself in a relationship(ish) with his boss, Katrina, a biracial, Chinese American, Jewish, cis woman. There is an unexpected pregnancy and some creative finagling, and Reese’s strong desire to be a mother – coupled with Ames’ desire to be a father-not-father – leads our characters to have a lot of dialogue about what family is, and in turn an unconventional family is “born.” There are some plot twists that I don’t want to give away here, but know that Peters’ characters are just as dysfunctional, histrionic, and damaged as any of us. It is refreshing and delightful to read! Detransition, Baby is also among the first novels written by a trans woman to be issued by a major publishing house.

MAYA MAHAJAN
Coordinator
Language Exchange Program

Book cover for Sellout

Sellout: The Major-Label Feeding Frenzy That Swept Punk, Emo, and Hardcore (1994-2007)
Dan Ozzi

The word “sellout” might not have the same integrity-shattering connotation as it used to in this age of get-famous-at-all-costs social media influencers. But it wasn’t always this way. As punk and alternative broke (again) in the 1990s, the music industry started to take notice and artists from the underground were confronted with a Faustian bargain: to stay true to the DIY, anti-corporate ethos of the scene, or to sign to a major label and face the music (and be tagged with the dreaded S-word). Getting shunned by the die-hards and banned from 924 Gilman Street in Berkeley, the East Bay epicenter of punk rock in the ’90s, might sound quaint today, but it was enough to threaten the clout and credibility of bands of the time.

Brimming with thorough reporting and illuminating interviews, Dan Ozzi’s Sellout follows the road to the major label debuts of artists such as Green Day, Jawbreaker, Jimmy Eat World, Blink-182, At the Drive-In, The Donnas, The Distillers, and My Chemical Romance. Some transcended the “sellout” tag, while others buckled under the weight of remorse and expectation, or were swept back into obscurity by the changing tides of popular music. But each band had a hand in rewriting the script for a new era of punk- and alternative-influenced pop music, and ushering in an age where the word “sellout” is no longer a nail in the coffin of an artist’s reputation. Put simply, these bands walked so Olivia Rodrigo and Machine Gun Kelly (and so many others) could run.

TOR HAUGAN
Multimedia Writer + Editor
Library Communications


This week in summer reading

Crimp Camp movie posterCrip Camp
Nicole Newnham, Jim LeBrecht (directors)

Following a group of disabled teenagers from Camp Jened in New York to Berkeley, California, in the 1970s, this exuberant documentary chronicles a turning point in the disability rights movement and the fight for accessibility. Our student reviewers for the 2023 On the Same Page program described the documentary as “incredible,” “moving,” “full of fun, joy, and love,” and something that “everyone should see.” Another student reviewer appreciated the documentary’s portrayal of “disabled-centered happiness and accomplishments, one of the many ways it changed my perspective.” Crip Camp reminds us of the power of community and activism to rewrite the rules (literally!) and change the world.

AILEEN LIU
Director of Curricular Engagement Initiatives
College of Letters & Science

The Beadworkers book coverThe Beadworkers: Stories
Beth Piatote

The featured read for the 2022-2023 LEP Global Book Club, Beth Piatote’s debut collection is rich, inventive, and altogether stunning. The very first words are written in nimipuutímt – the language of her Nez Perce heritage – a decision that, rather than being alienating as some publishers feared, invites readers to trust that their discomfort will be rewarded. Throughout the collection, she draws on Nez Perce history, aesthetics, and culture to provide a complex picture of modern Native American life that is as rooted in injustice as it is joy, community, and resilience. The stories she tells are at once a radical departure from dominant narratives while also deeply reflective of the human condition, giving all readers the opportunity to experience new ways of being while drawing connections to their own. From poetry to prose, board game rules to a reimagination of an ancient Greek tragedy, her varied use of form and genre make for a delightful read and re-read.

MAYA MAHAJAN
Coordinator
Language Exchange Program


Important service announcement for CNKI resources

The East Asian Library has received the following email from East View Information Services:

SERVICE ANNOUNCEMENT
March 17, 2023

Dear Customer,

We bring to your attention some important, breaking news. As all are surely aware, recent weeks have seen an acceleration in policy changes at the government level in the People’s Republic of China. East View has been monitoring the situation, and we are doing all possible to remain closely informed by our partners, such as CNKI.

The Cybersecurity Administration of China (CAC) has recently imposed new oversight requirements on Chinese publishers and exporters of information. In short, many content types that were previously viewed as mundane have now been flagged by the Chinese authorities to be subject to government review. We were just informed in recent days that this may lead to a review of:

– DISSERTATIONS
– PATENTS
– STATISTICS
– CONFERENCE PROCEEDINGS

As of the evening of March 15, 2023, East View was informed that the Cybersecurity Administration will require Chinese publishers to temporarily suspend access to full-text downloads of these content types, as soon as April 1 as CAC creates new compliance standards for publishers.

These conditions are also breaking news for our partners in China, who supply the content for overseas use.

As of this morning (March 17th, 2023), we received the following official notification from one partner, CNKI, affirming the imposition of changes on April 1. Their official notification can be downloaded at the following links: https://www.eastview.com/暂停部分服务通知/ and https://www.eastview.com/notice-of-suspension-of-partial-services/

East View has learned that similar measures have been imposed in Taiwan, Hong Kong, and Macau, and will occur in South Korea, Japan, and elsewhere. East View is attempting to learn the extent to which actions imposed in those countries are similar to or divergent from any actions that will be applied for North America.

The fact that these developments are emerging at a moment of heightened international tension is clear. Our partners are operating under difficult circumstances to become compliant with recently created regulations and short deadlines. The duration of such suspensions is not yet known, but we have been told that access will resume upon CAC determining that Chinese publishers have addressed their requirements for the review of the affected content types. While we are working with partners to understand their circumstances, we are also advocating frankly for our customers’ interests and have registered our concern about the timing and scope of these actions.

East View’s mission is to provide meaningful access and solutions for research content from dynamic regions from which such access is not unproblematic. Whether it is content from within or beyond China’s borders, and whether it is collaboration with partners operating under evolving regulations of this nature, this remains our mission. East View is always grateful for your support, and we are eager to provide you maximum transparency and positive outcomes in fulfillment of your missions. We will be engaged with China and with you, our library partners, actively as we learn more about these emerging developments.

Sincerely,
East View Information Services
online@eastview.com


Celebrating Women’s History Month in Art History

Check out these online resources available through UC Library Search. Click on the titles to view them in the catalog, or visit the Art History/ Classics Library to view new publications of women artists on display.

A time of one’s own : histories of feminism in contemporary art 

 Counterpractice : psychoanalysis, politics and the art of French feminism

Black Matrilineage, Photography, and Representation: Another Way of Knowing

 

The Art of Being Dangerous Exploring Women and Danger through Creative Expression

Women artists in the early modern courts of Europe (c. 1450-1700)

Women art workers and the Arts and Crafts movement

Griot Potters of the Folona : the History of an African Ceramic Tradition

Feminist visual activism and the body

Picturing political power : images in the women’s suffrage movement


Celebrating Black History Month- New E-Resources in Art History

Check out these materials, all available on-line.  Click on the titles to access them through UC Library Search.

Black Matrilineage, Photography, and Representation: Another Way of Knowing

The Color Pynk: Black Femme Art for Survival

Death’s futurity : the visual life of Black power

Feelin : creative practice, pleasure, and Black feminist thought

Gullah spirit the art of Jonathan Green

Negotiating Race and Rights in the Museum

 

Speaking Out of Turn: Lorraine O’Grady and the Art of Language

The Black experience in design : identity, expression & reflection

Through the Lens: The Pandemic and Black Lives Matter

 


Come Help Us Create Wikipedia and Create Change, Edit by Edit, on February 15, 2023!

Screenshot of Wikipedia Entry for the Movie Tár 1-20-23
Screenshot of Wikipedia Entry for the Movie Tár 1-20-23

Wikipedia has become so central to our lives that we count on it to represent reality, and solid fact. When we encounter a new phenomenon, we check out our trusty online friend for more information.  So, it was fascinating to me recently to see the lines blur between fiction and reality, when Wikipedia was used as a visual and social cue in the movie Tár, starring Cate Blanchett, about a famed female conductor.  In the movie, one of the clues to the coming turbulence in Lydia Tár’s life is a screen capture of a mystery editor changing items on the conductor’s Wikipedia entry. It looked and felt so real, the filming and Blanchett’s performance so rivetingly vivid, that many people believed the film was a biopic of a real person.   As Brooke LaMantia wrote in her article, No, Lydia Tar is Not Real,

“When I left the theater after watching Tár for two hours and 38 minutesI immediately fumbled for my phone. I couldn’t wait to see actual footage of the story I had just seen and was so ready for my Wikipedia deep dive to sate me during my ride home. But when I frantically typed “Lydia Tar?” into Google as I waited for my train, I was greeted with a confusing and upsetting realization: Lydia Tár is not real…the film’s description on Letterboxd — “set in the international world of classical music, centers on Lydia Tár, widely considered one of the greatest living composer/conductors and first-ever female chief conductor of a major German orchestra” — is enough to make you believe Tár is based on a true story. The description was later added to a Wikipedia page dedicated to “Lydia Tár,” but ahead of the film’s October 28 wide release, that page has now been placed under a broader page for the movie as a whole. Was this some sort of marketing sleight of hand or just a mistake I stumbled upon? Am I the only one who noticed this? I couldn’t be, right? I thought other people had to be stuck in that same cycle of questioning: Wait, this has to be real. Or is it? She’s not a real person?

Wikipedia is central to LaMantia’s questioning!  While it’s easy to understand people’s confusion in general, the Tár Wikipedia page, created by editors like you and like me, is very clear that this is a film, at least as of today’s access date, January 20, 2023… On the other hand, did you know you can click on the “View History” link on the page, and see every edit that has been made to it, since it was created, and who made that edit?  If you look at the page resulting from one of the edits from October 27, 2022, you can see that it does look like Tár is a real person, and in fact, a person who later went on to edit this entry to make it clearer wrote, “Reading as it was, it is not clear if Lydia actually exists.”  Maybe I should write to LaMantia and let her know.

I tell this story to show that clearly, Wikipedia is a phenomenon, and a globally central one, which makes it all the more amazing that it is created continuously, edit by edit, editor by editor.  There are many ways in which our own and your own edits can create change, lead to social justice, correct misinformation and more.  While it’s easy to get lost in the weeds of minute changes to esoteric entries, it’s also possible to improve pages on important figures in real-life history and bring them into our modern narrative and consciousness.  And it’s easy to do!

If you are interested in learning more, and being part of this central resource, we warmly welcome you and invite you to join us on Wednesday, February 15, from 1-2:30 for our 2023 Wikipedia Editathon, part of the University of Calif0rnia-wide 2023 Love Data Week.  No experience is required—we will teach you all you need to know about editing!  (but, if you want to edit with us in real time, please create a Wikipedia account before the workshop).  The link to register is here, and you can contact any of the workshop leaders (listed on the registration page) with questions.  We look forward to editing with you!