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International & Area Studies
March 8th is International Women’s Day, the perfect time to start reading works written by and about women. Spend some time this March browsing the stacks for these inspiring, intelligent, and wonderful works.
If you don’t know where to begin, try starting with some of the staples of feminist literature:
Is anything better than fiction? Yes—like fiction written by and about women:
If you’re feeling poetic, try these collections:
Many female writers produce their best work through essays and non-fiction works:
If it seems like we missed one of your favorite books that should be honored for International Women’s Day, tweet us and let us know! Want a book that isn’t in the library? Recommend that we purchase it here.
Opening of “Vida y Resistencia en el Territorio Mapuche, Chile (Life and Resistance in the Mapuche Territory, Chile)” Exhibition on March 9, 2018.
We will have an opening event for our exhibition that is called, “Vida y Resistencia en el Territorio Mapuche, Chile (Life and Resistance in the Mapuche Territory, Chile)”. The exhibition will open in Moffitt on March 9th and it will go through June 30, 2018.
The opening event is scheduled from 5 pm through 6:30 pm this Friday. The exhibition was co-sponsored by the CLAS working group- Wallmapu Support Committee. There will a short musical performance and some presentation by the Chilean and Mapuche community members from the Bay Area.
I am attaching the flyer for the event.
The event is open to the community members and the seating might be limited. Please feel free to forward to other colleagues and lists.
Thank you and please try and come.
ARLIS/NA Honors Kathryn Wayne with 2017 Distinguished Service Award
NEW YORK, NY (March 1, 2018)—The Art Libraries Society of North America (ARLIS/NA) is pleased to announce Kathryn Wayne as the recipient of the 2017 Distinguished Service Award. She is the 27th person to receive the Society’s highest honor. The Distinguished Service Award honors an individual whose exemplary service in art librarianship, visual resources curatorship, or a related field has made an outstanding national or international contribution to art information. Kathryn’s deep and far-reaching contributions to the Society and to the field of art librarianship perfectly embody the accomplishments most valued by the Society.
The award was presented to Kathryn by her nominator, Gregory P. J. Most, at ARLIS/NA’s 46th annual conference convocation ceremony, held in New York City on Wednesday, February 28, 2018. Gregory is Chief of the Image Collections at the National Gallery of Art.
Kathryn recently retired as head of the Art History/Classics Library at the University of California, Berkeley. She came to UC Berkeley in 1990 as Architecture and Landscape Architecture Librarian at Berkeley’s Environmental Design Library following many years as Architecture Librarian at the University of Arizona.
Throughout her career Kathryn has taken on leadership positions within the Society. In her role as 27th President of ARLIS/NA, she oversaw the transition to a new management firm, while also pursuing a very public role in advocacy. She initiated letters to Congress backing policies that affected copyright and database legislation; wrote to the Getty Information Institute concerning the importance of continuing the Getty Vocabulary Program; addressed then-Mayor Rudolph Giuliani concerning ARLIS/NA’s stand on the controversial Brooklyn Museum of Art exhibition, Sensation, and corresponded with the President of the National Architectural Accrediting Board concerning recommendations for changing its standards for architecture libraries, many of which were adopted. In addition to serving as president of the national organization, she also served as Western Regional Representative and Chapter Chair for both the Arizona and Northern California Chapters.
Kathryn co-chaired the national conference in 1993, and this work served to inform one of Kathryn’s enduring legacies to the Society. Her fundraising for the 2013 Pasadena and 2014 Washington D.C. conferences yielded record amounts. She has a special ability to persuade individuals, companies, and organizations to generously support the mission of the Society. Her triumphs as a fundraiser made these conferences financially successful beyond all expectations.
Two of her notable publications are the seminal reference book Architecture Sourcebook: A Guide to Resources on the Practice of Architecture published by Omnigraphics in 1997, and her contribution to the 33-volume Encyclopedia of Library and Information Sciences published by CRC Press in 2010, for which she wrote the chapter on Art Librarianship.
Despite these impressive professional accomplishments, Kathryn never lost sight of the fundamental role of librarianship at her home institutions. Her dedication to students endured throughout her career. She established an information literacy program at the University of California, Berkeley School of Environmental Design and shared her experience through a subsequent professional presentation on the program. She mentored San Jose State library school students and University of California undergraduate students. One former student wrote, “Kathryn has not only enriched the profession, she has shaped my life.”
For her contributions to the field at large and to ARLIS/NA in particular, Kathryn Wayne has been awarded the 2017 Distinguished Service Award.
The members of the 2017 ARLIS/NA Distinguished Service Award Sub-Committee were: Rachel Resnik (chair), Maureen Burns, Heather Koopmans, Maria Oldal, and Liv Valmestad.
About the Art Libraries Society of North America
Founded in 1972, the Art Libraries Society of North America is a dynamic, international organization of more than 1,000 individuals devoted to fostering excellence in art and design librarianship and image management in the United States, Canada, and Mexico. The membership includes architecture and art librarians, visual resources professionals, artists, curators, educators, publishers, students, and others interested in visual arts information. To serve this diverse constituency, the Society provides a wide range of programs and services within an organizational structure that encourages participation at all levels.
Navtej Sarna, the Indian ambassador to the United States, visited Bancroft, Doe and the South/Southeast Asia libraries on Monday.
The ambassador, who is a scholar of the Sikh religion, viewed parts of the South Asians in North America Collection, which is housed in Bancroft, and other Library holdings on Sikhism.
Sarna is also a fiction writer, and four of his works are held at the Library: Two are his own fiction works, one is a translation of his father’s short stories, and one is a short travelogue of Jerusalem.
The news of the death of Nicanor Parra of Chile-the antipoet of the masses forced me to reflect on the lifecycle of poetry and its material manifestation-the book. In the era of changing digital environments, the book in its analog form is oftentimes examined through the lens of its utility to the user. Like every material object, the book has its origins, its life-cycle, and its end. However, as a librarian who deeply cares about the preservation of such artifacts in the era of proclaimed digitization efforts, I thought that it might be a good idea to visit our library’s stacks to examine what is sitting on the shelves for a user to grab and read. And yes, Ranganathan is pretty much alive in my memories, and there it was Nicanor Parra’s 1937 edition (the first edition) of “Cancinero sin nombre“, sitting in our “open-stacks.”. This title was published in Santiago de Chile by Nascimento. The first thought that came to my mind is perhaps as a recent curator, I have failed to protect it and guard it against the ravages of time. The second thought that came to my mind was -what might be some of the ways, I could protect it? Should I transfer it to Bancroft for custodial reasons? But then the original binding was lost..so what should I do next! Thus came the decision to request a transfer of this title to Doe’s protected medium-rare cage! I was able to walk it over in person to our stacks supervisor who was more than helpful in this matter. Thank you, my colleagues, for allow me to protect the common heritage object of our humanity! RIP Nicanor Parra, I, El Indio (as I was called by one of my Latin Americal relatives) from India, remains committed to the preservation of Parra’s contribution to the literature of Chile, Latin America, and the World!
Author Parra, Nicanor, 1914- Title Cancionero sin nombre / Nicanor Parra. Published Santiago de Chile : Nascimento, 1937. Location Call No. Status Main (Gardner) Stacks PQ8097.P32 C3 AVAILABLE PRINTED MATERIAL Description 87 p. ; 20 cm. Direct Link http://oskicat.berkeley.edu/record=b13062606~S1 And here one can hear the poet’s voice (courtesy of the Library of Congress) –Chilean poet Nicanor Parra reading from his work. His poem- Jazmin de muerte, made me really think of life, flowers and death! I want to share an excerpt of it with you here.
Below is the site that our colleague Ms. Claudia Cuevas from Chile shared so generously with us!
Next week’s screenings (January 14 and 19) of French filmmaker Jean Renoir’s masterpiece The Rules of the Game (La règle du jeu) at BAMPFA provide a rare opportunity to enjoy the 35mm print of this film on the big screen in its state of the art facilities. The screenings of the 1939 film, regarded by many as one of the best films ever made, also provide an opportunity to inform you of library resources like Kanopy – an on-demand streaming video service which provides access to more than 26,000 films – allowing the UCB community to watch movies on anywhere in lieu of the viewing stations in Moffitt Library’s Media Resources Center. An online database of BAMPFA’s extensive collection of film documentation called CineFiles makes it easy to pull up reviews and other information on major filmmakers. Article databases such as FIAF, Film and Television Literature Index, and the MLA International Bibliography can help you locate scholarly articles on Jean Renoir and other figures of world cinema. For readers of French, Cairn.info – an online collection of more than 400 French and Belgian journals – is a quick way to retrieve full-text articles instantly. And lastly, if you’re just looking for good old-fashioned paper books, the Library has more than 183 of those in OskiCat on Jean Renoir alone.
How can the UC Berkeley Library help breathe new life into old materials?
Just ask Jonathan Zwicker.
Over the course of the fall semester, Zwicker and students from his Seminar in Classical Japanese Texts worked on translating and historically annotating a rare book from the Library’s collections.
The goal? To make a factually enriched translation of the book available online, where it can be used by scholars across the world.
The original book, digitized in Moffitt Library, is a travelogue by Japanese author Kyokutei Bakin, chronicling the people he met and the strange things he saw on his travels from Edo — modern Tokyo — to Osaka and Kyoto in the early 1800s. (One interesting thing he encountered? A robotlike mechanical crab that holds a sake cup, made to deliver rice wine to guests. Bottoms up!)
In researching and annotating the text, Zwicker and his students tied the book to other Library materials, such as 19th-century maps, to bring the work to life and provide historical and geographic context.
This project marks the first time the book has ever been translated and historically annotated.
“I didn’t actually have a definite idea of what I wanted to come out of (the project) other than that it would be somehow available online in some way — to leverage these new technologies to make what we were doing both open to people but also to show the interconnections between the different materials,” said Zwicker, associate professor in the Department of East Asian Languages and Cultures. “That’s, to me, the most interesting part of the book.”
Zwicker’s project is just one part of a broader collaborative effort guided by the Library that offers grants to help make educational resources openly available to students at UC Berkeley — and to scholars everywhere.
“Our program has a dual focus — first, on the creation of open textbooks to yield cost savings for students,” said Rachael Samberg, scholarly communication officer at the UC Berkeley Library, who is directing the effort, “and second, for other courses, it’s more about how incentivizing the creation of open books encourages pedagogically and scholarly innovative projects that benefit not just Berkeley students, but also researchers around the world.”
Zwicker said he hopes that going through the process of creating a new text will help provide a model for others who are pursuing similar projects. He’s already planning to pursue more projects like this one in the future.
And, he said, he couldn’t have done it without the support he received from the Library.
“It’s incredibly rewarding to feel that there’s this much enthusiasm for this kind of work and institutional support, and people are really — they’re not just providing help, but they’re also providing moral support,” he said. “And that’s invaluable.”
New Book from Professor Gregory Levine: “Long Strange Journey: On Modern Zen, Zen Art, and Other Predicaments”
Congratulations to History of Art Department Professor Gregory Levine on his new publication, Long Strange Journey: On Modern Zen, Zen Art, and Other Predicaments, with the University of Hawaii Press.
From the publisher website:
“Long Strange Journey presents the first critical analysis of visual objects and discourses that animate Zen art modernism and its legacies, with particular emphasis on the postwar “Zen boom.” Since the late nineteenth century, Zen and Zen art have emerged as globally familiar terms associated with a spectrum of practices, beliefs, works of visual art, aesthetic concepts, commercial products, and modes of self-fashioning. They have also been at the center of fiery public disputes that have erupted along national, denominational, racial-ethnic, class, and intellectual lines. Neither stable nor strictly a matter of euphoric religious or intercultural exchange, Zen and Zen art are best approached as productive predicaments in the study of religion, spirituality, art, and consumer culture, especially within the frame of Buddhist modernism.
Long Strange Journey’s modern-contemporary emphasis sets it off from most writing on Zen art, which focuses on masterworks by premodern Chinese and Japanese artists, gushes over “timeless” visual qualities as indicative of metaphysical states, or promotes with ahistorical, trend-spotting flair Zen art’s design appeal and therapeutic values. In contrast, the present work plots a methodological through line distinguished by “discourse analysis,” moving from the first contacts between Europe and Japanese Zen in the sixteenth century to late nineteenth–early twentieth-century transnational exchanges driven by Japanese Buddhists and intellectuals and the formation of a Zen art canon; to postwar Zen transformations of practice and avant-garde expressions; to popular embodiments of our “Zenny zeitgeist,” such as Zen cartoons. The book presents an alternative history of modern-contemporary Zen and Zen art that emphasizes their unruly and polythetic-prototypical natures, taking into consideration serious religious practice and spiritual and creative discovery as well as conflicts over Zen’s value amid the convolutions of global modernity, squabbles over authenticity, resistance against the notion of “Zen influence,” and competing claims to speak for Zen art made by monastics, lay advocates, artists, and others.”
Our library’s Cuban Poster Collection was developed over time by my former colleague Dr. Carlos Delgado who was our librarian for the Latin American Studies. These posters as a group are unique markers of the time and milieu that had created them. These posters highlight different aspects of societal changes within Socialist Cuba and give voice to the silent yet interesting narratives through the images that are displayed. In order to make this collection broadly available to various researchers and scholar who cannot physically visit our campus, our library made a decision to digitize them. There are 482 different items within this collection.
I am glad to report that this digitization has been completed. The California Digital Library is working on some issues with the display of thumbnails. However, I wanted to share this exciting project with you as we approach our holiday season!
The finding aid can be accessed here.
Love across the Global South: Popular Cinema Cultures of India and Senegal explores interconnections between South Asian and African popular cultures through film posters, footage, and memorabilia. Focusing on the circulation of Bombay cinema, South Asia’s largest film industry, in Senegal, West Africa, the exhibition foregrounds the role of transnational film cultures and fan clubs in shaping affinities across the Global South. Highlighting archival material held by UC Berkeley—including a collection of twentieth-century popular film magazines and films housed at the Media Resources Center—the exhibition harnesses library holdings to nuance campus debates on race, globalization, and visual representation while experimenting with new curatorial practices that emphasize Afro-Asian connections in an expanded Indian Ocean imaginary. The exhibition is curated by Sugata Ray (Assistant Professor, History of Art), Ivy Mills (Lecturer, History of Art), Liladhar Pendse (Librarian, Central Asian and Eastern European Studies), and Adnan Malik (Curator for South Asian Collections, South/Southeast Asia Library). The Mellon Curatorial Preparedness Initiative funded Curatorial Assistantships for History of Art Department graduate students Shivani Sud and Randip Bakshi.
The exhibit runs from October 6, 2017–March 1, 2018 in the Bernice L. Brown Gallery, Doe Library.